Sentences with phrase «minute scenes set»

Not exact matches

From the Inside Out - «Making Avengers: Age of Ultron»: A 20 - minute video going back 18 months showing what it was like on set of the film in Italy and Seoul, Sourth Korea; a look at the Avengers Tower; some of the behind - the - scenes early visual effects of Ultron; early concept work for Quicksilver, the Hulk, and Vision; and more.

No more is this present than in the best scene of the 2 hour 30 minute production, set in 1970s Hampstead.

The DVD also includes the 30 - minute «The Hidden Side of «Persepolis,»» which delves into how the comic book originally came about and how Satrapi set out to adapt it to film, and the 8.5 - minute «Behind the Scenes of «Persepolis,»» which gets up close and personal with the voice talent and animators.

DVD Details: Universal's DVD comes with an 11 - minute «making of» featurette, deleted scenes, another 7 - minute «behind the scenes» featurette, and two more featurettes, one on the armada and another on the set design.

This compilation lasts 26 minutes, 52 seconds and shows exactly what it describes: behind the scenes film from the Dictator set.

Moreover, the screenplay sets up a few sturdy ideas that could have been turned into something if anyone had paid attention to them, such as a 90 - minute time limit before the police come to investigate the disrupted alarm, or automatic lights or a drone camera, established in the early scenes.

Nine episodes on three discs with commentary on the first and final episodes of the set by executive producer Kevin Murphy and bonus podcast commentary by members of the cast and production team on four episodes, plus seven video blogs, deleted scenes and a five - minute «Re-Caprica» of «Season 1.0.»

DVD Extras Anamorphic 1.85:1; incredibly atmospheric animated menus; scene selection; choice of 2.0 / Dolby digital 5.1; full audio commentary by co - writer / director Shane Meadows, co - writer / star Paddy Considine, and producer Mark Herbert (all giggling), revealing that the decision to include Anthony in scenes other than flashbacks was last - minute, that the script changed daily on - set, that the castle was a disused zoo, and that the original ending was too close to Get Carter; nine minutes of commentary out - takes (Easter egg); Optimum trailer reel; What U Sitting On?

We spoke about directing Stephen Lang, channeling (and rejecting) cinematic influences, and how the film's best scene was the result of a last - minute on - set rewrite.

A smattering of extras begins with a deleted scenes section that more accurately details abandoned concepts for the films; running 12 minutes when «play all» is selected, «All Things Deleted» includes intros from producer Pam Marsden, Disney Toon executive Jeff Howard, and director Matthew O'Callaghan that never once make mention of the precedent - setting nature of the production!

A 19 - minute behind - the - scenes featurette rounds out the disc; therein, the extremely articulate Tim Blake Nelson sums up the atmosphere on set as «a perpetual feeling of rehearsal,» and Taylor expresses awe for the dedication of his crew.

Disc two includes nearly six hours of additional material including a 196 - minute making - of documentary, entitled Strength and Honor: Creating the World of Gladiator, and as if this was not exhaustive enough more behind the scenes technical information is provided in the five - part Image and Design section which includes featurettes on sets, costumes, and weapons as well as extensive photo galleries.

Extras include a six - minute behind - the - scenes featurette whose highlight is star Wilson suiting up for a pre-production supersonic flight; seven deleted or extended scenes — among them odd alternate opening and closing title sequences — with optional commentary from director Moore and editor Paul Martin Smith — these trims carry a viewer discretion warning, for they would've threatened the film's PG - 13 rating; a fantastic, largely CGI pre-visualization (with, again, optional Moore / Smith commentary) of the virtuoso ejection set piece that at times gives Final Fantasy a run for its money; the teaser trailer for Spielberg's upcoming Minority Report; and two engrossing full - length commentaries, one by Moore and Smith, the other producer John Davis and executive producer Wyck Godfrey.

But beware, this film starts really slowly, and in the first 15 minutes you wonder whether this was a good choice of movie - but the scene is being set for Wilf Ferrell's geeky / seemingly humdrum life.

A five - minute featurette called «Greetings From Bull Mountain» is the standard five - minute B - roll / soft - sell interview errata that features a few additional male buttock shots; «King of the Mountain» is a two - minute music video that splices action sequences from the film together with bloopers and sets it to music (something resurrected in feature - length form by this year's ESPN's X-movie); and nine chapter - encoded deleted scenes (blissfully sans commentary and running between fifteen seconds and a minute, each) are essentially long «comedy» shticks that prove for as bad as Out Cold was, it could have been even worse.

Limited Edition 2 Disc DVD set & Blu - Ray Extras: 36 minute Black Metal short film of deleted scenes, Alternate ending, Outtakes, The Cutting Room with musicians not in the film including: Enslaved, Ted «Nocturno Cutlo» Skjellum from Darkthrone, and Jørn «Necrobutcher» from Mayhem, plus more with Ulver, Immortal, Jan Axel «Hellhammer» Blomberg, Gylve» Fenriz» Nagell and Kjetil «Frost» Haraldstad, 46 more minutes of Varg Vikernes and a 45 minute class on the history of black metal with Fenriz

A Deleted and Alternate Scenes section (15:29) consists of six scenes, which Tarantino discusses and sets up in one 3 - minute group Scenes section (15:29) consists of six scenes, which Tarantino discusses and sets up in one 3 - minute group scenes, which Tarantino discusses and sets up in one 3 - minute group intro.

Rounding out the special features are twelve «webisodes» — «Production Design,» «Wardrobe,» «Stunt Work,» «Lena Headey,» «Adapting the Graphic Novel,» «Gerard Butler,» «Rodrigo Santoro,» «Training Actors,» «A Glimpse from the Set: Making 300 the Movie,» «Scene Studies from 300,» «Fantastic Characters of 300» — totalling 38 minutes.

The film reaches its high point in a thirty - minute - long party scene at an abandoned country mansion, set to a string of tunes that evoke the era.

At just 90 minutes, A Quiet Place is brisk, but it's also patient; this is one of those monster movies that builds tension from the absence of the monster, at least until the full - bore, unbroken set - piece of the second half, when all the stillness and pregnant pauses give way to an extended riff on the best scenes in Jurassic Park.

Included there is an alternate four - minute opening scene, a great featurette about «Origins of Cars 2» and really cool virtual tour of the Radiator Springs set.

Nine deleted scenes — technically scene extensions — running 5 minutes as a block are neither here nor there even if they shed light on footage heretofore glimpsed only in The Life Aquatic's trailer, while a «Starz on the Set» making - of (15 mins.)

A 13 - minute «making of» featurette («Out of Time: Crime Scene») is the typical B - reel footage mixed with on - set junket soundbites.

When David's dad suffers a heart attack in the opening scene, Richard Kind wastes no time in subverting your expectation (the word «Orientals» comes up), a move that turns lazy schmaltz into laughs — and sets the tone for the whole 30 minutes.

The special effects are fine and there a few quality action sequences (the dwarves barrel escape scene is a standout), but, once again, there is no resolution and yet Jackson sets - up the conclusion in such an obvious fashion that you wish he simply took another 20 minutes and ended it here.

... Marvel has announced that Joss Whedon's Avengers: Age of Ultron is set for a Blu - ray and DVD release on October 2nd, and will include 45 minutes of exclusive special features including a «making of» featurette, deleted and extended scenes, a gag reel and director's commentary, along «The Infinite Six», a featurette exploring the build to Avengers: Infinity War.

The three minutes or so, comprised of 52 cuts shot with 78 set - ups, that make up the shower scene in Alfred Hitchcock's classic horror thriller Psycho.

Warner Bros. has unveiled a behind - the - scenes featurette for The Dark Knight Rises that includes more than 13 minutes of movie footage, interviews with cast and crew, and set shots that somehow still manages to keep all the secrets of the conclusion of Christopher Nolan's Batman trilogy.

Disc 2 starts off with an 83 - minute documentary covering the sets, costumes, make - up, locations (in Prague and California), and uses plenty of behind - the - scenes footage with amusing preambles from del Toro.

In Region 2, where Valiant came to DVD a few weeks earlier, the film was treated to some behind - the - scenes bonus features, including a 14 - minute making - of featurette, a scene progression, recording sessions footage, a television special set at the film's world premiere in London, and the theatrical trailer (something that Disney never includes on the DVD of the film itself, merely as a promotional tool on other DVDs).

The «Behind the Scenes Featurette» (9 minute) also delivers little info as we get some random on - set footage and comments from Evans, Biel, and Bryant, but we never get any info on how this film from a first - time director got made.

The disc expands upon the last release's 2 1/2 - minute making - of piece with a 9 - minute featurette titled «Making the Deuce», but drops a storyboard - to - scene comparison and (for no good reason) the theatrical trailer, while adding seven deleted scenes (no play - all option provided), several «fly on the set» shorts, which let the cameras roll in between scenes (again, no play - all option provided), and a «video diary» made up of on - set footage taken by the director himself.

Highlighted by an audio commentary with director Louis Leterrier and co-star Tim Roth, an alternate opening that shows Bruce Banner contemplating suicide in the Arctic Circle, and a whopping 42 minutes of deleted scenes, the single - disc set is packed with more punch than a Hulk Smash.

Hildebrand: Probably just how friendly everyone was, I don't know, and also how slowly things go, because there are so many people, like how slowly it takes to film certain scenes and to set up for another shot takes like fifteen minutes because everyone is getting ready to set up.

MGM / UA's double - DVD set contains some serious extras: plenty of outtakes, a fairly interesting 75 - minute «making - of» documentary, and an interactive deconstruction of three scenes in which the viewer can select between camera angles.

Although the film is short at 86 minutes, even that seems too long — there is fully half - an - hour of scene - setting during which the story makes no progress before the two main characters find themselves on the island, and once they arrive there significant chunks of the time is filled with their rolling in the sand or with musical numbers designed to let Madonna strut her stuff.

There are three making - of featurettes, including «Back Beyond,» a 20 - minute collection of outtakes and additional scenes set to music.

Other bonus materials include an audio commentary with directors Don Bluth and Gary Goldman, deleted scenes, five interactive set - top games and a ten - minute featurette called Secrets behind the Secret.

The 20 - minute biographical portrait Tati Story features generous clips of Tati on film, stage and TV, the six - minute Au - del de Playtime reveals rare behind - the - scenes footage from the city set he built on the outskirts of Paris, there's a rare audio interview with Tati from the Q&A of the U.S. debut of Playtime at the 1972 San Francisco Film Festival and Jacques Tati in Monsieur Hulot's Work, a 1976 program on the director made for the BBC art series Omnibus.

Beautifully mastered on DVD and Blu - ray, which preserve the intricate textures and vivid, defining colors of the film, with commentary by filmmaker Guillermo Del Toro (whose pride in his work shows through), the featurettes «Beware of Crimson Peak» (a seven - minute guided tour through the manor) and «The Light and Dark of Crimson Peak» (about the set designs and color schemes), and five deleted scenes.

Bonus features consist of a half dozen preview trailers, including for The Assassin Next Door, as well as a sub-par, uninvolving behind - the - scenes featurette that consists of 19 - plus minutes of mostly unshaped on - set and B - roll footage.

(Like so many of the movie's Earth - set sequences, this expository scene is set in a car and looks so cheap that it comes as a surprise when, minutes later, one discovers that the production had the budget for a space station set and a cast of more than two people.)

Hence the 91 - minute flight is shot in real time and, a few brief preliminary scenes aside, the film's scope is narrowed down to a handful of settings: five windowless control rooms and the inside of the passenger jet.

The three - disc set features commentary on the first and final episodes (not particularly enlightening, for all the motivations they reveal), two behind - the - scenes featurettes (about 15 minutes apiece), a brief, light interview with Ian McKellan and clips from the panel discussion at «The Prisoner Comic - Con Panel» that also doesn't shed much light on anything.

Features include: two expanded episodes — Forever Young and The Becoming; three audio commentaries: Chyler Leigh and Associate Producer Karin Gleason on the season premiere, A change is Gon na Come; Lauren Stamile and Executive Producer / Director Rob Corn on Forever Young, and Sandra Oh and Director Julie Anne Robinson on The Becoming; New docs on the Block — featurette on the three new members of the cast — Chyler Leigh, Brooke Smith and Lauren Stamile; On Set with Patrick and Eric — the boys of Grey's goofin»; Good Medicine: Favorite Scenes; Dissecting Grey's Anatomy: Deleted Scenes [optional commentary would have been nice here...]; In Stitches: Season four Outtakes, and One Quick Cut — Grey's from day one to the first part of season four in four minutes.

Included is Sho Kosugi: Martial Arts Legend, a new 21 - minute interview with the actor about him and his career; The Making of Black Eagle, a 36 - minute featurette with Sho Kosugi, director Eric Karson, screenwriter Michael Gonzales, actors Doran Clark, Shane Kosugi, and Dorta Puzio; Tales of Jean - Claude Van Damme, a 19 - minute featurette with many of the same people speaking about their experiences working with Van Damme; The Script and the Screenwriters, a 27 - minute featurette with Michael Gonzales and Eric Karson discussing the film's development; a set of 11 deleted and extended scenes, all of which are in the extended cut and offer up a tiny bit more story and character development more than additional action or carnage; trailers for the film itself, D.O.A.: A Rite of Passage, Attack of the Killer Tomatoes, and Savannah Smiles; a fold - out poster; and a DVD copy of the film, which offers up all of the same extras.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

«Updating a Classic» (19 minutes) is a making - of featurette with lots of behind - the - scenes footage, although given the press that they've received in recent years, it's odd to see Lohan's parents on the set.

The thoughtful 25 - minute featurette «Introducing Chloe: The Making of Chloe Directed by Atom Egoyan» is a solid, in - depth piece with some nicely revealing behind - the - scenes footage (I especially like an on - set conversation between Neeson and Egoyan where Neeson suddenly grasps and voices the subtext).

Indeed Sidibe's Jamaican sass - monster character seems to disappear for the last 20 minutes of the heist itself (which is jarring since there's a shot that seems to set up a scene that we never see), but there are a couple of physics - defying moments in the big set piece that managed to keep the audience gasping (and would have been heart - stopping on an IMAX screen).