Sentences with phrase «mirror image of an object»

Consider Griffin's performance on a test Pepperberg devised to see whether the birds could use a mirror image of an object to manipulate it.

Not exact matches

Fiber optics allow simultaneous spectrographic readings of as many as 100 objects in the field of view; a fourth correcting mirror rapidly tips and tilts back and forth to cancel out image «wiggling» caused by turbulence in Earth's atmosphere; new CCD image receptors can tip and tilt electronically.

Considerably tamer than previous Nymphomaniac chapter previews, this tease for «Chapter 7: The Mirror» is described thusly on the film's website, «The image you see in a mirror will at first glance seem like an exact replica of the object you're looking at.

EAST HAMPTON, NY: Eric Firestone Gallery presents MirrorMirror, a group exhibition featuring works by artists concerned with reflective surfaces, the quality of a mirrored object's reflection, and doubled images.

The shaped mirrors under these objects possess a seminal quality: They reflect the image of the sculpture, a commodity produced to reflect heteronormative male desire.

While her earlier work looked at art museums as places for worship or contemplation — in the vein of cathedrals or pilgrimage sites — and artworks as objects of faith, her recent works, such as Deposit III (2015), give more importance to painting as an actual object in its own right: «It allowed me to leave bi-dimensionality, unhang [painting] from the wall and naturally add other supports of images (video, mirrors, printed matter, found paintings) and link them to a same genealogy.»

With subtle materials (twigs, leaves, mirrors, and wisps of metal) and a lightness of touch, Raetz creates anamorphic objects and images that play with perception, making his viewers question what they see and how they look at the world.

In images when the body does not appear, objects such as dead flowers, a mirror, two clocks, soiled underwear, or a string of lights serve as a series of memento mori, reminding the viewer of the abject frailty and transience of life lived during the plague years of the AIDS crisis.

Her installations, video works, and performances bring these components together with drawings, props, objects, and language, reflecting her research into how the image is altered through the mediums of mirror, distance, video, and narrative.

Some are sumptuously outfitted with mirrors, or affixed with an image or object (a necktie, for instance); others are simply prints of wan, generic gestural abstractions, another exhausted idea that adds an extra layer of distancing and renders the project even emptier.

In this exhibition, we can expect to see a highly eclectic body of work as Athol lets his imagination take the reins using Victorian mirrors, vintage chairs and plates, collages of vintage stamps and letters, wherever he can see the potential to create an art work, and combining the discarded objects with media such as gloss paint, enamel and duct tape to depict nostalgic images in his distinctive pop - art aesthetic.

, Yerba Buena Center for the Arts, San Francisco 2011 Objects and Images, Gallery Paule Anglim, San Francisco 2008 What the Whiskey Said, What the Sun is Saying, Matthew Marks Gallery, New York 2007 Three photographs, three mirrors, a sculpture and a sign, Gallery Paule Anglim, San Francisco 2004 Reel Around, Matthew Marks Gallery, New York 2003 Nayland Blake, Some Kind of Love: Performance Video 1989 - 2002, Center for Art and Visual Culture, University of Maryland, Baltimore County.

Trees in Contemporary Art Altana Kulturstiftung, Bad Homburg Animal Mineral Vegetable Andrew Kreps Gallery, New York Allegory of the Cave Painting Extra City Kunsthal, Antwerp Alchemy NEST, The Hague Size Matters Foundation for Art Fort at Vijfhuizen, Vijfhuizen Picture This SALTS, Birsfelden Halftone: Through the Grid Galerie Max Hetzler, Berlin Beating around the bush Episode # 1 Bonnefantenmuseum, Maastricht Objects in mirror are closer than they appear Lugar a Dudas, Cali RE: Painted S.M.A.K., Ghent video screening 25 Zero, Milan Amnesia Nadácia - Centrum súčasného umenia, Bratislava 2013 Behind Images Garage Rotterdam, Rotterdam (catalogue) Traces Stedelijk Museum, s - Hertogenbosch Agora 4th Athens Biennale, Athens On the Road to... Tarascon, Adrian Ghenie and Navid Nuur Plan B, Berlin Passion de l'Art en Finistère / Collection # 4 Centre d'art contemporain de Quimper (T) HERE Bonnefanten Hedge House, Wijlre Flex - Sil Reloaded Kunst Halle St. Gallen, St. Gallen Casey Kaplan, New York The Image in the Sculpture Centre Pompidou, Paris (curated by Christine Macel and Navid Nuur) Time, Trade and Travel Stedelijk Museum Bureau, Amsterdam Small Gestures MU / Strijp S, Eindhoven Mesures et disparition / Over maat en verdwijning Institut Néerlandais, Paris It wasn't there yesterday Raster Gallery, Warsaw 2012 This Title is an Artwork of Mine Motto Charlottenborg, Copenhagen (curated by Mikkel Carl) The Castle in the Air.

For instance, her studies of «chirality» - when an object is not identical to its mirror image - inspired a trio of sculptures featuring interlocking forms in powder coated - steel.

An artist continually writing his signature in a spiral for the life of an ink cartridge (Tom Friedman); a square section of drywall polished to a fragile, mirror - like finish (Karin Sander); a film that records an image of the sun from sunrise to sunset (Paul Pfeiffer); a rectangular Plexiglass volume with water inside it (Hans Haacke), are but a few examples of how modest means evolve into objects which are complex ruminations on presence and absence, nature and culture, order and chaos.

Auerbach's studies of «chirality» — when an object is not identical to its mirror image — led her to these sculptures featuring interlocking forms in powder coated - steel.

It's an image that captures a lot of what her husband was about — not only the wind turbine and verdant landscape but also the clear sense of motion imparted by the blurry car mirror (or whatever that object is) in the foreground.