Sentences with phrase «minimal works of art in»

Focusing on abstract and minimal works of art in both sculpture and painting, our artists push the boundaries of their respective mediums to brave new heights.

Not exact matches

These works of art depend on proper care and curation and were featured in minimal settings allowing the mini trees to shine.

«We love tight deadlines and build some amazing works of art in crazy time periods with minimal advanced tools,» she said.

Morellet's emphasis on method over finished form — his work was largely predicated on chance and constraint — put him in line with the minimal and conceptual movements that would come to dominate the contemporary art of the period.

In 1969, the artist Keith Sonnier was included in Harald Szeemann's «When Attitudes Become Form» a the Kunsthalle Bern, a seminal show — recently restaged by the Prada Foundation during the last Venice Biennale — that gathered together work by Joseph Beuys, Walter De Maria, Bruce Nauman, Richard Serra, and other now - legendary figures to survey the vanguard of minimal and conceptual arIn 1969, the artist Keith Sonnier was included in Harald Szeemann's «When Attitudes Become Form» a the Kunsthalle Bern, a seminal show — recently restaged by the Prada Foundation during the last Venice Biennale — that gathered together work by Joseph Beuys, Walter De Maria, Bruce Nauman, Richard Serra, and other now - legendary figures to survey the vanguard of minimal and conceptual arin Harald Szeemann's «When Attitudes Become Form» a the Kunsthalle Bern, a seminal show — recently restaged by the Prada Foundation during the last Venice Biennale — that gathered together work by Joseph Beuys, Walter De Maria, Bruce Nauman, Richard Serra, and other now - legendary figures to survey the vanguard of minimal and conceptual art.

However, for those still seeking to work out if LeWitt was a Minimalist or a Conceptualist, there was in Studio International (April 1969; 177: 910) the gift of Barbara Reise's trailblazing article Untitled l969: A Footnote on Art and Minimal Stylehood.

His work was included in a number of key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Athenaeum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 196art in the 1960s, among them Black, White, and Gray (Wadsworth Athenaeum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 196Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 196Art (Gemeentemuseum, The Hague, 1968).

Sometimes a geometrical work of art is well defined in space, primarily the sculptures which originated within the sphere of minimal art.

His work has been featured in many group exhibitions, including The World is Yours, Louisiana Museum of Modern Art, Humlebæck, Denmark (2009); Le Corbusier: The Art of Architecture, Barbican, London, England (2009); Political / Minimal, Kunst - Werke, Berlin, Germany (2008); Modern Ruin, Gallery of Modern Art, Brisbane (2008); Whitney Biennial 2008, Whitney Museum, New York; Traces du Sacré, Centre Pompidou, Paris, France (2008); The Plain of Heaven, Creative Time, New York (2005); and Greater New York, PS1, New York (2004).

The advocate of the philosophy he called Art - as - Art, Ad Reinhardt was a prominent painter, writer, critic and educator whose work has been associated with the Abstract Expressionism although it had its origins in Geometric Abstraction, announcing the Minimal and Conceptual Art and Monochrome Painting.

Inaugurating its new Hollywood location, Shulamit Nazarian presents Escape Attempts, a group exhibition of seven international artists working in dialogue with the legacy of minimal art.

Featuring: Carmen Argote, Susan Hefuna, Cindy Hinant, Alex McQuilkin, Sarah Meyohas, Virginia Overton, and Naama Tsabar Inaugurating its new Hollywood location, Shulamit Nazarian presents Escape Attempts, a group exhibition of seven international artists working in dialogue with the legacy of minimal art.

Influenced by the formal language of the minimal and conceptual art movements of the 1960s and 70s, Santiago Sierra's work addresses the hierarchies of power and class that operate in our modern society and everyday existence.

In the Hessel Museum it will be possible to view Creed's work in the context of minimal, conceptual and process - oriented art works, one of the core strengths of the Marieluise Hessel CollectioIn the Hessel Museum it will be possible to view Creed's work in the context of minimal, conceptual and process - oriented art works, one of the core strengths of the Marieluise Hessel Collectioin the context of minimal, conceptual and process - oriented art works, one of the core strengths of the Marieluise Hessel Collection.

But the lasting popularity of those works is a reminder that abstraction, in both its messiest and its most minimal forms, has been a major tenet of contemporary art and design.

Carey: The 20th century art movements — Abstract Expressionism, Minimal, Conceptual Art — give my experimental photogram work a context in the 21st century, from this camera-less method at the dawn of the medium in the 19th century to fresh interpretations in the preseart movements — Abstract Expressionism, Minimal, Conceptual Art — give my experimental photogram work a context in the 21st century, from this camera-less method at the dawn of the medium in the 19th century to fresh interpretations in the preseArt — give my experimental photogram work a context in the 21st century, from this camera-less method at the dawn of the medium in the 19th century to fresh interpretations in the present.

The Whitney installation was a continuation of ideas he had explored in a similarly minimal work executed in an out - of - the - way room at the Museum of Modern Art, as he was gradually shedding most of the trappings of an object - making artist.

Ruth Fine, curator of special projects in modern art, National Gallery of Art, and collectors Dorothy and Herbert Vogel Dorothy and Herbert Vogel have amassed one of the greatest collections of minimal, conceptual, and post-minimal art in the world, acquiring works by some of the most important contemporary artists of our tiart, National Gallery of Art, and collectors Dorothy and Herbert Vogel Dorothy and Herbert Vogel have amassed one of the greatest collections of minimal, conceptual, and post-minimal art in the world, acquiring works by some of the most important contemporary artists of our tiArt, and collectors Dorothy and Herbert Vogel Dorothy and Herbert Vogel have amassed one of the greatest collections of minimal, conceptual, and post-minimal art in the world, acquiring works by some of the most important contemporary artists of our tiart in the world, acquiring works by some of the most important contemporary artists of our time.

Her work has been included in many group exhibitions, including Non-solo Show, Non-group Show, Kunsthalle Zürich, Germany (2009); Berlin - Los Angeles: A Tale of Two (Other) Cities, Massimo de Carlo, Milano, Italy (2009); Political / Minimal, KW Berlin, Germany (2009); Momentum 2009, The 5th Nordic Biennial of Contemporary Art, Moss, Norway (2009); and After Nature, New Museum, New York, New York (2008).

As an intern at the Whitney, she was charged with sitting on the gallery floor inside a 1975 exhibition of the work of Richard Tuttle, art so minimal and humble it infuriated many viewers and was a factor in the firing of the curator, Ms. Tucker, who promptly went out and started the New Museum in two small temporary rooms in TriBeCa.

Widely recognized as a main representative of the Concrete art, Franҫois Morellet applied the rigorous rules of mathematics and geometry concepts into his work which classified him in frames of Minimal art too.

She began using coffee residue as a personal material in her art making exploring feelings consciously and subconciously as a method of self discovery Her works become a visual reflection of her mind, the process of her art - making describes how she sees the world, reconstructed on paper in minimal abstract form.

Focusing on American conceptual and minimal art in the Marzona Collection — one of the most significant collections in the world — Minimal Art presents key works from the collection by Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Lee Lozano, Robert Ryman, Fred Sandback and Richard minimal art in the Marzona Collection — one of the most significant collections in the world — Minimal Art presents key works from the collection by Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Lee Lozano, Robert Ryman, Fred Sandback and Richard Tuttart in the Marzona Collection — one of the most significant collections in the world — Minimal Art presents key works from the collection by Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Lee Lozano, Robert Ryman, Fred Sandback and Richard Minimal Art presents key works from the collection by Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Lee Lozano, Robert Ryman, Fred Sandback and Richard TuttArt presents key works from the collection by Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Lee Lozano, Robert Ryman, Fred Sandback and Richard Tuttle.

Focusing on American conceptual and minimal art in the Marzona Collection — one of the most significant collections in the world — Minimal Art presents key works from the collection by Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, >> more Galerie Thaddaeus Ropac ISBN 9780995745605 US $ 45.00 CAN $ 60.00 FLAT40 Hbk, 8 x 10minimal art in the Marzona Collection — one of the most significant collections in the world — Minimal Art presents key works from the collection by Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, >> more Galerie Thaddaeus Ropac ISBN 9780995745605 US $ 45.00 CAN $ 60.00 FLAT40 Hbk, 8 x 10.25 art in the Marzona Collection — one of the most significant collections in the world — Minimal Art presents key works from the collection by Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, >> more Galerie Thaddaeus Ropac ISBN 9780995745605 US $ 45.00 CAN $ 60.00 FLAT40 Hbk, 8 x 10Minimal Art presents key works from the collection by Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, >> more Galerie Thaddaeus Ropac ISBN 9780995745605 US $ 45.00 CAN $ 60.00 FLAT40 Hbk, 8 x 10.25 Art presents key works from the collection by Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, >> more Galerie Thaddaeus Ropac ISBN 9780995745605 US $ 45.00 CAN $ 60.00 FLAT40 Hbk, 8 x 10.25 in.

[8][9] Minimal art is also inspired in part by the paintings of Barnett Newman, Ad Reinhardt, Josef Albers, and the works of artists as diverse as Pablo Picasso, Marcel Duchamp, Giorgio Morandi, and others.

Presenting work in drawing, sculpture, photography, print, and installation, Drawing Dialogues: Selections from the Sol LeWitt Collection re-examines minimal and conceptual art and the parameters of the drawn medium through the organizing lens of one of its greatest practitioners.

There are compelling works such as a molten heap by the sculptor Lynda Benglis, which looks like runny ice cream but is in fact lead, epitomising the moment when the grids and boxes of minimal art made way for sloppiness and unpredictability.

Art history is explicitly tackled in such works as Ryman's Brides, 1997, which presents an array of brides in their wedding gowns, playing on Robert Ryman's use of different tones of white in his minimal monochromes.

The advocate of the philosophy he called Art - as - Art, Ad Reinhardt was a prominent painter, writer, critic and educator whose work has been associated with the Abstract Expressionism although it had its origins in Geometric Abstraction, announcing the Minimal...

Nauman's early works were originally discussed in the context of contemporary practices and discourses, such as minimal music, postmodern dance, conceptual art, Gestalt therapy or the philosophy of language.

I refer to a «sign» in the sense of a representation of something that had not quite come to fruition as an identifiable movement, as later revealed in the works of Donald Judd, Robert Morris, Carl Andre, Dan Flavin, and Sol LeWitt (who, incidentally, was never comfortable with the term «Minimal Art,» preferring instead «Conceptual Art.»)

Dorothy and Herbert Vogel have amassed one of the greatest collections of minimal, conceptual, and post-minimal art in the world, acquiring works by some of the most important contemporary artists of our time, including Christo and Jeanne - Claude, Sol LeWitt, Richard Tuttle, and Pat Steir.

A working artist in New York since the 1950s, LeWitt is a key figure in the development of Minimal and Conceptual art.

Jess Fuller Born 1972, Portland, Maine, US Lives and works in Brooklyn, NY Education University of Iowa, Master of Fin e Arts, Painting, Iowa City, US Boston University, Bachelor of Fine Arts, Painting, Boston, US Solo Exhibitions 2017 Canada, New York, US 2015 Fairy Smoke, Herald St, London, UK Planet without a body, Martos Gallery, New York, US 2012 NADA Miami, Martos Gallery, Miami, US Jellie, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Washed up and bleached out, organized by Jens Peter Brask, Galleri Tom Christoffersen, Copenhagen, DK Group Exhibitions 2016 Fort Greene, curated by Adrianne Rubenstein, Venus, Los Angeles, US Re-Planetizer, curated by The Pit, Regina Rex, New York, US Inside Out, Berthold Pott Gallery, Cologne, DE 8 Femmes, Office Baroque, Brussels, BE 2015 BFA Boatas, Sao Paulo, BZ Call and Response, Gavin Brown?s Enterprise, New York, US I Can?t Wait to GetOff Work, Bannerette, New York, US 2013 The Fruit Loop, Soloway, New York, US Beach Painting Club, Paddle 8 Silent Auction, NY Limits of Desire, 7 Dunham, New York, US A la Carte, Minimal Art, Shoot The Lobster, New York, US 2012 Temperature, curated by Hillary Doyle and Reid Hitt, Projekt722, New York, US Made with Mustard, East Hampton Shed, East Hampton, US Slowed and Throwed, Chinatown Arcade, New York, US Bred and Fed, organized by Mary Grace Wright, Shoot The Lobster, Iowa City, US The Cat Show, Tomato House, Brooklyn, US Dallas Art Fair, Martos Gallery, New York, US New Traditionalists, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Text / Image, SOUTHFIRST, Brooklyn, US The Idea of the Thing..., organized by Rachel Uffner, Halsey McKay, East Hampton, US BNA: From Brooklyn to Nashville, ZieherSmith pop - up gallery, Nashville, US Tensile Strength, ZieherSmith, New York, US Monochrome, The Journal Gallery, Brooklyn, US Group Expo, The Armory Show, Canada Gallery, New York, US The Balloon, SOUTHFIRST, Brooklyn, US A PERSON OF COLOR: a mostly orange exhibition, organized by Jose Lerma, The Green Gallery, Milwaukee, US 2010 SALAD DAYS, The Journal Gallery, Brooklyn, US Material Issue and Other Matters, organized by Wallace Whitney and Michael Mahalchick, Canada Gallery, New York, US Selected Press 2015 Steer, Emilyof Iowa, Master of Fin e Arts, Painting, Iowa City, US Boston University, Bachelor of Fine Arts, Painting, Boston, US Solo Exhibitions 2017 Canada, New York, US 2015 Fairy Smoke, Herald St, London, UK Planet without a body, Martos Gallery, New York, US 2012 NADA Miami, Martos Gallery, Miami, US Jellie, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Washed up and bleached out, organized by Jens Peter Brask, Galleri Tom Christoffersen, Copenhagen, DK Group Exhibitions 2016 Fort Greene, curated by Adrianne Rubenstein, Venus, Los Angeles, US Re-Planetizer, curated by The Pit, Regina Rex, New York, US Inside Out, Berthold Pott Gallery, Cologne, DE 8 Femmes, Office Baroque, Brussels, BE 2015 BFA Boatas, Sao Paulo, BZ Call and Response, Gavin Brown?s Enterprise, New York, US I Can?t Wait to GetOff Work, Bannerette, New York, US 2013 The Fruit Loop, Soloway, New York, US Beach Painting Club, Paddle 8 Silent Auction, NY Limits of Desire, 7 Dunham, New York, US A la Carte, Minimal Art, Shoot The Lobster, New York, US 2012 Temperature, curated by Hillary Doyle and Reid Hitt, Projekt722, New York, US Made with Mustard, East Hampton Shed, East Hampton, US Slowed and Throwed, Chinatown Arcade, New York, US Bred and Fed, organized by Mary Grace Wright, Shoot The Lobster, Iowa City, US The Cat Show, Tomato House, Brooklyn, US Dallas Art Fair, Martos Gallery, New York, US New Traditionalists, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Text / Image, SOUTHFIRST, Brooklyn, US The Idea of the Thing..., organized by Rachel Uffner, Halsey McKay, East Hampton, US BNA: From Brooklyn to Nashville, ZieherSmith pop - up gallery, Nashville, US Tensile Strength, ZieherSmith, New York, US Monochrome, The Journal Gallery, Brooklyn, US Group Expo, The Armory Show, Canada Gallery, New York, US The Balloon, SOUTHFIRST, Brooklyn, US A PERSON OF COLOR: a mostly orange exhibition, organized by Jose Lerma, The Green Gallery, Milwaukee, US 2010 SALAD DAYS, The Journal Gallery, Brooklyn, US Material Issue and Other Matters, organized by Wallace Whitney and Michael Mahalchick, Canada Gallery, New York, US Selected Press 2015 Steer, Emilyof Fin e Arts, Painting, Iowa City, US Boston University, Bachelor of Fine Arts, Painting, Boston, US Solo Exhibitions 2017 Canada, New York, US 2015 Fairy Smoke, Herald St, London, UK Planet without a body, Martos Gallery, New York, US 2012 NADA Miami, Martos Gallery, Miami, US Jellie, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Washed up and bleached out, organized by Jens Peter Brask, Galleri Tom Christoffersen, Copenhagen, DK Group Exhibitions 2016 Fort Greene, curated by Adrianne Rubenstein, Venus, Los Angeles, US Re-Planetizer, curated by The Pit, Regina Rex, New York, US Inside Out, Berthold Pott Gallery, Cologne, DE 8 Femmes, Office Baroque, Brussels, BE 2015 BFA Boatas, Sao Paulo, BZ Call and Response, Gavin Brown?s Enterprise, New York, US I Can?t Wait to GetOff Work, Bannerette, New York, US 2013 The Fruit Loop, Soloway, New York, US Beach Painting Club, Paddle 8 Silent Auction, NY Limits of Desire, 7 Dunham, New York, US A la Carte, Minimal Art, Shoot The Lobster, New York, US 2012 Temperature, curated by Hillary Doyle and Reid Hitt, Projekt722, New York, US Made with Mustard, East Hampton Shed, East Hampton, US Slowed and Throwed, Chinatown Arcade, New York, US Bred and Fed, organized by Mary Grace Wright, Shoot The Lobster, Iowa City, US The Cat Show, Tomato House, Brooklyn, US Dallas Art Fair, Martos Gallery, New York, US New Traditionalists, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Text / Image, SOUTHFIRST, Brooklyn, US The Idea of the Thing..., organized by Rachel Uffner, Halsey McKay, East Hampton, US BNA: From Brooklyn to Nashville, ZieherSmith pop - up gallery, Nashville, US Tensile Strength, ZieherSmith, New York, US Monochrome, The Journal Gallery, Brooklyn, US Group Expo, The Armory Show, Canada Gallery, New York, US The Balloon, SOUTHFIRST, Brooklyn, US A PERSON OF COLOR: a mostly orange exhibition, organized by Jose Lerma, The Green Gallery, Milwaukee, US 2010 SALAD DAYS, The Journal Gallery, Brooklyn, US Material Issue and Other Matters, organized by Wallace Whitney and Michael Mahalchick, Canada Gallery, New York, US Selected Press 2015 Steer, Emilyof Fine Arts, Painting, Boston, US Solo Exhibitions 2017 Canada, New York, US 2015 Fairy Smoke, Herald St, London, UK Planet without a body, Martos Gallery, New York, US 2012 NADA Miami, Martos Gallery, Miami, US Jellie, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Washed up and bleached out, organized by Jens Peter Brask, Galleri Tom Christoffersen, Copenhagen, DK Group Exhibitions 2016 Fort Greene, curated by Adrianne Rubenstein, Venus, Los Angeles, US Re-Planetizer, curated by The Pit, Regina Rex, New York, US Inside Out, Berthold Pott Gallery, Cologne, DE 8 Femmes, Office Baroque, Brussels, BE 2015 BFA Boatas, Sao Paulo, BZ Call and Response, Gavin Brown?s Enterprise, New York, US I Can?t Wait to GetOff Work, Bannerette, New York, US 2013 The Fruit Loop, Soloway, New York, US Beach Painting Club, Paddle 8 Silent Auction, NY Limits of Desire, 7 Dunham, New York, US A la Carte, Minimal Art, Shoot The Lobster, New York, US 2012 Temperature, curated by Hillary Doyle and Reid Hitt, Projekt722, New York, US Made with Mustard, East Hampton Shed, East Hampton, US Slowed and Throwed, Chinatown Arcade, New York, US Bred and Fed, organized by Mary Grace Wright, Shoot The Lobster, Iowa City, US The Cat Show, Tomato House, Brooklyn, US Dallas Art Fair, Martos Gallery, New York, US New Traditionalists, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Text / Image, SOUTHFIRST, Brooklyn, US The Idea of the Thing..., organized by Rachel Uffner, Halsey McKay, East Hampton, US BNA: From Brooklyn to Nashville, ZieherSmith pop - up gallery, Nashville, US Tensile Strength, ZieherSmith, New York, US Monochrome, The Journal Gallery, Brooklyn, US Group Expo, The Armory Show, Canada Gallery, New York, US The Balloon, SOUTHFIRST, Brooklyn, US A PERSON OF COLOR: a mostly orange exhibition, organized by Jose Lerma, The Green Gallery, Milwaukee, US 2010 SALAD DAYS, The Journal Gallery, Brooklyn, US Material Issue and Other Matters, organized by Wallace Whitney and Michael Mahalchick, Canada Gallery, New York, US Selected Press 2015 Steer, Emilyof Desire, 7 Dunham, New York, US A la Carte, Minimal Art, Shoot The Lobster, New York, US 2012 Temperature, curated by Hillary Doyle and Reid Hitt, Projekt722, New York, US Made with Mustard, East Hampton Shed, East Hampton, US Slowed and Throwed, Chinatown Arcade, New York, US Bred and Fed, organized by Mary Grace Wright, Shoot The Lobster, Iowa City, US The Cat Show, Tomato House, Brooklyn, US Dallas Art Fair, Martos Gallery, New York, US New Traditionalists, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Text / Image, SOUTHFIRST, Brooklyn, US The Idea of the Thing..., organized by Rachel Uffner, Halsey McKay, East Hampton, US BNA: From Brooklyn to Nashville, ZieherSmith pop - up gallery, Nashville, US Tensile Strength, ZieherSmith, New York, US Monochrome, The Journal Gallery, Brooklyn, US Group Expo, The Armory Show, Canada Gallery, New York, US The Balloon, SOUTHFIRST, Brooklyn, US A PERSON OF COLOR: a mostly orange exhibition, organized by Jose Lerma, The Green Gallery, Milwaukee, US 2010 SALAD DAYS, The Journal Gallery, Brooklyn, US Material Issue and Other Matters, organized by Wallace Whitney and Michael Mahalchick, Canada Gallery, New York, US Selected Press 2015 Steer, Emilyof the Thing..., organized by Rachel Uffner, Halsey McKay, East Hampton, US BNA: From Brooklyn to Nashville, ZieherSmith pop - up gallery, Nashville, US Tensile Strength, ZieherSmith, New York, US Monochrome, The Journal Gallery, Brooklyn, US Group Expo, The Armory Show, Canada Gallery, New York, US The Balloon, SOUTHFIRST, Brooklyn, US A PERSON OF COLOR: a mostly orange exhibition, organized by Jose Lerma, The Green Gallery, Milwaukee, US 2010 SALAD DAYS, The Journal Gallery, Brooklyn, US Material Issue and Other Matters, organized by Wallace Whitney and Michael Mahalchick, Canada Gallery, New York, US Selected Press 2015 Steer, EmilyOF COLOR: a mostly orange exhibition, organized by Jose Lerma, The Green Gallery, Milwaukee, US 2010 SALAD DAYS, The Journal Gallery, Brooklyn, US Material Issue and Other Matters, organized by Wallace Whitney and Michael Mahalchick, Canada Gallery, New York, US Selected Press 2015 Steer, Emily,?

Many of the better art museums devoted to late 20th century works will have Minimal Art works in their collectioart museums devoted to late 20th century works will have Minimal Art works in their collectioArt works in their collections.

DOROTHY SECKLER: I think it's rather phenomenal the success and the critical attention paid the show in the middle of a season in which most offerings were either geometric abstraction, Op art, Minimal, Pop or sort of things in which the artist would be working much more conceptually as opposed to intuitively and in which the forms would be, in most cases, more geometric.

Heilmann's work falls into line with the artistic œuvres of Josef Albers, Ad Reinhardt and Kenneth Noland — all important exponents of minimal art and colour - field painting likewise represented in the Städel Museum collection.

Humanism and Technology, The Human Figure in Industrial Society, 600 Seoul International Art Festival, National Museum of Contemporary Art, Seoul, December 16, 1994 — January 14, 1995 (Catalogue) Prints and Process, Old Dominion University, Norfolk, Virginia, October 1994 Democratic Vistas: 150 Years of American Art from Regional Collections, University Art Museum, University at Albany, New York, September 24 — November 13, 1994 (Catalogue) Master Prints from the Collection of The Butler Institute of American Art, The Butler Institute of American Art, Youngstown, Ohio, September 9 — October 19, 1994 Visible Means of Support, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, June — November 1994 Against All Odds: The Healing Powers of Art, The Ueno Royal Museum and the Hakone Open Air Museum, Japan, June 9 — July 30, 1994 A Floor in a Building in Brooklyn, Richard Anderson Gallery, New York, June 9 — July 30, 1994 (Curated by Chuck Close) The Assertive Image: Artists of the Eighties, Selections from the Eli Broad Family Foundation, UCLA, University of California, Los Angeles, June 6 — October 9, 1994 From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, D.C., May 29 — November 27, 1994 (Catalogue) Facing the Past: Nineteenth — Century Portrait from the Collection of the Pennsylvania Academy of the Fine Arts and Confronting the Present, The Frick Art and Historical Center, Pittsburgh, May 27 — June 24, 1994 Inaugural Group Exhibition, Off Shore Gallery, East Hampton, New York, May 14 — June 13, 1994 30 YEARS ---- Art in the Present Tense: The Aldrich's Curatorial History 1964 — 1994, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, May 15 — September 17, 1994 (Catalogue) Face - Off: The Portrait in Recent Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, September 9 — October 30, 1994.

A far cry from his early, reductive, minimal black paintings, that catapulted Stella to fame in the art world, many of the works are wild with color, texture and depth.

In October 1967, when Konrad and Dorothee Fischer opened a tiny exhibition space in a disused alley in the center of Dusseldorf with an exhibition of work by Carl Andre, Minimal and Conceptual Art wer.In October 1967, when Konrad and Dorothee Fischer opened a tiny exhibition space in a disused alley in the center of Dusseldorf with an exhibition of work by Carl Andre, Minimal and Conceptual Art wer.in a disused alley in the center of Dusseldorf with an exhibition of work by Carl Andre, Minimal and Conceptual Art wer.in the center of Dusseldorf with an exhibition of work by Carl Andre, Minimal and Conceptual Art wer...

14 Feb 2011 20 Mar 2011 The Moderns: The 1960s and 1970s The Moderns: The 1960s and 1970s explore many of the key artistic movements of the period, including the impact of the ground - breaking ROSC exhibitions in the 1960s and»70s, and of Minimal and Conceptual Art, in the works of Brian O'Doherty, Barry Flanagan and Michael Craig - Martin, will also be examined.

Like Joseph Beuys, Byars worked to overcome art's pure object character in a blending of Minimal and Conceptual practice with performance art «actions.»

This exhibition explores the highly formulated and transitional status of geometrical abstraction in the work of women artists from three generations: beginning with (Neo) concrete works on paper from the 1950s by Lygia Pape, to Minimal and Color Field paintings from the 1960s by Rosemarie Castoro and Gina Pane, the 1960 - 80s Pop Art influenced pattern paintings by Barbro Östlihn, to post-Concretist installations, structural and systemic experiments and text pieces from the 1970s and 80s by Lydia Okumura, Lenora de Barros, Martha Araújo, Dóra Maurer and Samia Halaby, to the original contemporary formulations of this history by Paloma Bosquê.

Though today many museums in the United States, such as the Museum of Modern Art in New York, the Whitney Museum of American Art, the Hirshhorn Museum, or the Phillips Collection, and collectors of international renown possess works by Eilshemius, the artist has faded into ever - greater obscurity, especially since the advent of Pop and Minimal Art.

In the 1969 exhibition A Plastic Presence organized by the Jewish Museum in New York and the Milwaukee Art Center (now the Milwaukee Art Museum), Lamis was featured within a wider range of sculptors working with plastic in Minimal, Op, and Constructivist styleIn the 1969 exhibition A Plastic Presence organized by the Jewish Museum in New York and the Milwaukee Art Center (now the Milwaukee Art Museum), Lamis was featured within a wider range of sculptors working with plastic in Minimal, Op, and Constructivist stylein New York and the Milwaukee Art Center (now the Milwaukee Art Museum), Lamis was featured within a wider range of sculptors working with plastic in Minimal, Op, and Constructivist stylein Minimal, Op, and Constructivist styles.

Here, around one hundred works of art invite the visitor to find out more about the special focus areas of the Daimler Art Collection: the constructivist and concrete tendencies evident in the pictures of Josef Albers, Anton Stankowski and Camille Graeser, the interaction of line, surface and space in works by Georges Vantongerloo, Norbert Kricke and Ben Willikens, pictures and decorative objects of the zero avant - garde of around 1960, classics of the Minimal Art movement by Charlotte Posenenske or Franz Erhard Walter from around 1970, and recent photographic and video works by artists from India, South Africa and the art invite the visitor to find out more about the special focus areas of the Daimler Art Collection: the constructivist and concrete tendencies evident in the pictures of Josef Albers, Anton Stankowski and Camille Graeser, the interaction of line, surface and space in works by Georges Vantongerloo, Norbert Kricke and Ben Willikens, pictures and decorative objects of the zero avant - garde of around 1960, classics of the Minimal Art movement by Charlotte Posenenske or Franz Erhard Walter from around 1970, and recent photographic and video works by artists from India, South Africa and the Art Collection: the constructivist and concrete tendencies evident in the pictures of Josef Albers, Anton Stankowski and Camille Graeser, the interaction of line, surface and space in works by Georges Vantongerloo, Norbert Kricke and Ben Willikens, pictures and decorative objects of the zero avant - garde of around 1960, classics of the Minimal Art movement by Charlotte Posenenske or Franz Erhard Walter from around 1970, and recent photographic and video works by artists from India, South Africa and the Art movement by Charlotte Posenenske or Franz Erhard Walter from around 1970, and recent photographic and video works by artists from India, South Africa and the US.

These works cover three periods in the history of neo-avant-garde art ranging from artists from the late forties to the early sixties (Piero Manzoni, Lucio Fontana, Martial Raysse), the American minimal art from the fifties and sixties (Carl Andre, Sol LeWitt, Dan Flavin) and the post modernism from the mid-seventies and eighties (Anselm Kiefer, Sigmar Polke, Keith Haring).

It also introduces new work such as Shirazeh Houshiary's «Turning Around the Center» (1993), which turns what look like minimal sculptures into light - catching devices that avow faith in «the power of art to transform our lives,» as the exhibition title has it.

1989 Concept - Decoratif (Anti-Formalist Art of the 70s), Nahan Contemporary, New York, US The Presence of Absence: New Installations, Gallery 400, University of Illinois at Chicago, Chicago, Illinois, US; University of Arizona Museum of Art, Tucson, Arizona, US; Laumeire Sculpture Park and Garden, St. Louis, Missouri, US; Albany Institute of History and Art, Albany, New York, US; Oakville Galleries, Oakville, Ontario, CA; University of Kentucky Art Museum, Lexington, Kentucky, US; Longview Museum and Arts Center, Longview, Texas, US; Prichard Art Gallery, University of Idaho, Idaho, US; Museum of Art, Penn State University, University Park, Pennsylvania, US; The University of Iowa Museum of Art, Iowa City, Iowa, US; University Art Museum, University of New Mexico, Albuquerque, MX; Otis / Parsons Gallery, Los Angeles, California, US Words, Tony Shafrazi Gallery, New York, US Inedits / I, FRAC Bourgogne, Dijon, FR; APAC, Centre d'Art Contemporain, Nevers, FR Micro Sculpture, Fine Arts Center, University of Rhode Island, Kingston, Rhode Island, US Early Conceptual Works, Sperone Westwater Gallery, New York, US From Concept to Context, The Art Gallery of York University, Toronto, CA Saga 89, Eric Linard Editions, Grand - Palais, Paris, FR Un Choix dans les Collections du Nouveau Musee de Villeurbanne, Palais de Beaux Arts de Charleroi, Charleroi, BE Collections du Frac Nord Pas - de-Calais, Santa Scolastica, Bari, IT Group Show, San Francisco University Art Department Gallery, A&I Room 201, San Francisco, US Word / Image, Lehman College Art Gallery, Bronx, New York, US Ad Usum Dimorae, Palazzo Querini Stampalia, Venice, IT Bilderstreit, Ludwig Museum, Rheinhallen, Cologne fair grounds, Cologne, DE From the Collection of Dorothy and Herbert Vogel, Terra Museum of American Art, Chicago, Illinois, US Open Mind - Circuit Ferme, Museum van Hedendaagse Kunst, Ghent, BE Ohne Auftrag, Mai 36 Gallery, Art Frankfurt, The New International Art Fair, Frankfurt, DE Magiciens de la Terre, Centre Georges Pompidou and Grande Halle, La Villette, Paris, FR Competition Diomede, The Clocktower Gallery, New York, US; San Francisco State University Art Department Gallery, A&I Room 201, San Francisco, California, US Ideas and Ephemera, Real Art Ways, Hartford, Conneticut, US Geometrie Meridienne, Chateau Coquelle, FRAC Nord Pas - de-Calais, Dunkerque, FR Noise et Fenetres en Vue, Musee d'Art Moderne, Liege, BE Locus Solus XII, Galerie Hubert Winter, Vienna, AT Fondation Daniel Templon, L'Exposition Inaugurale, Capitou, FR Furkart 1989, Furkapasshoehe, CH Analytic to Poetic, Burnett Miller Gallery, Los Angeles, California, US Skulpturen für Krefeld I, Museum Haus Esters, Krefeld, DE John Miller / Gary Mirabelle / Lawrence Weiner, American Fine Arts Co, New York, US In Other Words, Museum am Ostwall, Dortmund, DE Gran Pavese: The Flag Project, Museum van Hedendaagse Kunst, Antwerpen, BE; Druot Montaigne, Paris, FR Another Group Show, Galerie Hubert Winter, Vienna, AT Forum, Stalke Gallery, Hamburg, DE Hier Wird Getanzt, XPO Galerie, Hamburg, DE Group Show, Elizabeth Kaufman, Basel, CH Lineart»89 Gent, Galerie B. Coppens and R. Van De Velde, Flanders Expo, Brussels, BE «Dreams» and Other Works on Paper, Leo Castelli Gallery, New York, US Moscow - Vienna - New York, Wiener Festwochen, Messepalast, Vienna, AT Minimal and Conceptuel, Oeuvres Anciennes, Gabrielle Maubrie, Paris, FR The Library - Artists» Books, A / D, New York, US Hamburg Projekt 1989, Hamburg, DE Einleuchten, Will, Vorstel und Simul in HH, Deichtorhallen, Hamburg, DE Musee d'Art Contemporain Lyon / Werke aus der Sammlung, Stadtische Galerie Goppingen, Goppingen, DE Sculptures de Kabakof, et al, ELAC, Lyon, FR Conceptual Art - Une Perspective, ARC, Paris, FR; Deichtorhallen Hamburg, Hamburg, DE; Fundacio Caixa de Pensions, Madrid, ES Broken Lines, Victoria Miro Gallery, London, UK Bel voor de Laatste Ronde, Art and Project, Amsterdam, NL Die Letzen 22 Jahre, Kunstverein in Hamburg, DE Acchrochage für Tatlin, Stadtische Kunsthalle Dusseldorf, In Other Words, Museum am Ostwall, Dortmund, DE Gran Pavese: The Flag Project, Museum van Hedendaagse Kunst, Antwerpen, BE; Druot Montaigne, Paris, FR Another Group Show, Galerie Hubert Winter, Vienna, AT Forum, Stalke Gallery, Hamburg, DE Hier Wird Getanzt, XPO Galerie, Hamburg, DE Group Show, Elizabeth Kaufman, Basel, CH Lineart»89 Gent, Galerie B. Coppens and R. Van De Velde, Flanders Expo, Brussels, BE «Dreams» and Other Works on Paper, Leo Castelli Gallery, New York, US Moscow - Vienna - New York, Wiener Festwochen, Messepalast, Vienna, AT Minimal and Conceptuel, Oeuvres Anciennes, Gabrielle Maubrie, Paris, FR The Library - Artists» Books, A / D, New York, US Hamburg Projekt 1989, Hamburg, DE Einleuchten, Will, Vorstel und Simul in HH, Deichtorhallen, Hamburg, DE Musee d'Art Contemporain Lyon / Werke aus der Sammlung, Stadtische Galerie Goppingen, Goppingen, DE Sculptures de Kabakof, et al, ELAC, Lyon, FR Conceptual Art - Une Perspective, ARC, Paris, FR; Deichtorhallen Hamburg, Hamburg, DE; Fundacio Caixa de Pensions, Madrid, ES Broken Lines, Victoria Miro Gallery, London, UK Bel voor de Laatste Ronde, Art and Project, Amsterdam, NL Die Letzen 22 Jahre, Kunstverein in Hamburg, DE Acchrochage für Tatlin, Stadtische Kunsthalle Dusseldorf, in HH, Deichtorhallen, Hamburg, DE Musee d'Art Contemporain Lyon / Werke aus der Sammlung, Stadtische Galerie Goppingen, Goppingen, DE Sculptures de Kabakof, et al, ELAC, Lyon, FR Conceptual Art - Une Perspective, ARC, Paris, FR; Deichtorhallen Hamburg, Hamburg, DE; Fundacio Caixa de Pensions, Madrid, ES Broken Lines, Victoria Miro Gallery, London, UK Bel voor de Laatste Ronde, Art and Project, Amsterdam, NL Die Letzen 22 Jahre, Kunstverein in Hamburg, DE Acchrochage für Tatlin, Stadtische Kunsthalle Dusseldorf, in Hamburg, DE Acchrochage für Tatlin, Stadtische Kunsthalle Dusseldorf, DE

BROADWAY 1602 is a contemporary art gallery with a decade of expertise in introducing the pioneering work of women artists from the 1960s and 70s from the Pop Art, Minimal and Concept Art miliart gallery with a decade of expertise in introducing the pioneering work of women artists from the 1960s and 70s from the Pop Art, Minimal and Concept Art miliArt, Minimal and Concept Art miliArt milieu.