Sentences with phrase «minute film installation»

Not exact matches

LORNA SIMPSON, «Easy to Remember,» 2001 (16 mm film, approximately 2:56 minutes), a video installation featuring 15 separately recorded voices all humming the same tune, was recently on view as part of the Baltimore Museum of Art's Black Box series.

The Varieties of Experience, 2008 16 mm film, color, silent 8:00 minutes Installation view, The Possibility of an Island Museum of Contemporary Art, Miami, USA Photo: Steven Brooke

Silent Film of a Tree Falling in a Forest, 2006 16 mm film, color, silent 7:10 minutes Installation view, 2008 Whitney Biennial Exhibition Park Avenue Armory, New York, USA Photo: James Ewing

Cinema Concepts, 2003 35 mm film transferred to DVD 12:35 minutes Installation view, Centric 65: Mungo Thomson University Art Museum, California State University, Long Beach, USA, 2004 Photo: Chris Griffiths

The Swordsman, 2004 35 mm film, color, silent, transferred to DVD 1:00 minute Performer: Bob Anderson Installation view, Mungo Thomson: New York, New York, New York, New York John Connelly Presents, New York, USA

Untitled (Margo Leavin Gallery, 1970 ---RRB-, 2009 Super-16mm film, color, silent 5:11 minutes Installation view, Mungo Thomson: Time, People, Money, Crickets SITE Santa Fe, Santa Fe, USA, 2013 Photo: Kate Russell

The collected footage, created with filmmaker Nicolás García (Chile) and photographer Ruben Diaz (US), has been assembled into two versions: a three - channel film installation and a single - channel 20 - minute short.

Untitled (Margo Leavin Gallery, 1970 ---RRB-, 2009 Super-16mm film, color, silent 5:11 minutes Installation view, Life: A User's Manual Meessen De Clercq, Brussels, Belgium, 2011 Photo: Philippe De Gobert

The Varieties of Experience, 2008 16 mm film, color, silent 8:00 minutes Installation view, Mungo Thomson: The Varieties of Experience John Connelly Presents, New York, USA, 2009

Kader Attia, Reason's Oxymorons, 2015, 18 films and installation of cubicles duration: variable, 13 to 25 minutes.

Untitled (Margo Leavin Gallery, 1970 ---RRB-, 2009 Super-16mm film, color, silent 5:11 minutes Installation view, Mungo Thomson: Time, People, Money, Crickets Contemporary Art Gallery, Vancouver, Canada, 2015 Photo: Scott Massey

Untitled (Margo Leavin Gallery, 1970 ---RRB-, 2009 Super-16mm film, color, silent 5:11 minutes Installation view, Mungo Thomson: The Varieties of Experience John Connelly Presents, New York, USA

That means Elizabeth Price is showing the same video installation, The Woolworths Choir of 1979, as she did at the Baltic in Gateshead; Luke Fowler is exhibiting his 93 - minute film All Divided Selves, exploring the controversial psychiatrist RD Laing, which was first shown in Edinburgh; and Chetwynd is restaging key moments from a month of performance madness that she organised at Sadie Coles Gallery in London.

A visual and narrative feast, it was published in conjunction with the Fall / Winter 2014 presentation of «Ten Thousand Waves» (2010), a 55 - minute immersive film installation projected onto nine double - sided screens at the Museum of Modern Art in New York.

MEREDITH DANLUCK North of South West of East, 2011 (film stills) Film installation 85 minutes Co-produced by Ballroom Marfa, Ex Vivo Productions, Jorge Linares and Renwick Gallery Commissioned by Ballroom Marfa Photography © Fredrik Nilsen

Lita Albuquerque's 20/20: Accelerando is a haunting 3 - gallery (26 - minute) film installation with its original music score by artist and composer Robbie C. Williamson.

Bosland and Langwa channel this with a sample of vintage Lyle Ashton Harris pictures from the Ektaarchive (1989 — 92); they echo a four - minute film and text installation by Evan Ifekoya, who likens queerness to a beautiful, necessary glitch in our collective code.

At sixty — three minutes, Banewl (1999), the film that comprises Dean's MATRIX installation, is of unusual length for the artist.

Installation view of Western Round Table, 2009, The Lux, London, two 16 mm films, two projectors, two loops, optical sound, 2 minutes.

Over the course of his career, he has sculpted, manipulated, and controlled time in mind - bending works such as the video installation 24 Hour Psycho (1993), for which he slowed down Alfred Hitchcock's iconic film Psycho so that it ran for exactly 24 hours rather than the original 109 minutes.

Installation view, Power Distributor Door, Hotel Door, Safari Bar Door and Temporary Construction Door designed by Anna Viebrock, 2017; Floor Runner from the stage design of Riesenbutzbach Eine Dauerkolonie, by Anna Viebrock, 2009; and Alexander Kluge, The Soft Makeup of Light, 65 mm film transferred to digital projection, 13 minutes 34 seconds.

Beginning in 2000, the formal and conceptual rigor, minute attention to detail and rich, sensuous imagery that characterize Gehr's work in film have become the hallmarks of his recent experiments with digital media, including the multi-channel high definition digital video installation format used in Surveillance, his 2010 commission for the Madison Square Park Conservancy.

The show also includes a documentary film installation entitled «The Sprawl (Propaganda About Propaganda)», a 70 - minute «dive into online and offline truths, fictions, and their sponsors».

At Matt's Gallery's smart temporary space in Bermondsey (the gallery will move to a new development in Battersea next year), was her film installation called Lay Down, in which for 21 minutes we watch a real - life cowboy coax his horse into lying down.

The Five Senses assumes the hybrid form of a five - channel video installation crossed with (studio) performance, featuring a young Claflin, filmed against a bare white wall, invoking the five Aristotelian senses in five performances each lasting about five minutes: hearing, scent, touch, taste, and seeing.

Moataz Nasr 2003 Monologue film, two channel video 4 minutes, 27 seconds Arabic with English translation Installation view Photo by Alfredo Rubio

The installation will be a setting for the projection of a new 11 - minute, high definition, computer - animated film of the same name, with a sound score by Zig Gron.

Their 21 - minute video, «Permission Streak,» filmed with handheld cameras, GoPros and drones, is screened in a carpeted mini-theater strewn with gym mats, a «custom diving bunk,» message boards and ambient sound (the installation as a whole is called «Safety Pass»).

«LOOKING BACK» - SPECIAL CLOSING EVENT / SCREENING AT ANTHOLOGY FILM ARCHIVES A special one - night screening as a part of the exhibition «Looking Back - the 4th White Columns Annual», curated by Primary Information PAUL SHARITS SHUTTER INTERFACE (1975, 32 minutes, double 16 mm, color, sound) This 2 - projector version of the 4 - projector «locational» installation reorganizes the four reels into an equally engaging work meant for theatrical screening.

The result was a six channel installation composed of a large main screen that displays a four - minute loop of an edited film and five Hantarex monitors presenting raw, unedited footage that showed the events transpiring inside the bathhouse, the overall atmosphere of the space, as well as the relationships between the women.

TONY OURSLER Imponderable (film still), 2015 - 16 5 - D multimedia installation duration: 78 minutes © 2016 Tony Oursler.

Installation view of Tacita Dean's film «Mario Merz» (2002, 16 mm film, colour, optical sound, duration: 8 minutes 30 seconds)

A selection of Thomas» video, film and performance work curated by Sky Sitney COURTHOUSE GALLERY, Anthology Film Archives, ON THE SHAPE OF THE SCAB — experimental narrative 15 minute Video + sculptural installation at for the duration of the New York Underground film Festival, March

30 minute experimental narrative film, sculptural installation and live performance, based on a response to the Jehovah's Witness pamphlet of the same name.

KADER ATTIA Reason's Oxymorons, 2015 18 films and installation of cubicles duration: variable, 13 to 25 minutes Courtesy the artist and Lehmann Maupin, New York and Hong Kong

Artist and filmmaker Martha Colburn depicts a frenetic, whirlwind narrative of an epic topic — the history of American war from Bunker Hill to Baghdad — collapsed into a 10 - minute animated film in the Museum's latest New Media Series installation, Triumph of the Wild (2008 — 9).

In October 2016 his 40 - minute two - screen video installation Auto Da Fé, filmed in Barbados and inspired by the theme of 400 years of migration and religious persecution, went on show in Cardiff.

The exhibition features a large - scale video installation, accompanying performances, and a new series of photographic works, this exhibition marks the North American debut of Siegel's 33 - minute film, «Winter» (2013).

For the SHE MAD: Laughing Gas video installation, Syms uses Edwin Porter's 1907 nine - minute silent film of the same title as a starting point.

At the centre of Knowles's installation is a 45 minute film shot at Southwark Crown Court.

16 mm film installation, sound, 5:27 minutes.

The exhibition features GLENN LIGION, «Live,» 2014 (silent seven channel video installation; Edition of 3 and 1 AP; Duration: 80 minutes, 51 seconds), which is based on the 1982 film «Richard Pryor: Live on the Sunset Strip.»

Teresa Hubbard and Alexander Birchler's film Single Wide, the upcoming New Media Series installation, presents a gripping, though deliberately enigmatic, six - minute story.

CAMP 2009 — 2013 Colour video projection with sound 80 minutes Installation view Commissioned by Sharjah Art Foundation This film commissioned for Sharjah Biennial 11 draws from four years of dialogue between artist collaborative studio CAMP and sailors based on boats that dock in Sharjah.

Agnieszka KURANT Cutaways 2013 HD digital film duration: 23 minutes, 40 seconds Installation view Agnieszka Kurant: exformation, Sculpture Center, Long Island City, New York, 2013 - 2014

Consisting of six large - scale photographic works, a 12 - minute looped film installation and two cross-sections cut directly from the houses, Final Act, a solo exhibition by Ian Strange, premiered at the Canterbury Museum as part of Rise Festival on Friday December 20, 2013 and runs until March 23, 2014.

The artist will lead Contemporaries Patrons through an immersive installation featuring neon window sculptures and an 11 - minute Hitchcockian horror film starring the musician St. Vincent.

Last year the German artist Christian Jankowski travelled to Poland to produce Heavy Weight History, which consists of an installation, a 25 - minute film and a series of photographs.