Sentences with phrase «mix of drum»

The Avatar's songs are a mix of drum & bass and hiphop with delightfully Sonic R levels of corny vocals that I found myself memorizing and singing along to before long.

March 13, 2015 • Our recurring series for careful listeners, this week featuring a mix of drum fills handpicked by All Songs Considered co-host Robin Hilton.

Not exact matches

• Scatter a spoonful of mixed crunchy pumpkin, sunflower and golden linseeds on top • Ditto with pecans • Swirl some Oatly Cream over the top • With a big swirl of peanut, almond or cashew butter And now, on that note, I'd like to let you in on my... * drum roll *

«It's like a centrifuge together with a rotary drum,» Martí said of the mixing gear.

Jackson Pollock, for instance, used drums of World War II surplus paints for his splashiest effects, and he often added texture by mixing in things such as cigarette butts.

The burning chants of accusation and damnation begin on «Fyrecross» welcoming a Van Halen inspired eruption with guitars and drums mixing with old - school Metallica - like build up.

Normally, this hand wringing would all feel like Oscar bloggers justifying their own vocation by drumming up artificial suspense, but the fact is that more films out of this year's nominees are still thought of as being in the mix than have been ruled out.

Meanwhile, Alexandre Desplat's score mixes taiko drums with weirdly jazzy woodwind, while the woozy tones of the 60s West Coast Pop Art Experimental Band rub up against Prokofiev and nods to Seven Samurai.

These scenes are made all the more striking by the film's frenetic sound, a mix of Ludwig Göransson's drum - heavy score and Kendrick Lamar's feisty hip - hop, which adds another layer of old - meets - new to Black Panther's unique futurism.

While he was in charge of everything else, I contributed drums and then mixed and mastered the tracks as well.

The mix of square & triangle wave channels, synth drums, and 8 - bit white noise written in a rock style made for an intense listening experience that matched the level's wild obstacle course.

Adapted for the Wii, which replaced the drum with a mix of motion controls and traditional button / stick action, the result is not quite as unique but is still tremendously fun.

There is a lot of 90s drum n bass, mixed with rock, mixed with MIDI tunes, y ’ know, the usual stuff that used to plague games for the Sega CD and the 3DO.

Jason Moran will perform live with a piano, a mixer and a drum machine, interacting both with the artist's movements and with the changes of scene.

Musicians too took notice: Schwitters imagined a score in which the tones would be produced by «violin, drum, trombone, sewing machine, grandfather clock, steam of water, etc.,» 40 years before John Cage composed pieces using a watering can, a iron pipe, a bottle of wine, a grand piano, five radios and an electric mixer.

After every use, you would rotate the drum clockwise with the rotating rod at the front of the toilet to aerate and mix.

One adds a mix of peat moss and sawdust and rotate the drum to mix it all up.

It feels a lot less like sitting on a pile of waste when it is all mixed up in the drum, somehow more high - tech when you add the bit of muscle.

On Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loop receives enough high - mid presence to keep its attack punchy and cut through the layers of the mix, but it's the highs that seem most boosted, pushing the vinyl crackle typically relegated to background status to the forefront.

On Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loop receives the ideal amount of high - mid presence, accentuating its sharp attack and allowing it to remain punchy and push through the layers of the mix.

On Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loop's attack gets plenty of high - mid punch to allow it to slice through the layers of the mix, and the vinyl crackle typically relegated to background status gets some added boosting and comes forward here.

On Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loop gets a moderate helping of high - mid presence, allowing its attack to stay just sharp enough to slice through the layers of the mix.

With Apple rumored to finally slash the iPhone's bulbous bezels, and wacky phones like Xiaomi's China - only Mi Mix drumming up online hype, not to mention rumors of a bezelless Galaxy S8, 2017 will be the year the industry declares all - out war on space around the screen.

The guitar strums manage to sound natural, but the HA - MR77X's delivery of the drums mixes the best of the strong - but - refined bass response with the worst of the highly sculpted mids and highs — the thump of the drums is there, but the attack sounds tinny and unnatural.

The big speaker also deftly handled the complex mix of Robert Plant's vocals, Jimmy Page's distorted guitar and John Bonham's big drums on Led Zeppelin's «Trampled Under Foot» — sounds that smaller speakers can mash together.

On Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loops receives a solid high - mid presence, allowing its sharp attack to retain most of its edge and slice through the layers of the mix.

The guitar plucks in the opening had plenty of string texture, and the dense mix left enough room for the vocals and drums when things really kicked in.

The attack on the kick drum loop here gets a bunch of added high - mid edge, and it cuts through the mix with intensity, while the sub-bass synth hits that punctuate the beat are delivered with booming low - end.

On Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loop gets plenty of high - mid presence to highlight its attack and push it to the front of the mix.

The bass and drums in both songs are slightly muted, and Keith Richards» vocals don't stand in front of the mix nearly as much as Steve Tyler's higher voice does, but all of the components are clearly there and no single aspect of either mix is given overwhelming presence that completely blots out other instruments.

Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loop's attack gets the ideal amount of high - mid presence, keeping its attack sharp and allowing it to cut through the layers of the mix as a prominent force.

The kick drum loop on Jay - Z and Kanye West's «No Church in the Wild» receives the same treble edge regardless of the EQ mode, sharpening its attack so that it slices through the layered mix.

The guitar strumming on this track gets plenty of high - mid and high frequency presence, making its attack one of the more noticeable elements of the mix, while the drums take on a more subtle role.

The drums» round thump and Callahan's baritone vocals receive plenty of low and low - mid richness, but the vocals and guitar strumming also benefit from a high - mid that brings out the definition, clarity, and crispness of the mix.

On Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loop receives enough high - mid presence to keep its attack fairly sharp, allowing it to slice through the layers of the mix.

On Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loop gets an ideal level of high - mid presence, so we hear its sharp attack slice through the layers as one of the more prominent aspects of the mix.

On Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loop gets enough high - mid presence to cut through the layers of the mix, but again, it sounds far more crisp when aligned with your ears, and a little muffled when not.

On Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loop receives enough high - mid presence to stay sharp and slice through the layers of the mix, though we've heard this track sound slightly more crisp before.

On Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loop receives plenty of high - mid presence, allowing its attack to retain its sharp punch and push through the multilayered mix.

On Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loop receives the ideal level of high - mid presence, allowing its sharp attack to slice easily through the layers of the mix.

Similarly, the headset tackled the low - end of the bassline and drums of MC Lars» «This Gigantic Robot Kills» with plenty of force and definition, but it pushed the vocals further back in the mix than ideal, and overwhelmed the twangy ska guitar rhythm.

On Jay - Z and Kanye West's «No Church in the Wild,» the kick drum loop's attack lacks the high - mid sharpness that allows it to slice through the mix's dense layers — instead, it gets an extra helping of low - mids and lows, so the loop's sustain steals the show rather than the kick drum.

A 42 - inch polished concrete table seats four; the seating is a mix of slipcovered armchairs and drum ottomans trimmed with a nailhead detail.