Sentences with phrase «minutes out of this feature»

Not exact matches

Take just a few minutes out of your day to watch this short trailer announcing Firsts, a multi-media project from TIME featuring candid interviews with 45 extraordinary women, more than a year in the making.

He featured in every minute of the club's title - winning campaign, and despite his 35th birthday arriving in December, he'll be out for a repeat of this success.

The «100 commercials, 11 minutes of action» rule remains in effect in the NFL, where the league's championship game features just 12 minutes of actual action spread out across four to five hours of pregame and postgame broadcast time.

In what turned out to be his last season with the club in 2012/13 he had his best season to date, featuring in 2048 minutes he managed to score 10 goals, set up 9 goals for his team mates and finished the season off with an overall pass success rate of 85 %.

Only 11 players — of which nine are out - and - out strikers — who have featured in 1,000 minutes or more in the Premier League have a higher xG90 than Arnautović and only seven of those have a higher xA (expected goals assisted) than the West Ham No. 7.

It's quick to download and install, register your details and you'll be up and running on your mobile a couple of minutes to enjoy live betting, horse racing streams and the popular cash out feature.

Jesus Navas is set to leave the club when his contract expires in June, while Nolito has fallen massively out of favour, the 30 - year - old featuring for just 135 minutes in the first three months of 2017.

Since the arrival of Jose Mourinho in May however, Schneiderlin has fallen dramatically out of favour, featuring in only 11 minutes of football so far this season.

It features travel tips for the family that is planning a wild and crazy adventure to Walt Disney World, advice on how to plan for the holidays with the little ones in tow, advice that comes out of this swell family's regular adventures through the world and even a few makeup tips for mom to master when she has only a few minutes to spare.

Two of our featured Winter Nursery Rhymes include 5 Little Snowmen so what do you need when your singing the rhymes some puppets of course and these puppets took me no more than 30 minutes to make and then can be used with your child or children to act out the Nursery Rhymes as well as to be used for playing in a puppet theatre.

Especially now that a number of junior doctors have now produced a six minute campaign film setting out why they are eyeing up industrial action - and featuring real - life stories.

Cold and hot water sampling was carried out first with the aerators in faucets in place to assess the risk at each outlet point and then after disinfecting and flame - sterilizing the outlet point and letting the water run for two minutes to analyze the microbiological features of the plumbing system.

For example, Jay Davidson (featured on Day 4) highlights 3 tricks for clearing pressure out of your head when you feel a thunderstorm headache coming on — and they work in minutes!

You are featured this weekend at my round up of last minute Father's Day gifts... hop on over and check it out.

Take a couple of minutes to sign up (that's all it'll take), and then start trying all the features out — don't be afraid to make the first move.

But even at a scant 90 minutes, the film manages to cover a lot of ground, hopping around from interviews to live footage, the highlights of which are a live studio take of «Higgs Bossom Blues,» a 9 minute epic whose slithering slow build plays out uninterrupted and the finale, a blistering live performance of «Jubilee Street» featuring a string section and children's choir, intercut with scenes of Cave onstage over the years.

It's ultimately clear, however, that Fear and Desire simply isn't able to justify its feature - length running time (ie the whole thing feels padded - out even at 61 minutes), with the movie's less - than - consistent vibe paving the way for a second half that could hardly be less interesting or anti-climactic - which does, in the end, confirm the film's place as a fairly ineffective first effort that does, at least, highlight the eye - catching visual sensibilities of its preternaturally - talented director.

It was a 40 - minute epilogue to the opening scene, and that opening scene featured possibly the biggest plot contrivance in SOA's four - season history, one that somehow out shined the still - never - explained short con that killed Stahl and Jimmy O at the end of Season 3.

He has an affability and grace that makes him interesting to watch, but Silberling's film is the equivalent of a funny 20 - minute short that is dragged out to a full - length feature through music interludes and montages involving Paz Vega getting dressed, washing her car, or Freeman learning about Target (the department store).

Putting a lid on the package are a theatrical trailer in HD (and running close to three minutes) plus a 12 - page foldout, designed in the distinctive style of a mid-1980s cigarette advertisement, featuring «The $ 100,000 Box,» a new essay by film critic Scott Tobias that includes this gem: «They can't drop out of society.

Taking Lives» trailer plus a 3 - minute «gag reel» of line flubs and Jolie's botched attempts to break a mirror round out the special features; trailers for The Big Bounce 2004, Starsky & Hutch, and Triggerman precede the main menu.

Continuing the path of a more fluid combination of commercial stars with his loose, improv - heavy style of filmmaking that he's charted over his last two features, Digging for Fire has a large ensemble of immensely talented actors (including Sam Rockwell, Anna Kendrick, Chris Messina, Jenny Slate and many more) filtering in and out over the course of its brisk 85 minutes, but the focus stays firmly on Tim and Lee.

A five - minute featurette called «Greetings From Bull Mountain» is the standard five - minute B - roll / soft - sell interview errata that features a few additional male buttock shots; «King of the Mountain» is a two - minute music video that splices action sequences from the film together with bloopers and sets it to music (something resurrected in feature - length form by this year's ESPN's X-movie); and nine chapter - encoded deleted scenes (blissfully sans commentary and running between fifteen seconds and a minute, each) are essentially long «comedy» shticks that prove for as bad as Out Cold was, it could have been even worse.

Starring: Amy Adams, Jake Gyllenhaal and Michael Shannon Directed By: Tom Ford Rated: R Running Time: 116 minutes Focus Features Our Score: 4 out of 5 Stars

Though deceptive advertising is nothing new in movies, the DVD cover art of Coming & Going takes the practice far, keeping the wheelchair out of the picture (save for the title logo's odd twist on the familiar handicap symbol), portraying the leads as young and hip in their jeans and tall boots respectively, and, most egregiously, placing a chihuahua poodle hybrid that features in a single 1 - minute scene front, center, and large.

Rounding out the special features are twelve «webisodes» — «Production Design,» «Wardrobe,» «Stunt Work,» «Lena Headey,» «Adapting the Graphic Novel,» «Gerard Butler,» «Rodrigo Santoro,» «Training Actors,» «A Glimpse from the Set: Making 300 the Movie,» «Scene Studies from 300,» «Fantastic Characters of 300» — totalling 38 minutes.

Features commentary by film scholar Dana Polan, a new interview with Gloria Grahame biographer Vincent Curcio, a 20 - minute piece with filmmaker Curtis Hanson produced for the 2002 DVD release, a condensed version of the 1975 documentary I'm a Stranger Here Myself (this runs about 40 minutes), and the radio adaptation of the original novel produced for «Suspense» in 1948, plus a fold - out booklet with an essay by Imogen Sara Smith.

The SD extras basically consist of a feature - length doc (I timed it out at approximately 81 minutes) shattered into a million little pieces that could've been better consolidated so as to avoid talking about different aspects of the same thing separately, e.g. the Maglev Escape, deconstructed no fewer than three times in the unique contexts of vehicles, stunts, and special effects.

Along with trailers for «Creature Features,» Darkness Falls, and Texas Chainsaw Massacre: The Next Generation, a 5 - minute compilation of the director's own watercolour - marker storyboards set to a passage from Glass's score rounds out this tasty platter.

Simon Of The Desert — This was either going to be part of a three - part omnibus film, or the producer just ran out of money before the end (depends on which special feature on the Criterion disc you believe), but it runs only about 40 minutes, which ends up (miraculously enough) being just about the perfect lengtOf The Desert — This was either going to be part of a three - part omnibus film, or the producer just ran out of money before the end (depends on which special feature on the Criterion disc you believe), but it runs only about 40 minutes, which ends up (miraculously enough) being just about the perfect lengtof a three - part omnibus film, or the producer just ran out of money before the end (depends on which special feature on the Criterion disc you believe), but it runs only about 40 minutes, which ends up (miraculously enough) being just about the perfect lengtof money before the end (depends on which special feature on the Criterion disc you believe), but it runs only about 40 minutes, which ends up (miraculously enough) being just about the perfect length.

There was more than enough «WTF» splashed on screen for those wild 16 minutes, but the clips featuring a 2 foot 9 inch James Bond sporting a jet pack, or jumping out of high rise and floating down with just an umbrella, was a stand out.

Every culture - clash gag — between so - called fringe lifestyles and mainstream choices — is evident for all to see, to be repeated for the entirety of the feature's 110 minutes; so too, the broad strokes of director Rawson Marshall Thurber's (Dodgeball: A True Underdog Story) endeavour to again profit from gross - out humour.

The feature rests on a single joke of temporal juxtaposition, stretched out to 116 minutes by the intermittent - at - best sensibilities of the type seen in the helmer's animated series Family Guy.

At 37 minutes, this story of an arms developer (Gary Sinise) accused of being an alien impostor, is fairly taut and suspenseful, if a bit Twilight Zone / Outer Limits in its resolution — which comes off that much more hackneyed in its ridiculously padded - out feature length form, which may be longer but is about a third as entertaining.

Blu - ray Highlight: There are no special features to be found, but fans will want to check out the included extended cut of the film, boasting 36 additional minutes of footage.

It's like 10 minutes of Psycho dragged out to feature length.

Rounding out the satisfying disc is the «The Many Faces of Jet Li,» essentially a two - minute animated photo gallery featuring Li playing dress up (yes, it's stupid), a beautifully mastered trailer for The One, bare - bones filmographies, and a hilarious «Animatic Comparison» that plays a scene from the movie in a split - screen with the G.I. Joe pre-visualization of the same.

As for the short film that occupies the latter 50 minutes or so, it's a tale of corporate intrigue featuring unknown but game actors, playing out a sexual blackmail that feels more the lark for the context provided by the attendant documentary.

Inside Out is an emotional roller - coaster and essentially the first five minutes of Up stretched out to feature - lengOut is an emotional roller - coaster and essentially the first five minutes of Up stretched out to feature - lengout to feature - length.

A well produced 16 - minute making - of featurette includes interviews with Kelly and almost all of the cast, as well as The Big Chill co-writer Barbara Benedek; it opens with Kelly playing the assembled crew a special shout - out from Los Angeles deejay Richard Blade, and features a lot of talk about both the specific players and general nature of ensemble pieces.

Rounding out the special features section is the theatrical trailer and two music videos: one for the theme song, the other for R. Kelly's «Bad Man» (especially odd about the latter is how the MTV-esque listing of the artist and track info appears about a minute into the video as opposed to the very beginning, per usual).

Bonus features are ample, kick - started by 46 minutes of additional interview footage that is, unsurprisingly, entertaining as all get - out.

The Blu - ray and DVD release features commentary by filmmaker Jordan Peele, an alternate ending and 23 minutes of deleted and alternate scenes with commentary by Peele, the featurette «Unveiling the Horror of Get Out» (8 mins) and a Q&A with Peel and the cast conducted by Chance the Rapper.

There are many pleasures to be found in the new feature's 136 - minute running time, but fans expecting director J.J. Abrams and company to conjure up the rapturous, out - of - body experience that accompanied the original 1977 feature and its two follow - ups will be disappointed.

While Jordan Peele's horror hit Get Out swept multiple categories at the beginning of the ceremony including best screenplay, breakthrough director, and the audience award, it was Call Me By Your Name that won the coveted best feature award in a surprising last - minute twist.

MacGruber (May 21)-- A mildly amusing 10 - minute television comedy sketch parody of a somewhat entertaining»80s TV show gets stretched out into a feature - length comedy.

In all, about an hour is spent inside Westminster Abbey, with thirty - five minutes of pre-ceremony and thirty minutes of post-ceremony fleshing out the presentation to feature film length.

Featuring a script written by Arcel, Akiva Goldsman (A Beautiful Mind), Jeff Pinker (The 5th Wave) and Anders Thomas Jensen (The Salvation), this movie feels as if all involved were responsible for crafting a handful of ten minutes scenes that they'd all figure out how to combine into a cohesive narrative whole at a later date.

It's just that all in all it seemed like an SNL skit that was stretched out well - beyond what it should have to fill 90 minutes of feature film length.

The feature itself runs under 80 minutes, but bonus features include a clutch of trailers and a 12 - minute making - of featurette in which director Maloney sits for an interview and answers questions about the genesis of the project, which was (unsurprisingly) his first right out of film school.