«All right — one,» a member of the news media relented eventually, disappearing for a few
minutes as a dancer led him to a back room.
Not exact matches
The modern Super Bowl halftime show
as we know it started in 1991 with New Kids on the Block (previous shows featured a theme with marching bands and various performance groups), and it's stayed relatively consistent since: A pop star (or stars) takes over the field with props, backup
dancers, probably pyrotechnics, and possibly even a live band, and goes through a rundown of their hits in a handful of
minutes.
A deeply musical
dancer, after a 15 - or 20 -
minute sequence, is said to fall into a duende, an intensely focused, trancelike state of transcendent emotion that Federico García Lorca in 1933 described
as los sonidos negros («the dark sounds») invading the performer's body.
While at the Urban Lights exhibit at the Los Angeles County Museum of Art, my dear Mystery Man, and close friend, David, entertained me
as I relived my childhood fantasy of being a
dancer for a few
minutes =)
Rather, it's a delirious five -
minute sequence that involved shutting down an active freeway off - ramp for two days, hundreds of
dancers hoofing and singing their hearts out on top of color - coded cars, and an extraordinary amount of co-ordination to make it seem
as if it's all happening in one seamless, smooth -
as - hell single shot.
Now Rosefeldt is releasing his project
as a single 90 -
minute feature, described on his website
as «a series of striking monologues -LSB-...] created by editing and reassembling a collage of artists» manifestos, from declarations penned by the Futurists, Dadaists and Situationists, to the musings of individual artists, architects,
dancers and filmmakers such
as Sol LeWitt, Yvonne Rainer and Jim Jarmusch.»
And then there's the video, four
minutes and four seconds of «continuous» action
as a shirtless Glover struts his way through a warehouse filled alternately with backup vocalists,
dancers and a variety of violent reprisals, last of which against the artist himself.
Following dinner, the 45 -
minute main show begins
as dancers take the stage to share the ancient Hawaiian legend of Kalamaku (child of the new land) and the Polynesians» amazing and dangerous journey from Tahiti to Kauai.
The cabaret curtains part at the dedicated ballroom to a seated audience
as they embark on a 45 -
minute journey with lip - syncing drag queens and Vegas - style
dancers in colourful costumes.
The results showed that the speech - conscious group used more than twice the number of fillers per
minute (5.61 per
minute)
as the anxious
dancers (2.07 per
minute).46 Moreover, the speech - conscious group also used more fillers than a third group that had been asked to speak on a more complex topic (3.85 per
minute), reinforcing the notion that self - consciousness — or «task concern» — may create even more fillers than task complexity.47