Sentences with phrase «mirrored gallery wall»

I love vintage mirrors and mirror gallery walls:).

But I've got this awful mirror gallery wall that is above my entry console.

I have some silver mirrors and black as well, but I also have two antique mirrors that are gold tone and was wondering if I should use them and make mirror gallery wall.

Not exact matches

This versatile round mirror can be hung alone or mixed with other artwork for an instant gallery wall.

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There are four art prints in a little gallery wall surrounding our antique leaner mirror.

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I condensed the gallery wall plus I added a simple round mirror.

Anchor a sophisticated gallery wall or make a statement above the living room sofa with this eye - catching mirror.

Life presents a gallery of Allan Grant's celebrity photographs, which convey a vibrant immediacy whether they're backstage shots of Audrey Hepburn and Grace Kelly snapped on the fly or as staged as a hundred Shelley Winters smiling at you from mirrored walls.

Affixed to the main gallery's walls are rectangles, ovals and triangles of solid blue, violet, gold and green; some are painted, while others are whisper - thin acrylic panels, slightly mirrored and bolted to the wall.

There are also disembodied legs protruding from the walls, fixture-less sinks that oddly seem to smile at you, a headless Christ spouting water from his nipples, a gallery transmuted into a mirrored autumn forrest, and other hints that you have entered the land of the suburban surreal — the mesmeric realm occupied by Robert Gober, the artist now receiving a career retrospective at the Modern.

At Konrad Fischer Gallery Daniel Buren introduces new works including large - format wall installations based on polyangular forms and mirrors.

For his fourth solo show at the gallery, Wynne will exhibit work across a range of mediums, including large - scale poured and mirrored glass wall abstractions, canvases of baroque imagery embroidered with text, and collaged prints of a magic act.

Situated in a hexagonal space built into the gallery, the artist projects his film about cellphone inventor Martin Cooper projected onto three mirrored walls, reflecting the piece's hypnotic imagery in a continuous, disorienting loop.

In this biting but elegant 33 - piece retrospective set to Japanese court music, Hammons» gimlet eye transforms the gallery's white - walled East Side town house, pairing, among other things, a paint - splashed fur coat with a boarded - over mirror and redefining the meaning of art.

A wall label outside The Souls of Millions of Light Years Away, a mirror room that was first displayed at David Zwirner Gallery in 2013 (to a similar lines - around - the - block, taking - over-your-Instagram-feed reception), reads: «Continuing [Kusama's] exploration of the transience of life and the inevitability of death, this installation creates a harmonious and quiet place for visitors to contemplate their existence, reflect on the passage of time, and think about their relationship to the outer world.»

Across La Brea Ave, at David Kordansky Gallery, Rashid Johnson's nicely honed exhibition, The Rainbow Sign, includes substantial bronze wall pieces incorporating shards of mirror, zebra skin, active sound speakers and plant imagery.

Lights of Soho, London's leading light - art gallery, is delighted to announce «I Love This Motherf *** er», a one - man show by artist Graeme Messer that takes an irreverent, witty and revealing look at that meeting place between our real and idealised selves — the mirror on the wall.

Indeed, one gallery was peppered with the relatively small folded three - dimensional paint and steel pieces of Rana Begum and the shiny metal mirror and wood wall sculptures of Monir Shahroudy Farmanfarmian.

McCall compiled the video footage and still images contributed by the original participants which he then edited into a thirty - five minute looped film that is projected on a suspended screen in the exhibition space; mirrors on the wall and newspapers on the gallery's floor replicate the original environment created 40 years ago.

Their all - enveloping presence in The Obliteration Room also recalls the artist's infinity rooms, in which thousands of small lights flicker against mirrored walls — an example of these was presented during Kusama's first exhibition with the gallery in 2013.

If you missed the Yayoi Kusama: Infinity Mirrors frenzy at the Broad in Los Angeles, or The Obliteration Room — where visitors were invited to add 750,000 stickers to the walls and seating — at the Hirshhorn Museum earlier this year, the Kusama craze has returned to New York, with two major concurrent exhibitions by Yayoi Kusama at David Zwirner's two gallery spaces.

Hodges is currently working on mosaic - like paintings, constructed with small shards of mirror that reflect / warp the viewer and surrounding space with a disturbing elegance; site - specific wall drawings that reorient gallery architecture with a full Prismacolor palette and Lewitt like precision; and collages made with assorted sheet music that reference the Cubists and John Cage, allowing for a performable poetry that includes a «milk - y Blue per - fec - tion» located «Some - where near — the end of the skies.»

The website features a continuous animation of abstracted shapes falling onto themselves which, in the installation, are projected onto the gallery walls and reflected in shards of broken mirror scattered on the floor.

The New Jeff Koons 1980 duratran, fluorescent lightbox 42 x 32 x 8 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT New Hoover Celebrity IV, New Hoover Convertible, New Shelton Wet / Dry 5 - Gallon, New Shelton Wet / Dry 10 - Gallon Doubledecker Four vacuum cleaners, 1985 plexiglas, fluorescent lights 99 x 53 1⁄2 x 28 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Aqualung 1985 bronze Edition 1 of 3 27 x 17 1⁄2 x 17 1⁄2 inches Private collection One Ball Total Equilibrium Tank (Spalding Dr. J Silver Series) 1985 glass, steel, sodium chloride reagent, distilled water, basketball Edition 1 of 2 64 3⁄4 x 30 3⁄4 x 13 1⁄4 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Three Balls 50/50 Tank (Wilson Aggressor, Wilson Supershot, Dr. J Silver Series) 1985 glass, steel, distilled water, three basketballs Edition 2 of 2 60 1⁄2 x 48 3⁄4 x 13 1⁄4 inches Private collection Jim Beam - J.B. Turner Train 1986 stainless steel, bourbon Artist's Proof 11 x 114 x 6 1⁄2 inches Stefan T. Edlis collection I Assume You Drink Martell 1986 oil inks on canvas Edition 1 of 2 45 x 60 inches Private collection Italian Woman 1986 stainless steel Edition 1 of 3 30 x 18 x 11 inches Courtesy Leo Castelli Gallery Rabbit 1986 stainless steel Edition 3 of 3 41 x 19 x 12 inches Sonnabend collection Buster Keaton 1988 polychromed wood Edition 2 of 3 65 3⁄4 x 50 x 26 1⁄2 inches C&M Arts Michael Jackson and Bubbles 1988 porcelain / ceramic blend Edition 2 of 3 42 x 70 1⁄2 x 32 1⁄2 inches San Francisco Museum of Modern Art, purchased through the Marian and Bernard Messenger Fund and restricted funds Pink Panther 1988 porcelain Edition 3 of 3 41 x 20 1⁄2 x 19 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT St. John the Baptist 1988 porcelain Edition 3 of 3 56 1⁄2 x 30 x 24 1⁄2 inches Courtesy Sonnabend Gallery Ushering in Banality 1988 polychromed wood Edition 2 of 3 38 x 62 x 30 inches Private collection Vase of Flowers 1988 mirror 72 1⁄2 x 53 x 1 inches Collection of Michael Crichton, courtesy of Christie's Wild Boy and Puppy 1988 porcelain Edition 1 of 3 38 x 39 1⁄2 x 23 1⁄2 inches C&M Arts Winter Bears 1988 polychromed wood Edition 2 of 3 48 x 44 x 15 1⁄2 inches Anthony d'Offay, London Woman in Tub 1988 porcelain Edition 3 of 3 23 3⁄4 x 36 x 27 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Bourgeois Bust - Jeff and Ilona 1991 marble Artist's Proof 44 1⁄2 x 28 x 21 inches Anthony d'Offay, London Dirty - Jeff on Top 1991 oil inks silkscreened on canvas 60 x 90 inches Collection of Rachel and Jean - Pierre Lehmann Wall Relief with Bird 1991 polychromed wood Edition 2 of 3 72 x 50 x 27 inches C&M Arts Balloon Dog (Orange) 1994 - 2000 high chromium stainless steel, mirror - polished finish with transparent color coating 120 x 144 x 45 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Bread with Egg 1995 - 1997 oil on canvas 128 x 108 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Play - Doh 1995 - 2004 oil on canvas 131 5⁄16 x 111 1⁄16 inches Private collection Auto 2001 oil on canvas 102 x 138 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Lobster 2003 polychromed aluminum, steel, vinyl Edition 1 of 3 57 7⁄8 x 17 1⁄8 x 37 inches (plus variable length chain) Private collection, courtesy Thea Westreich Art Advisory Services Elvis 2003 oil on canvas 108 x 93 inches Stefan T. Edlis collection

One, holding a «mirror stick» invites visitors to look at what might be under a ledge running along the gallery walls.

True to the effect of Neff's earlier installations, A Prologue proffers an uncanny phenomenon of viewing: the main gallery acts as a literal reflection of itself — a section of wall is mirrored in a photomural across the room, while other photographs depict Neff's poetic images posed here in the gallery space or in her Philadelphia studio.

Continuing his interest with reflective materials and mirrors, Huston has installed curtain walls of aluminum leaf on fabric mesh, a floor to ceiling installation of receding panels that occupy the central space of the gallery.

P21 x P41 is a mirror enhanced geometric aperture inserted into the walls of the gallery.

She renders in her works the corporeal characteristics of a gallery or studio — the ashen floors, cream walls, wooden rafters, shadowed nooks and crannies — so that the hung product looks to seep and blend with its environs, as a mirrored exchange transpires directly before the viewer.

At the Frieze fair, which opens on Friday, numerous galleries will include work by Biennial artists: New York's Mitchell Innes and Nash, which represents Pope.L, whose massive installation in the Whitney included hundreds of pieces of bologna affixed to the wall in pushpins, will be offering one of the artist's (less perishable) photographs; the Los Angeles - based Night Gallery will feature works by Samara Golden, whose installation in the Whitney, The Meat Grinder's Iron Clothes, included miniature interiors and a profusion of mirrors; and Mary Mary, a Glasgow gallery, will feature a booth with works by Aliza Nisenbaum, whose large - scale, figurative paintings of immigrants are also included in the BiGallery will feature works by Samara Golden, whose installation in the Whitney, The Meat Grinder's Iron Clothes, included miniature interiors and a profusion of mirrors; and Mary Mary, a Glasgow gallery, will feature a booth with works by Aliza Nisenbaum, whose large - scale, figurative paintings of immigrants are also included in the Bigallery, will feature a booth with works by Aliza Nisenbaum, whose large - scale, figurative paintings of immigrants are also included in the Biennial.

Mirrors on the gallery walls will confront exhibition visitors with their own and their fellow visitors» reactions to the artworks and the emotions conveyed.

Lines, marks and gestures over a mirrored plexiglass surface explode off the wall and spill over the corner of the gallery in Maurice Clifford's exuberant «Love and Fear,» impelling the viewer into the drawing as do Frank Stella's later three - dimensional abstractions.

The exhibition is set within a hexagonal pavilion built into the gallery space, featuring three projectors set opposite to three mirrored walls.

Not that I would know... On the gallery walls are a number of paintings on polished stainless steel where a haze of highlighter - coloured spray - paint with jaunty lettering (made using masking tape) exposes the mirrored surface beneath spelling out statements like Crushingly Hopeless and Dead Ur Lovers.

Within the confines of Mercer Union's PeepHole, Alisdair MacRae will present a birdhouse, whose entrance mirrors the hole in the gallery wall.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

Featured images: Douglas Gordon — Untitled (I'm Not Sure This Is Working), 1997 - 2007, Wall text, telephone, audio recording, Courtesy the artist © Studio lost but found / VG Bild - Kunst, Bonn 2017, Photo: Matthias Langer; Marina Abramović & Ulay — Breathing In, Breathing out, 1977, Single - channel video, b / w, sound, 10:49 min (looped sequence), LIMA — preserves, distributes and researches media art © LIMA, Amsterdam / VG Bild - Kunst, Bonn 2017; Four stills from Rodney Graham's City Self — Country Self series, 2000, 35 mm transferred to DVD, 04:00 min (Loop), Courtesy of the artist and Lisson Gallery © Rodney Graham; Yayoi Kusama — Infinity Mirrored Room — the Souls of Millions of Light Years Away, 2013, metal, glass, mirrors, plastic, acrylic panel, wood, rubber, LED lighting system, acrylic balls, water, Collection HGN © Yayoi Kusama.

I've had little opportunity since most galleries have wall heights that mirror the wall heights of collector's homes.

The suite of abstract minimalist drawings, sculptures and wall paintings mirror the architectural nuance of the gallery, accentuating the broader geometry in which the works reside.

Mirrors line all the walls of the gallery that don't sport paintings.

Gordon covers 21c's Vault Gallery walls and floor in mirrored mylar tape to create an elaborate and reflective pattern calculated and designed using dates of correspondence between close friends.

This is not the end of the «gold makeover»... come see the gallery wall with the pretty gold sunburst mirrors!

That mirror just adds so much and I love the gallery wall and all your little details.

-LSB-...] combined our vintage mirrors from this wall in our old house and frames from our previous gallery wall to make this statement wall above the -LSB-...]

Used to add impact to a clear wall or combined with frames, mirrors and artwork from our gallery to create a unique feature space, our range of designer wall decorations will add impact to your home.

this type of gallery wall might be the thing... I've been thinking about a photo only gallery paired with this great mirror that I picked up but I like the warmth of the shelf and your treasures mixed in.