Sentences with phrase «minute runtime»

If there's one area in which Youth falters a bit, it's making the 118 - minute runtime feel long.

Eventually, the 145 - minute runtime of «In Darkness» starts to feel long.

And as Django becomes the sole focus towards the end, the bloated 160 minute runtime starts to show.

Despite all these shortcomings director B.D. Benedikt creates a pretty compelling thriller that zips along — though I'm sure the cool 77 - minute runtime helps with that.

The film's epic 150 - minute runtime allows plenty of room for Johnson's inventiveness, but there's also a tiny bit of fat in the middle of the movie, specifically in the Canto Bight scenes with Finn and Rose.

In all, the movie worked reasonably well through its 133 - minute runtime with a likable group of misfits, carefully executed action sequences, and just enough humor to stray not too far from the dirty, harsh world of 19th century America, giving the post-Civil War a whole new perspective regarding the racial diversity and its impact.

None really added any real substance to the movie, but rather made the 137 minute runtime longer than it needed to be.

There's usually only so much of the Odd Future aesthetic one can take before the darkness becomes overwhelming, and so a sub-40 minute runtime is perfect.

It's also very long, much longer than the 150 - minute runtime indicates.

And yet, the movie spends easily 40 minutes of its 160 minute runtime explaining this to us, in exhausting (but never really compelling) detail.

The brisk 78 minute runtime certainly helps, but the main reason the film is so watchable are the endearing performances.

It's rife with all the usual melodrama of a music biopic, but the characters are never fully developed, despite the fact that the film's bloated 134 minute runtime gives plenty of opportunities to do just that.

By the standards of western animation, Castle's 125 - minute runtime qualifies it as an epic, but that length is justified by a lack of detours.

When a franchise descends to having its own characters wink at the audience with jokes about how it's run out of ideas, and resorts to just (literally) setting things on fire, not once but twice in it's 90ish minute runtime, it's one movie past time to stop.

The episode's extra-roomy 75 - minute runtime also allowed for strong character moments such as the restaurant scene with the two leads.

Yet the filmmakers spend the entire 106 - minute runtime bringing that into question.

In fact, it's almost too much like the «Pirates» movies, dragged down by an overly complex story that crams a bunch of unnecessary junk into its bloated 149 - minute runtime at the expense of character development and pacing.

As anyone who has read the graphic novel can tell you, there's a lot more to the story than that, and Snyder does his best to cram as much into the film's massive 163 - minute runtime as he possibly can.

Meanwhile, the volume, engaged acting and pleasurable script leaves us wishing the 116 - minute runtime didn't fly by so quickly.

Unfortunately, you have to suffer through a bunch of terrible one - liners and puns, generic PG - 13 action and an overlong 126 - minute runtime just to get to the good bits, and despite the talent involved, there aren't enough to make it worth your time.

Out of the 106 minute runtime there isn't moment of enjoyment or quality.

Just eliminating these pauses alone could have gotten the 2 hour - 15 minute runtime under 2 - hours.

Thelma Schoonmaker — almost certainly the most important collaborator of Scorsese's — expertly patches the chaos together, and with the exception of some minor lulls the 180 minute runtime whizzes by.

(It is eligible for the Oscars, which only require a 40 - minute runtime for feature consideration.)

Beyond that, its condensed 100 - ish minute runtime and sly «last meal» transitions work in its favour.

The script, which is largely free of dialogue, doesn't shy away from the crushingly mundane cycle of survival during a zombie plague: the film's 105 - minute runtime largely consists of moments that are repetitive, as Andy's optimism is reignited and snuffed out over and over.

The film's tone, focus, and crux all seem to change repeatedly throughout the patience - taxing 149 - minute runtime achieved by long takes and lingering on disposable shots.

Staged like a no - holds - barred boxing match between its two stars, the movie blazes through its tension - filled 122 - minute runtime so fast that you almost forget to breathe.

A brisk 90 - minute runtime keeps the film from feeling overlong, however, characters are still allowed to make too many bad decisions within its duration.

«Unfinished Business» is the type of movie that is so awful that as it rolls along (its 91 - minute runtime feels agonizing) you get more and more restless.

Though Suzanne Collins» third and final novel in the series was adapted into two separate films (an infuriating trend initiated by the «Harry Potter» series), the story is handled exceptionally well and doesn't feel dragged out, despite the 2 hour and 15 minute runtime of the film.

Its relatively brief 95 - minute runtime starts to feel like a dirge.

This must - see presentation will give you and your date much to talk about, and the 25 - minute runtime is the perfect length to ensure you have enough time to spend talking and getting to know each other.

Sadly, her character is long gone some 30 short minutes into the film's 2 - hour - forty - five - minute runtime.

Division comes concerning the film's length, with some enjoying the epic 165 - minute runtime, and others finding it an overbloated self - indulgence.

The plot of the film is really more of a subplot, comprising some 20 - 25 minutes of the 105 - minute runtime, which is otherwise spent on the two snobs having irrational arguments about stupid things, pausing occasionally to have a bland version of kinky sex (sometimes they leave the lights on!).

And even at its long 140 - minute runtime, the film never has you itching for it to end.

This is to be expected in a film with 30 + main characters, even with a 149 - minute runtime, but the Russos and Markus & McFeely do an otherwise masterful job at balancing intimate character beats and big, sweeping action set - pieces.

Most of the film's 85 minute runtime is spent waiting to see when and how the four family members will deal with each of the three strangers and whether they'll survive.

With soaring cinematography by Eric Gautier (Christmas Tale), an anthem - like soundtrack for ascetic rebellion by Pearl Jam's Eddie Vedder, strong acting, lyrical narration written by poet Sharon Olds, beautiful landscapes, and non-linear structure, Penn masterfully fills the 148 - minute runtime.

The Efficiency Expert isn't worth the short hour and twenty nine minute runtime, unless you're like me and just want to see everything Anthony Hopkins has ever done.

Yes, the conclusion is satisfying, but even for a mere 100 minute runtime, I think it could've been shaved to about 80.

The result is a maddening film, not just for its endorsement of immorality, but for its lack of likable characters, and a plot that drags along in a way that makes it feel far more than its hour and forty minute runtime.

In the 85 - minute runtime, a slew of characters are introduced.

In a World... packs a lot of story into its brisk 93 - minute runtime.

Apart from the basic setup and big finale, most of the film's 83 - minute runtime is wasted on song - and - dance filler that doesn't do anything to progress the story.