The editing could use some tightening up and at several times during the 91 -
minute running time I felt as if I was wading through the scenes.
The film's underdeveloped characters and thin — though busy — story are forced into the foreground, and its 88 -
minute running time feels far longer.
The 90
minute run time felt like 190 minutes.
Lathimos makes the film's 121 -
minute running time feel like a nightmarish eternity of suffering with his slow pace, long takes, morbid humor, disturbing violence, and moral ambiguity.
There's a lot of filler here too, which makes the excessive 141
minute run time feel excruciating.
The film flows like treacle, with the 93
minute running time feeling like well over two hours.
But the story is so dull and pedestrian, that even its short 81
minute running time feels like a death sentence.
Just as problematic is that the 83
minute running time feels bloated.
Not exact matches
Mirror Online
feels it's our civic duty to point out that the complete
running time of all of the Star Wars movies, including The Force Awakens, is 15 hours and 40
minutes.
Even squeezing in a 15 -
minute run several
times a week or a nightly after - dinner walk will improve your mood and make you
feel a lot less stressed - out.
Masses of
time - starved people flock to these classes that
run anywhere from a mere 20
minutes — a hardcore hour or less and get their cardio, strength and sweat on,
feeling cleansed and spent.
What happens is that in fact I'm
feeling a bit worse and every
time I do a 20
minutes easy
run my calves get really tight and sore.
It's ultimately clear, however, that Fear and Desire simply isn't able to justify its feature - length
running time (ie the whole thing
feels padded - out even at 61
minutes), with the movie's less - than - consistent vibe paving the way for a second half that could hardly be less interesting or anti-climactic - which does, in the end, confirm the film's place as a fairly ineffective first effort that does, at least, highlight the eye - catching visual sensibilities of its preternaturally - talented director.
The one thing I will mention is that I
felt so bad for Donny (Steve Buscemi), who was constantly being tormented by John Goodman, but it added an extra little treat to the film that the Dude never directly talked to him throughout the 117
minute run time.
If it were 40
minutes shorter it might have
felt like its actual
running time.
The primary theme of the film, «
feeling connected to yourself,» is poorly developed and far too oblique to sustain it for its 160
minute running time.
Stranger, despite its detached narration (by Zak Orth) and breezy
feel, is a totally enervating experience, a film which
feels as though it takes three hours to unspool, despite its relatively brief 95 -
minute run time.
As it is, there were no extraneous scenes or dialogue, and it does kind of come off
feeling rushed, even at 142
minutes running time.
With a
running time of 115 -
minutes, Ted 2 is ludicrously overlong, and practically
feels like five uncensored episodes of Family Guy crazy - glued together.
Sitting through the 108 -
minute running time, it
felt like the filmmakers (director Gavin Hood and producer Hugh Jackman) sat through Wanted, The Bourne Series and every bloody Michael Bay film there is and took every trait they could.
First, the film's
run -
time of only 90
minutes feels way too bloated.
Michael: It's hard to imagine what could bring me back to the franchise at this point, (I
feel like I only just got done sitting through At World's End) but a a 90
minute running time would be a step in the right direction.
Maybe it was rushed to take a shot at awards, or maybe it was a mess throughout the project, but it is overly long (
run time is 128
minutes but
feels like Godfather - length) and painful at
times to sit through.
Not helping is the 126
minute running time that
feels more like three hours.
But in Oakland, where director Ryan Coogler was born and some of the movie takes place, residents say the superhero film symbolizes something more, including
feelings that can't be contained in the 135 -
minute running time.
A few snips here and there, and a reduction in
running time of at least twenty
minutes, may benefit I Saw The Light's overall
feel, because, as it stands, the film, in a very ironic way, is the complete opposite of the subject matter it is trying to portray.
Deliberately paced, the drama may be unhurried and somewhat supine for its 89 -
minute running time, but the picture is so invested in telling its story with such an emotionally honest, unsparing and vulnerable countenance, that the viewer's patience does largely pay off, although it may leave some audiences
feeling restless.
Paranoid Park is certainly the filmmaker's most inaccessible effort to date, as the movie - which is chock full of all his expected stylistic quirks, including long tracking shots of people walking - ultimately
feels as though it's about 20
minutes worth off story stretched out to fill a 90
minute running time.
However, PROTOTYPE's 63
minute running time does
feel quite long, which only
feels longer by the amount of
times the film fades to black.
Even bigger than the issue of one - note unpleasantness and a 115 -
minute running time that
feels twice as long is that in immediate wake of «American Honey» and Oscar - winner «Moonlight,» the movie is dealing in a currency far less than mint.
It makes this third episode
feel fresh, ensuring that the 130 -
minute running time whizzes right by.
Jesse Hassenger at Filmcritic.com said it best with «It's like watching three interlocking «Twilight Zone» episodes» and I agree that in a way, that's exactly what The Nines
feels like but there's enough material and scope to nicely fill the 99
minute running time.
Director Sidney Lumet has infused Serpico with an episodic
feel that paves the way for a decidedly hit - and - miss atmosphere, with the movie's far - too - long
running time of 130
minutes ultimately highlighting the meandering nature of Waldo Salt and Norman Wexler's screenplay.
The Battle of the Five Armies is, on the whole, more enjoyable than The Desolation of Smaug, but it
feels like a film that's been padded out to fill the 144
minute running time.
One is tempted to blame a 86 -
minute run time, and the rushed nature of some character awakenings (Edwards's in particular) would seem to support that, but then the snail's pace of the talky, inert proceedings make the film — and Murphy —
feel like its wasting its precious, limited
time.
And because the screenplay is beyond awful, the film
feels like a whole hour is missing from the front or back despite a 100 -
minute running time.
Na's film is epic (156
minutes) and that
running time can sometimes be
felt but it's also haunting and truly unique in its genre hybrid aspirations.
It takes a while for the trio to get together and hit the road (everything takes a while in this movie, which
feels longer than its 125 -
minute running time).
But somewhere along the way — perhaps in the editing room, perhaps in the traditional push - and - pull with faceless suits to get the
running time below 100
minutes — «Redbelt»
feels like a story gone astray.
This is not an unheard of
running time for the genre, but for such a snarling, aggressive film, 158
minutes feels like an eternity.
The two - hour - and - fifteen -
minute run time hardly
feels like it, when you're swept away by the despotic world of Francis Lawrence's Panem.
Monsters at
times feels like an extended travelogue, and no matter how interesting the doctored post-apocalyptic Mexican landscape may be, the movie winds up
feeling longer than its short 94
minutes running time.
A lengthy 130
minute running time, along with a disappointing final scene, put a small damper on things, but there's no denying how powerfully delightful the film's sea change
feels.
It ultimately comes down to the fact that the scene is simply used to progress the story forward which
felt very rushed given the film's bloated 123
minute run -
time.
The neon - bathed luxury B - movie approach to «Drive» had surprising mileage, but his latest picture
feels thematically and tonally exhausted long before it reaches the final stretch of its measly 90
minute running time.
As a result, the film
feels even longer than its two hours and 17
minute run time.
Since the play's
running time was whittled down by more than an hour, the screenplay packs a lot of material into a relatively tight 2 hours and 10
minutes, but Wells and Letts aren't afraid to indulge when they
feel it necessary.
At a
running time of 153
minutes it may have been a subplot that was left on the cutting room floor, but the film never
feels long and a few moments of life with Loki are sorely missed.
At the pretty standard IMAX length of 47
minutes, one
feels like Sacred Planet would have the same effect even if its
running time were much shorter or longer.
Often
times people will
run to a debt management program at the last
minute when they
feel they might not be able to keep current on this months payments.