Not exact matches
In addition, we get nine Extras that fill seven
minutes, 11 seconds; these are also
cut sequences, and I'm not sure why they're put in a separate section.
Synopsis: In 78 setups and 52
cuts, the deliriously choreographed two -
minute shower
sequence in Psycho ripped apart cinema's definition of horror.
Exhibit A: after something like three -
minute sequence of a spiral staircase collapsing, we
cut to the face of an onlooker, who, with eyes wide open, exclaims: «A staircase is collapsing!»
The run time is a short 82
minutes, although that itself is padded out with a 10 -
minute end credits
sequence that is injected with several outtakes and alternate scenes that didn't make the final
cut.
Frances Ha used its quick
cuts like punchlines; Mistress America does plenty of that (it's quick, coming in under 90
minutes) but also stages a bravura, extended farce
sequence in the Connecticut suburbs that turns its snappy dialogue into a symphony of wit and movement.
As I wrote above, it's episodic and there's another 45
minutes of deleted episodes (not just
cut scenes but complete
sequences) in the supplements.
It's a short scene, only a couple of shots over a couple of
minutes, and Bordwell uses it as an example of the simple virtuosity of Hong Kong filmmakers, how they are able, again and again, to make an exciting and fun
sequence out of almost nothing, budget-wise, and specifically how Tsui's mastery of
cutting and framing keeps the whole
sequence as light and airy as it is inexpensive.
thanks to Yavor for calling our attention to the knockout clips after the
cut (2 -
minute action
sequences which naturally may be considered spoilers), along with two intensely menacing posters.
We may never know if xXx: Return of Xander Cage ever had such
sequences because the finished product more closely resembles a «
cut and paste» fan edit of the trailer, stretched out (somehow) to 107
minutes.
This heartbreaking musical remake of William Wellman's 1937 Hollywood melodrama starring Fredric March and Janet Gaynor (remade a third time in 1976 by Frank Pierson, with Babs Streisand and Kris Kristofferson), is here finally restored to its full length (casual viewers should be aware of the photo - still / audio tape reconstruction of one major
sequence - after impatient studio head Jack Warner removed almost 30
minutes from its original running time back in 1954,
cutting two whole numbers by Harold Arlen and Ira Gershwin).
Carried over from the previous DVD release are the complete ten -
minute robbery
sequence that Carpenter
cut from the film (it was meant to be the opening scene) with optional commentary by Carpenter and Russell, the vintage promotion featurette «Return to Escape From New York,» trailers, and a gallery of stills, posters, and promotional art.
Expectations are high for director J.J. Abrams» second Enterprise tour, but this installment delivers action
sequences at 10 -
minute intervals, frequently
cutting into more interesting character interactions.
Criterion's Blu - ray presents the film exclusively in its 1996 extended
cut, rather than the unrated 100 -
minute original theatrical
cut that abbreviated that out - of - nowhere party
sequence.
Even in the butchered version distributed in Britain (dubbed and
cut to 102
minutes) it's worth seeing: the mood remains, as does the film's central
sequence, a superbly executed silent jewel robbery in the Place Vendôme.
No one in their right minds should really wish for the overblown 20
minute cut - scene / codec
sequences of Metal Gear Solid 2, but something that matches it for cinematic excellence would have been great to witness in what is arguably one of the most sumptuous looking games ever made.
So what if your budget allowed for a 30
minute CG
cut scene, when the next 20
minutes after that is dialogue boxes explaining the non battle
sequence of the backstory.
Trilogies
cuts thirteen different versions spanning three decades into three separate screen
sequences, condensing around 400 hours of footage into 195
minutes.