Sentences with phrase «minute sequence cutting»

Not exact matches

In addition, we get nine Extras that fill seven minutes, 11 seconds; these are also cut sequences, and I'm not sure why they're put in a separate section.
Synopsis: In 78 setups and 52 cuts, the deliriously choreographed two - minute shower sequence in Psycho ripped apart cinema's definition of horror.
Exhibit A: after something like three - minute sequence of a spiral staircase collapsing, we cut to the face of an onlooker, who, with eyes wide open, exclaims: «A staircase is collapsing!»
The run time is a short 82 minutes, although that itself is padded out with a 10 - minute end credits sequence that is injected with several outtakes and alternate scenes that didn't make the final cut.
Frances Ha used its quick cuts like punchlines; Mistress America does plenty of that (it's quick, coming in under 90 minutes) but also stages a bravura, extended farce sequence in the Connecticut suburbs that turns its snappy dialogue into a symphony of wit and movement.
As I wrote above, it's episodic and there's another 45 minutes of deleted episodes (not just cut scenes but complete sequences) in the supplements.
It's a short scene, only a couple of shots over a couple of minutes, and Bordwell uses it as an example of the simple virtuosity of Hong Kong filmmakers, how they are able, again and again, to make an exciting and fun sequence out of almost nothing, budget-wise, and specifically how Tsui's mastery of cutting and framing keeps the whole sequence as light and airy as it is inexpensive.
thanks to Yavor for calling our attention to the knockout clips after the cut (2 - minute action sequences which naturally may be considered spoilers), along with two intensely menacing posters.
We may never know if xXx: Return of Xander Cage ever had such sequences because the finished product more closely resembles a «cut and paste» fan edit of the trailer, stretched out (somehow) to 107 minutes.
This heartbreaking musical remake of William Wellman's 1937 Hollywood melodrama starring Fredric March and Janet Gaynor (remade a third time in 1976 by Frank Pierson, with Babs Streisand and Kris Kristofferson), is here finally restored to its full length (casual viewers should be aware of the photo - still / audio tape reconstruction of one major sequence - after impatient studio head Jack Warner removed almost 30 minutes from its original running time back in 1954, cutting two whole numbers by Harold Arlen and Ira Gershwin).
Carried over from the previous DVD release are the complete ten - minute robbery sequence that Carpenter cut from the film (it was meant to be the opening scene) with optional commentary by Carpenter and Russell, the vintage promotion featurette «Return to Escape From New York,» trailers, and a gallery of stills, posters, and promotional art.
Expectations are high for director J.J. Abrams» second Enterprise tour, but this installment delivers action sequences at 10 - minute intervals, frequently cutting into more interesting character interactions.
Criterion's Blu - ray presents the film exclusively in its 1996 extended cut, rather than the unrated 100 - minute original theatrical cut that abbreviated that out - of - nowhere party sequence.
Even in the butchered version distributed in Britain (dubbed and cut to 102 minutes) it's worth seeing: the mood remains, as does the film's central sequence, a superbly executed silent jewel robbery in the Place Vendôme.
No one in their right minds should really wish for the overblown 20 minute cut - scene / codec sequences of Metal Gear Solid 2, but something that matches it for cinematic excellence would have been great to witness in what is arguably one of the most sumptuous looking games ever made.
So what if your budget allowed for a 30 minute CG cut scene, when the next 20 minutes after that is dialogue boxes explaining the non battle sequence of the backstory.
Trilogies cuts thirteen different versions spanning three decades into three separate screen sequences, condensing around 400 hours of footage into 195 minutes.
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