Sentences with phrase «minute mark though»

After the 30 minute mark though Arsenal went through a purple patch for a few minutes and we came close.

Not exact matches

Alas, though, I have started my soups way before the 30 minute mark as I like my soups / stews flavors» to meld.

Just a minute later Juanmi headed in a Malaga reply though Carlo Ancelotti will be wondering why his side were not adequately marking the forward.

It might have got to the 31 - year - old, though, as he appeared to make reference to it in the footage below, if you watch from around the 5.11 - minute mark.

The closest competition for current Pjanic is the 2012 - 2013 vintage, during which he turned in slightly better numbers in chances created and key passes per 90 numbers, though it must be said that he only played 1,710 league minutes that season, a mark he'll surpass in his next match, so if nothing else, his performances haven't dipped with the heavier workload.

Things seemingly heading back into United's favor though as just right on the 45th minute mark, Bournemouth saw read as Andrew Surman got himself sent off.

What impressed us the most, though, was how they kept a rich array of City striking talent quiet for the best part of 70 minutes, and it wasn't until Mark Hughes introduced Roque Santa Cruz for a disappointing Robinho that City started playing.

The play was physical from the start, though English referee Mark Clattenburg kept his cards in his pocket until Dani Carvajal forced his hand with a late tackle on Antoine Griezmann in the 11th minute.

Given the events of the last two weeks, I imagine Republican donors are less concerned with the polling numbers and more concerned with the impression the Republican campaign is giving of being completely inept, particularly in light of the revelation that Romney's staffers are paid more to achieve less than their Democrat counterparts (though Rachel Maddow shared an amusing story this week suggesting that wealthy Republicans had no problem throwing money at a sinking ship [skip to the 2 minute mark]-RRB-.

This is a fun garland, and even though it's all about being wild and crazy, it still started to feel a bit tedious by the 30 - minute mark.

And while Willis» arrival at around the 30 minute mark temporarily injects the proceedings with some life, Perfect Stranger has been saddled with a hopelessly sluggish and curiously uneventful midsection that predominantly feels as though it's spinning its wheels - with the inclusion of one or two genuinely engrossing sequences (eg Rowena attempts to shut off her computer before Harrison sees what she's been up to) unable to compensate for the pervasively stale vibe.

Even though Mark Wahlberg wears a hat, we still recognize him and are reminded every minute not who he and Thandie Newton are, but who they aren't — Cary Grant and Audrey Hepburn, who starred in the original.

The direction, cinematography and editing is stunning (though perhaps there's a bit too much handheld camerawork for Mark's taste), and the 157 minute running time whizzed by, which is quite a rarity for someone like me who believes brevity to be the soul of wit.

Though the basic premise is filled with potential, offering a unique spin on the traditional rom - com formula that takes a big risk with its time - hopping narrative, the characters aren't very compelling (or likable, for that matter) apart from Travis Fimmel's socially awkward sperm donor, who disappears around the 30 - minute mark never to be heard from again.

Amityville II: The Possession (1982 — Damiano Damiani) Though this sequel (or prequel depending on what you want to believe about the background of the stories) plays out its devil possession story little by little, it's quite amazing how it reaches a major crescendo around the 20 minute mark and then another at an hour before its final inevitable fiery showdown.

Of course, every Statham movie is contractually obligated to contain at least some action, and though «Wild Card» has its share, the first fight sequence doesn't occur until the 40 - minute mark, and even then, it's short and sweet.

They banter and bicker under the auspices of comedy (though none of it it all that funny) and the film struggles to make it to the 96 - minute mark.

She probably went a little bit further than the three - minute mark, though, because she did also say this: «Is it just about clothes?

Sideways marks the latest collaboration between Alexander Payne and Jim Taylor, and though it's overlong by about 20 minutes, the film likely marks their best work to date.

Thanks to director Richard Raaphorst, the basics never get old, though the film takes its time getting going and only really fires on all cylinders after the thirty - minute mark or so.

None of that is important for the first 30 - 40 minutes of the movie, though, because Cuarón and his team of collaborators — notably Emmanuel Lubezki (gorgeous cinematography), Steven Price (unsettling musical score), Mark Sanger (seamless editing with Cuarón), and Andy Nicholson (meticulous production design)-- have created a setting and a mood and a tempo and a feeling that sweeps from sheer beauty quickly into sheer, sustained terror.

Check out the video above to see it in action, though the checkpoint system doesn't get showcased until around the 7 minute mark in the video.

Mostly, though, Don't Breathe is just an exercise in pure, sustained intensity, kicking into high gear around the 15 - minute mark and then never letting up until the final frames.

«And for the first fifteen minutes of our conversation, you kept your finger in the book, marking your place, as though you couldn't wait to get back to it.»