«Mirror,
mirror upon the wall, Who is the fairest of them all?»
Not exact matches
Beneath its rays, hundreds of visitors disport themselves
upon the concrete floor, watching their reflections in the
mirrored ceiling as steam wafts from the
walls.
ADA / Accessible Guestroom Bathroom Features: • Lowered counter height with access to pull underneath • Lowered
mirrors • Raised toilet seat available
upon request • Tub grab bars approximately 4» from the ground --(2) bars on the inside
wall, (1) bar above the water faucet • Portable tub seats available
upon request • Portable shower seats available
upon request • Shower grab bars --(1) side bar 9-1/2» and 21-1/2» above the tub's edge, (1) bar 21-1/2» above tub's edge at each end for a total of (4) grab bars • Telephone in bathroom • Hand - held shower wand • Low level towel hooks and racks
Immediately
upon entering the space, a perceptual split between the virtual and the real is presented by Hershman Leeson's The Infinity Engine (2014 — 2017), a row of distorted
mirrors that subsumes and reflects our own appearance, as well as a video installation projected on adjacent
walls behind us.
It is only
upon entering the room that it becomes apparent that the «paintings» are in fact angled
mirrors reflecting the hidden painted
walls of the room and the illusion is shattered by the intrusion of the viewerʼs reflection.
Upon entering, the public was presented with a minimal dining room with a
mirror on one
wall.
The contents of a discreet bronze box in Yoko Ono's Disappearing Piece (2012) are said to vanish
upon exposure to light, and a
wall mirror by Fabrice Samyn titled Dust of Breath (2010) captures the spectre of a breath — comprised of dust — on its surface, alluding to the human essence.
Upon entering, there's a
mirrored wall to one side.