Sentences with phrase «mixed media constructions»

The Betty Parsons mixed media constructions from the 1970's share the spontaneity of the parfleche paintings, and make reference to the natural world.

The exhibition comprises 24 small mixed media constructions that examine influential artists from the late nineteenth and twentieth centuries, including Gerhard Richter, Leonora Carrington, Edward Hopper, Natalia Goncharova, Edouard Vuillard, Erich Heckel, Lee Krasner, Joan Mitchell, John Marin, Richard Prince, René Magritte, Henri Matisse, Dorothea Tanning, Andy Warhol, Louise Bourgeois, Paul Cezanne, Eugène Atget, Donald Judd, Roy Lichtenstein, Willem de Kooning, Pablo Picasso, Odilon Redon, and Yves Tanguy.

Georg Herold rarely produces multiples as his work tends toward large sculptural or mixed media constructions.

Her work takes the form of mixed media constructions, installations, paintings, drawings, written texts, embroidery collage, live performance, neon signs and photographs.

Not wedded to a particular genre, Bickerton moves between sculpture, photo - realistic painting, photography, and mixed media constructions.

Pfaff, perhaps best known for large, dense, mixed media constructions and installations, presents two exhibitions exemplifying distinctly different longterm pursuits and directions in her work.

His mixed media constructions of the seemingly dark side of kitsch reflect this -LSB-.....]

His mixed media constructions of the seemingly dark side of kitsch reflect this aesthetic as well, with vintage - inspired depictions of a fortune telling monkey or a palmistry booth being presented inside the dark dimensions of ornate wooden frames.

The exhibition includes drawings by Robert Bechtle, Bruce Conner, Joan Brown, and Jess, photography by Lynn Hershman and John Priola, and paintings by Canan Tolon, Anne Appleby and David Ireland, as well as the conceptual contributions of Paul Kos and Tom Marioni, and mixed media constructions by Gay Outlaw, Dean Smith and Frances Stark.

Yurick will exhibit photographic montages, mixed media constructions, and his «Rising Sky» series of abstracted landscapes and wood sculptures.

, 1971 watercolor and ink on paper with mixed media constructions 30 1/2 x 23 inches; 11 1/2 x 23 1/2 inches; 45 x 6 inches WTWd 15 10.

1971 watercolor and ink on paper with mixed media constructions 11 1/2 x 23 1/2 inches WTWd 15

Over the next two decades, she experimented with mixed media constructions and figurative paintings in pastels and oils.

Also on view are photographic, mixed media constructions and interactive hanging sculpture by Colby Bird.

Rachel Harrison's mixed media constructions place photographic and digital imagery in sculptural frameworks.

The Tibor de Nagy Gallery is pleased to present an exhibition of Larry Rivers's mixed media constructions from the mid-1960s into the early - 1970s.

Jean Tinguely, Swiss, 1925 — 1991, Portrait of Virginia, 1963, mixed media construction with radio, circuit board, andiron, speaker, and motor, Collection of Virginia Dwan

Jean Tinguely, Portrait of Virginia, 1963, mixed media construction with radio, circuit board, andiron, speaker, and motor, Collection of Virginia Dwan.

Another three - dimensional piece is Lot 299, «Elimination of Nostalgia, ABC,» a mixed media construction by Larry Rivers (b. 1923) that is 84 by 64 1/2 by 25 3/4 inches.

File name: tinguely-odessa.jpg Jean Tinguely, Swiss, 1925 — 1991 Odessa, 1963 mixed media construction 51 x 31 x 26 inches Collection of Virginia Dwan Photo: Joshua Nefsky

Not exact matches

Installations incorporate mixed media, performance - based video art, digital animation, fiber constructions, painting, sculpture, and ceramics.

On view for the first time is the artist's Proto - Skin Sets, a selection of mixed media collages and assemblages that deal with the social constructions of language, race, and gender.

Mixed media paintings and abstract, three - dimensional constructions inspired by reflections in Manhattan's glass towers.

, Natale has created two - dimensional mixed - media constructions that would fall under the rubric of painting (she describes them as

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

His mixed media works often contain combinations of traditional silkscreen processes combined with found materials, as in this colorful relief with handmade paper construction.

Thornton Dial (b. 1928), one of the most important artists in the American South, came to prominence in the late 1980s and was celebrated internationally for his large construction pieces and mixed - media paintings.

The complex box constructions utilize fourteenth - century techniques, and are wood covered with chalky gesso and adorned with gold leaf, bole, graphite, watercolor, oil paint, ink, and mixed media, combining the most precious with ordinary materials.

Her images, also including a construction in wire and mixed media, serve as both a model for creativity and a remembrance of death.

Other featured artists include Anita Arliss, whose mixed - media canvases are included in the permanent art installations at Hartsfield - Jackson Atlanta International Airport; Bethany Collins, who recently completed a residency at the Studio Museum in Harlem; and Justin Rabideau, who salvages wood from new construction sites and houses on the verge of collapse to create scaled pieces — from very tiny wall pieces to very large installations and large - scale sculptures — for his brightly - colored «Shim» series.

Graphite, Acrylic, Graphite Wash, and Mixed Media Collage on Wood Panel Relief Construction, with Found Objects, 40 x 30 x 2 1/4 inches, 2016.

Graphite, acrylic, and mixed media collage on wood panel construction with found objects, 27 1/2 x 27 1/2 x 2 inches, 2008 - 2012.

Soto created mixed - media constructions as wall pieces or as free - standing sculptures that emphasize the textures of cloth, metal, and wood.

Installations range from a 45 - foot circular «flower painting» to a 12 - foot mixed - media charm bracelet to a construction of willow branches in Olbrich's Rock Garden pond.

Metal and mixed - media constructions.

Installations feature mixed media, performance - based video art, digital animation, fiber constructions, painting, sculpture and ceramics.

Luis Camnitzer; Fragment of a Mountain Projectile Object Resembling Stone; Pre-Columbian Leftover Found in N.Y., 1973; Construction Element; Stone (1973 - 1976) Mixed media; 13.5 h x 9.88 w x 2d in (34.29 h x 25.1 w x 5.08 d cm)

Cullen Washington Jr.'s enigmatic large scale paintings, constructions and prints amply fill half of the cavernous space at the 808 Gallery (the other half is given over to a group show comprising mixed media works and performance).

AMANDA ROSS - HO Untitled Still Life (Wreaths and Masks) 2011 Hand drilled sheetrock, latex paint, graphite, linen tape, graphite on construction paper, and other mixed media 62 by 48 in.

Alluding to the changes brought about by gentrification, renovation and development, Every Straight Line is the Arc of a Great Circle is a mixed media work that resembles a house under construction.

In the 1960s and 1970s, Citron shifted away from painting and started making collages and mixed - media constructions.

This retrospective exhibition, organized by the Juniata College Museum of Art in Huntingdon, Pa., will feature paintings, prints, drawings and mixed - media constructions the artist created during her more - than -60-year career.

Exhibit highlights include Mark Bradford's mixed - media collage A Truly Rich Man Is One Whose Children Run Into His Arms When His Hands are Empty (2008) and Fred Sandback's yarn installation Broadway Boogie Woogie (Sculpture Study, Twenty - Two Part Vertical Construction)(1991 - 2006).

East & West Galleries: Sealed Orders Group exhibition: Nene Humphrey «Falling Body - Floating Body» sculptural installation Kathy McCarthy «Street Suite and Others» painted construction Gail Swithenbank «Architechtural Installation for Mercer Union» mixed media Warner W. Wada «Private Screening» photo mural.

Sculptural Installation, Painted Construction, Mixed Media, Photo Mural The work exhibited in Sealed Orders is diverse -LSB-...]

While Lawrence employed photography and illusionistic devices in his constructions, Gauthier incorporates photographic enlargements of installations in her mixed - media works, combining these images with encaustic and graphite on wood.

Sculptural Installation, Painted Construction, Mixed Media, Photo Mural

His mixed - media construction...

Blake's practice consists primarily of mixed - media work and encompasses site - specific installations, photo - constructions, drawing and sculpture, slide - projections and films.

Frank Stella Nowe Miasto II, 1973 Paintings, Mixed Media, Acrylic on canvas, epoxy on cardboard, chipboard and felt mounted to shaped panel construction 96 x 81.5 x 4.1 in.