Not exact matches
SENSATION: - Master bedroom housed in its own
pavilion - Canopied king - sized bed - Venetian
glass dresser, chaise loungues, writing desk - Ensuite with magnificent claw - footed bath and chandelier - Air - conditioned FRENCH KISS: - Spacious bedroom housed in its own
pavilion - King - sized bed with canopy - Writing desk, sofa, TV / DVD - Ensuite bathroom with free - standing tub, double sinks and indoor / outdoor showers and tropical garden LOVE & ROMANCE: - Two guest bedrooms house downstairs - Exquisite French - style king - beds - Antique design with writing desks, sofas, TV / DVD - Spacious ensuite featuring statement bathtub, double sinks and private outdoor showers in tropical gardens ELEGANCE & FOREVER: - Two upper floor guest bedrooms - Each guest room has two queen - beds adorned with delicate canopies - Featuring sofas, TV / DVD - Ensuites with freestanding bathtub, double sinks and special make - up
mirrors
The gym occupies its own
glassed pavilion in the garden and is fitted with professional Life Fitness equipment, wall
mirrors, weights, exercise bike, tread mill, yoga mats, TV and bathroom with shower.
These installations allow the visitor to ponder himself or herself in the
mirror as they walk through the
pavilion, watch as others inspect their own reflections, or even catch another's eye through the
glass.
Graham's critical engagement manifests most alluringly in the
glass and
mirrored pavilions, which he has designed since the late 1970s and which have been realised in sites all over the world.
Bridging the gap between art and architecture, Graham's
pavilions are engineered out of steel,
mirror and
glass to create diverse optical effects.
Dan Graham's two - way
mirrored -
glass pavilion offers a seductively reflective maze, while Anish Kapoor fills an entire gallery with a giant hovering hat - cum - flying saucer called At the Edge of the World.
Dan Graham photographing Two Adjacent
Pavilions, 1978 - 82 2 - way
mirror,
glass, and steel 2 structures: 8 1/4 x 6 1/8 x 6 1/8 feet each Collection Kröller - Müller Museum, Otterlo, The Netherlands Installed in Documenta VII, Germany, 1982 June 24 — October 11, 2009 My Turn expands the definition of a museum program by inviting a guest artist to interpret another artist's work.
During the 1970s Graham delved into film and video performances featuring actors, including himself, in what he termed
pavilions — steel, essentially roomlike architectural structures featuring two - way reflective -
glass mirrors intended to allow individuals to view themselves as others viewed them.
Finally, a couple smaller sculptures of
mirror glass and steel will sit in Greene Naftali's back gallery and function as the model for a «
pavilion the artist deems impossible to realize,» according to a release.
Poised between sculpture and architecture, Graham has realized numerous
glass and
mirrored pavilions all over the world since the 1980s as prisms through which we view others and ourselves.