Sentences with phrase «minute tracking shot»

His film may not boast a single centrepiece action sequence to rival, say, the D - Day landing scene in Saving Private Ryan, or even the single - take, five - minute tracking shot of Dunkirk beach in Atonement, but it is effectively one long unbroken set piece — surely one of the most impressive ever committed to celluloid.

The seven - and - a-half minute tracking shot is beyond exquisite, the camera unbound by gates or walls.

Wright, it's worth remembering, has been on those gory French beaches before with 2007's Atonement, capturing the whole of the British evacuation and its surrounding chaos in a legendary five - minute tracking shot.

And while the film's highlight is clearly a continuous, absolutely jaw - dropping five - minute tracking shot, Atonement is - from start to finish - one of the most effective big - budget epics to come around since 1997's Titanic (it's not quite as stirring as that, however).

Ten years ago, Joe Wright took audiences to Dunkirk in a five - minute tracking shot that ranks with the best of cinema's long takes.

You know, the one with the vaunted six - minute tracking shot?

How could such a pipsqueak of a director, they asked back in 1997, create a masterpiece that wowed right from its opening sequence: an audacious five - minute tracking shot that swoops and swirls through the nightclub of the film's title in joyful synchronisation to the dance music of the 1970s.

Somehow, True Detective's fifth episode managed to be even better than the explosive fourth, building upon that miraculous 6 - minute tracking shot...

I similarly applaud the 4 minute tracking shot, I thought it had shades of Gus Van Sant with «Elephant»?

Haneke sets the rest of Code Unknown in motion immediately, staging a masterful eight - minute tracking shot that starts out as a standard - issue walk - and - talk, then turns into something thornier.

He overwhelmed the delicate emotional timbres of Atonement, Ian McEwan's wrenching wonder of a novel, with Dario Marianelli's clacking score and a heap of overeager visual ta - das, most notably a stunningly mounted but largely unnecessary five - minute tracking shot on the beaches of — you guessed it — Dunkirk.

As obsessives know, the film begins with a legendary three - minute tracking shot, which launched the war over the multiple cuts of Evil.

If I could find a financier to back me up I would do 12 - minute tracking shots.

Not exact matches

The charts also reveal the percentage of possessions a player «ends,» either positively or negatively (DPoss %), field goal percentage on shots defended (OppFG %), ratio of free throw attempts generated per field goal attempt defended (OppFTA / FGA), defensive rebounds per 40 minutes (DRebs / 40), percentage of possessions on which turnovers are created (FTO %), and for the big men, a rim - protection stat that tracks field goal percentage when they're within five feet of the basket and the shooter is five or fewer feet away (RimProtect %).

But within a minute, Tracey was through at the other end thanks to a good pass from Lamela, but Chelsea skipper Jake Clarke - Salter managed to track back and dispossess him as he shaped to shoot six yards out.

If you have a one - minute crane - mounted tracking shot, you don't notice the minute passing!

Cianfrance and Bobbitt shot the movie in a kind of coldly sunny blur of metallic speed and near - constant movement that starts out with a five - minute - long tracking shot.

Joe Wright's five - minute Dunkirk tracking shot in Atonement (2007) made a much more indelible — and damning — statement about the chaos on the beaches than all of Nolan's epic.

His mastery is aptly demonstrated at the very start of the film, with the breathtaking, over three minutes long tracking shot.

The «Select Scenes Commentary with Sally Potter» is not an audio commentary track but a ten - minute featurette of Potter discussing a few elements of the film in detail, such as the scenes of Orlando's asides to the camera (her cinematic version of the direct address sequences from the novel, but pared back through the shooting until there are only a few, very brief addresses, «a sort of complicity» she calls it) and the casting of Quentin Crisp («He is the true queen of England, he's my idea of royalty,» she confesses, as she describes his presence as way to turn the idea of sex and gender on its head right from the beginning).

There's also a distracting flicker when Aldrich's camera goes into motion in one of his graceful circular pans, his long tracking shots (there's a nice, two - minute example at a riverside Juarista camp), or his orbits along the periphery of a scene.

It can never quite figure out what kind of film it wants to be, however, mixing deep thoughts about artificial intelligence (A.I.) with crazy drunken synchronized dancing (which, I will admit, was extremely fun to watch), and although it has fine cinematographic elements that are reminiscent of the best of Stanley Kubrick (slow tracking shots, some on steadicam), if one ponders the subject matter for more than a minute or two, it all seems very dumb.

Perhaps the most talked about shot of the year is the 5 minute - plus tracking scene of Dunkirk in Joe Wright's «Atonement.»

The film starts with an opening sequence full of style and pace as we follow stunt motorcycle rider Luke (Ryan Gosling) in one stunning four minute single tracking shot, as he walks through the bright lights of the carnival to the roaring crowd who await him.

Paranoid Park is certainly the filmmaker's most inaccessible effort to date, as the movie - which is chock full of all his expected stylistic quirks, including long tracking shots of people walking - ultimately feels as though it's about 20 minutes worth off story stretched out to fill a 90 minute running time.

The cinematography by Drew Daniels is impeccable, with gorgeously lit closeups and stunning tracking shots including 17 minute and 19 minute takes.

Stars: James Whitmore, Edmund Gwenn, James Arness, Joan Weldon, Onslow Stevens, Don Shelton, Fess Parker Length: 93 minutes Distributor: Warner Bros Cinema: 1954 SPECIAL FEATURES: Behind the Scenes, trailer, image gallery Region: 2 Ratio: 1.33:1 (fullscreen - film shot in 1.66:1 and cropped slightly on disc) Sound: Dolby Digital 1.0 (mono) Audio Tracks: English and multiple languages Subtitles: English and multiple languages Captions: English and Dutch Menus: Static with music Special Features Subtitles: None of the special features come with subtitles.

Three minutes later, in a single tracking shot, the climactic moment of the film is done.

The film was shot in English, but a full English track doesn't exist because Deep Red was shortened by 20 minutes for international audiences.

The Lincoln Lawyer opens with an extensive «walking and talking» tracking shot, often used to heap information on us by establishing location, exposition, and the general pecking order of characters in under a minute.

Teams will compete in the Plants vs. Zombies universe during an almost five minute backyard battle, where they'll shoot screens with blasters and track their scores as they go.»

Quick Race mode provides the opportunity of racing on a single track with the ability to have a single short practice session of 30 minutes to three full practice sessions of 90 minutes, 90 minutes and 60 minutes, one shot qualifying, short qualifying, full qualifying or a full race weekend against a grid containing 21 opponents.

Niagara, Mark Bradford, 2005: A powerful media work by Bradford, Niagara is a video recording of a little over three minutes long, featuring a single tracking shot of a black man seen from the back walking down a city sidewalk.

One Mile Film (5,280 feet of 35 mm film negative and print taped to the mile - long High Line walk way in New York City for 17 hours on Thursday, September 13th, 2012 with 11,500 visitors — the visitors walked, wrote, jogged, signed, drew, touched, danced, parkoured, sanded, keyed, melted popsicles, spit, scratched, stomped, left shoe prints of all kinds and put gum on the filmstrip — it was driven on by baby stroller and trash can wheels and was traced by art students — people wrote messages on the film and drew animations, etched signs, symbols and words into the film emulsion lines drawn down much of the filmstrip by visitors and Jwest with highlighters and markers — the walk way surfaces of concrete, train track steel, wood, metal gratings and fountain water impressed into the film; filmed images shot by Peter West — filmed Parkour performances by Thomas Dolan and Vertical Jimenez — running on rooftops by Deb Berman and Jwest — film taped, rolled and explained on the High Line by art students and volunteers) 2012, 58 minutes, 40 seconds 35 mm negative and film print transferred to high - definition video, no sound Commissioned and produced by Friends of the High Line and the New York City Department of Parks and Recreation