Sentences with phrase «minute montage»

A 67 - minute montage of decomposing nitrate film, it was selected to the US Library of Congress» National Film Registry in 2013.

Many titles I care about appeared in that four minute montage at the top of the conference and were never named, let alone mentioned or explained.

«Elevated Existence» is a 10 - minute montage created by the folks over at Termacious Trickocity, and it chronicles the result of a countless number of hours messing around in various Halo games, trying to land the perfect launch.

A simple 5 minute montage of some of the upcoming high - profile games for the system would have gone a long way to placating many vitriolic gamers.

An eight - minute montage of interviews with Shatner, Nimoy, Kelly, and Montalban conducted in 1982 (followed by three minutes of animated production stills — one depicts an on - set «Fantasy Island» prank), storyboard archives for thirteen sequences (on one such panel is scribbled the directive «This must be gorgeous!»)

Imagery so lush and intense, matched with the most beautiful Morricone score, make this Malick film — found and made in the editing room — a breathtaking ninety - four - minute montage of early twentieth - century rural life that remains unsurpassed as an example of a searching New Hollywood mastery.

Disc 2's final listing «American Film Institute Trailer», is a potent 1 - minute montage of movie - viewing movie scenes, promoting enrollment in the institute.

«Disney's Rootin» Tootin» Cowboy Heroes» is a 2 1/2 minute montage of clips from the studio's cowboy films and shorts, set to the score and theme of Apple Dumpling Gang.

As far as these cut scenes go, viewable with or without commentary by Scott, most of which are throwaway bits, but in keeping with the package's «go the extra mile» attitude, also included is a seven - minute montage of unused shots assembled especially for the disc by Scalia.

This could have taken a one minute montage to relate, but instead, the first half of the film is nothing but redundant scenes of the couple going further and further in debt.

The DVD's other extras, a six - minute montage of photos set to score excerpts, production notes, and animated menu screens are nice but are in line with the overall lightweight quality of the supplementary material.

, as well as a six - minute montage of the «Evolution of Visual Effects Shots.»

, a press conference - style interview with the Brooks brothers, collectors of 20,000 Leagues Under the Sea memorabilia; and «Production Gallery», a 3 - minute montage of production stills.

(They join a 3 - minute montage of Blake's art set to Anne Kerr's frothy «I've Gone Native Now.»)

Extras are, per Anderson's M.O., exasperatingly abstract: The cover copy refers to the bonus features as «special trailers,» but one is just a deleted scene of Shasta and Doc watching the waves lap against the shore at dusk (their lips are moving, but a dreamy Greenwood composition mutes everything they say), while the fourth and final, «Everything in this Dream,» is an artful 6 - minute montage of cutting - room scraps, including a few shots of Doc and Sauncho watching a schooner leave port that could be construed as the ending from Inherent Vice the novel.

There is a 7 minute montage of behind the scenes footage, not very exciting at all.

In the era of Youtube and GoPro Hero, do we really need a movie that isn't more than a 90 - minute montage of extreme stunts?

I'd start with a 5 minute montages of upcoming games and projects, followed by a 10 minute introduction by Phil about MS not new, but refocused vision on the needs of hardcore gamers where he introduces the games for the night.

Not exact matches

I've seen his montages on youtube and yeah, he looks good but a 90 minute, unedited game reveals a lot more about a player than a mocked up highlight reel.

Anyway, because yes, I am THAT mom (and totally 100 % okay with it), I captured many of the moments on camera and put together this little two minute video montage of her first steps.

Dishonored's combat gets thoroughly revealed in this haunting three - minute gameplay montage trailer.

Description: Dishonored's combat gets thoroughly revealed in this haunting three - minute gameplay montage trailer.

Within the first ten minutes Lily and Harley have gotten two musical numbers, with the second a montage tribute to their adorableness.

Several minutes later, we see Deadpool jaunt across the world, slaughtering interchangeable villains in many countries, each shot of this montage an elaborate, frenetic long take that finds the hero stabbing and shooting, slicing off heads and arms, and eventually just cold chainsawing some mooks.

For more praise of the actor, we get a three - minute and 32 - second montage called Generation: Cruise.

He has an affability and grace that makes him interesting to watch, but Silberling's film is the equivalent of a funny 20 - minute short that is dragged out to a full - length feature through music interludes and montages involving Paz Vega getting dressed, washing her car, or Freeman learning about Target (the department store).

Even after 30 minutes of previews and a two - hour feature, you're so deeply invested by the time the credits rolls that you just have to stay for another five so you can catch the montage of the characters and their real life counterparts.

It's also a good, solid 20 minutes too long, with one or two challenges too many, one or two montages too many.

Apatow's special edition supplements are always terrific and this is no exception, from the 75 - minute «Funny People Diaries» (a making - of documentary as a personal journey through the film guided by director Apatow) to the deleted / alternate scenes, montages of ad - libs and other goodies.

Fun with Casting (3 minutes) offers an audition tape montage for many cast members.

Peirce embroiders it all with consumer - video - styled montages well - crafted to resemble real soldier videos (with the first five minutes of Stop - Loss alone, Peirce puts Brian De Palma's Redacted to shame).

It's a twenty - minute musical montage — a VH1 classic video presentation that has Crowe emptying out his record collection to the doll - eyed gesticulations of Bloom doing a fascinating imitation of a marionette and Dunst providing a hackneyed voiceover in an accent that might be Southern but is so elusive I could never hone in on its peculiarities.

DVD Extras Trailers, audio commentary, three short «Search for the Stars» featurettes, four additional scenes, an «action» montage, LeAnn Rimes» «Can't Fight the Moonlight» video, a 2 - minute «Coyote 101» featurette, and a look «Inside the Songs» (revealing where the inspiration came from for such incredible lyrics as «Baby you're the right kind of wrong» and «You can't fight the moonlight»).

The 95 minute film feels like one giant montage that never ends.

For personal reasons, though, as well as personal tastes, Montage of Heck was 145 minutes of fascination, excitement, and enlightenment, a clear standout in a year where there were ample amounts of superb, documentary filmmaking.

In the universe of this film, being a «bad mom» isn't just the musical montage where three grown women destroy a supermarket, it's standing up for yourself, taking a few minutes each day to do what she wants, and not spoiling the children.

A quick montage of prayers and pledges of allegiance and scripture readings, for example, captures the Catholic high school experience in about a minute of screen time.

The events of its predecessor are covered in the first five minutes of Hellbound: Hellraiser II, in an entirely unhelpful montage that provides secrets into the birth of arch-villain Pinhead (Doug Bradley) but is doubtless arcane to neophytes.

This time it's a fast paced action montage of just over half a minute in length (this

In that thirty minutes we are subjected to montage after montage, which makes it hard to submerge oneself in the fiction that early in the film.

However, just as it's a predictable response that the majority of people who saw Up were viscerally impacted by the first 10 minutes, the reaction to the film as a whole has also become slightly stereotypical, summed up as follows: the so - called «Married Life» montage, in which we watch the lead character, Carl Fredricksen, and his wife, Ellie, as they live their lives over multiple decades, culminating in her death at an old age, is excellent.

There are another 31 minutes of highlight montages from the playground and league play, most extensively culled from ESPN and ESPN2 broadcasts of the important Progressive tournament victory and the failed assists record attempt McDonald's game.

A twenty - minute film proudly advertised as «An Exclusive Documentary» is a hastily patched together montage of extended clips from the movie maladroitly edited together with press - junket interviews.

«Prelude to a Dream» is a 6 - minute, Tom Cruise - produced montage of behind - the - scenes clips voiced - over by would - be pretentious pronouncements from Cameron Crowe.

Opening with the trailer which appeared last month and closing with a montage of previously seen images, five separate sequences from the film were screened in between (a total of approx. 10 - 12 minutes).

An Up Promo Montage runs five minutes, 52 seconds.

The «Crew Music Video» (3 minutes) is a montage of cast and crew members performing and dancing in front of a silver curtain.

Its lesser supplemental extras consist of a one - minute photo montage and a clutch of a half - dozen trailers for this movie and other TLA releases.

A running two - minute, 11 - second montage, it shows various publicity stills in a stylized manner that makes them less than satisfying.

During the four - minute, 23 - second Hitman vs. Bodyguard, we get a movie montage.