For example, comparing the OLED Tab S 8.4 to the LCD Apple iPad Air: the OLED Tab S with Diamond Pixels is 27 percent more power efficient (for the same screen size and Luminance) than the LCD iPad Air for
mixed image content (that includes photos, videos, and movies, for example) with a typical 50 percent Average Picture Level.
are more power efficient for
mixed image content because they are emissive displays so their power varies with the
Not exact matches
Although articles ranked with the largest singular percentage of votes, when you look at the next six
content formats, you see that they all include some sort of data visualization: 13 % infographics, 12 %
mixed - media pieces, 11 % data visualizations, 11 %
images, 11 % video, 7 % interactive maps.
Lessons will include a
mix of newly created material (created in TalentLMS easy to use
content editors) and
content imported from existing documents, presentations,
images and videos and automatically converted by TalentLMS.
As advertised, the larger screen lends itself to displaying newspaper and magazine
content, especially when you throw some graphics and
images into the
mix.
That's part of Milestone's
mixed paid and free plan for post-release
content, which is detailed in the following
image.
«Resonance: Looking for Mr. McLuhan» October 21 — December 21, 2011 Pratt Manhattan Gallery 144 West 14th Street, Second Floor Gallery Hours: Tuesday — Saturday 11 a.m. — 6 p.m.
Image captions clockwise from left: Google Earth Art, video animation still by Com & Com; Moonwalk, video projection by Martin Kohout; Mended Flying Letters,
mixed media piece by Elena del Rivero;
Content, video still by Chris Petit; His Master's Voice, photograph by Joan Rabascall; Reporter with Borders, video still by Rafael Lozano - Hemmer.
The book
mixes intense visual
content with critical commentary, an interview with the artist, a concentrated section on West's working methods, an artist's response to the work through words and
images, and an extensive chronology and bibliography.
In this interview, Krasner speaks of her dismay with the lack of recognition that many professional female artists receive; her resistence to joining the Club and the Irascible Eighteen; her experiences with getting exposure as a female artist; her relationship and respect for John Graham; the interest of Betty Parsons in Krasner's work; the
mixed compliments received from Hofmann; her relationship with Newman; Her objection to de Kooning's «Woman» series; the Freudian aspect of Abstract Expressionism; the authoritarian / autocratic
image of Rothko and Newman; the sexually biased role of the female within the Jewish Faith; the impossibility of separating
content and aesthetic value; her female influence upon Pollock; her role in exposing Pollock to Matisse; her ability to network for Pollock (Herbert and Mercedes Matter, Sandy Calder, James Johnson, Sweeney, Hofmann); her ambiguity as to whether she has had the tradition female artist experience due to her association with Pollock.
White
mixes up both the original
content as well as the meaning of these
images and forces us to look and interpret them again.