Sentences with phrase «mm anamorphic»

The new 26 1/2 minute work is a 35 mm anamorphic film shot on location in the saline landscapes of Utah and California using Dean's recently developed and patented system of aperture gate masking.

In 2010, Center funding made possible the commission of a new 26 1/2 - minute work in 35 mm anamorphic film by Berlin - based, British artist Tacita Dean.

British artist Tacita Dean created a 26 1/2 - minute work, in 35 mm anamorphic film, in homage to the writer J.G. Ballard.

Center funding made possible a new 26 1/2 - minute work in 35 mm anamorphic film by Berlin - based, British artist Tacita Dean.

Tacita Dean, Providence, 2017, 35 mm anamorphic colour film still, reduced to 16 mm spherical format, silent, 5.5 mins, continuous loop.

The 16 mm anamorphic film was shot in Cornwall, England, during last year's total eclipse of the sun.

35 mm anamorphic colour film, silent, reduced to spherical 16 mm for exhibition as a miniature, 15 1/2 minutes, continuous loop.

2 synchronised 35 mm anamorphic colour films, optical sound, with a running time of exactly one hour.

«Interstellar» was shot using a combination of 35 mm anamorphic film and 65 mm IMAX film to maximize the crispness and clarity of the images.

Not exact matches

The film was shot in two anamorphic 35 mm 2.35 X 1 scope formats: Panavision and Technovision, the latter an Italian format that has a good look.

Presented windowboxed in 1.65 anamorphic widescreen *, the film looks exactly like it did in theatres, all but confirming that the transfer was sourced from the 35 mm blow - up (Vincent Gallo's viewing preference) rather than the Super16 negative.

A similar premise is at work here, as the Alexa 65 enabled the filmmakers to shoot wide and zoom in / recompose in post without a significant drop in PQ: The resultant 2K image proved comparable to the surrounding 35 mm footage once anamorphic filters and faux - grain were applied.

I told them, «These frames and references are probably not yours, but I only want to do it if I can shoot in anamorphic 35 mm, in Athens, Georgia, where I'm from, and with these actors»... and they embraced all of it.

THE BLU - RAY DISC by Bill Chambers Shot in «scope on 35 mm, Priest arrives (unrated) on Blu - ray from Sony in an ultra-fine-grain 2.40:1, 1080p transfer, the tack sharpness of which demonstrates just how much anamorphic lenses have improved in recent years.

THE DVD Innerspace is available on DVD from Warner Home Video in a presentation that contains a 1.78:1 anamorphic widescreen transfer of the film along with 5.1 Dolby Digital sound likely based off the six - track mix that accompanied 70 mm prints.

Panavision reconfigured and applied new coatings for focus pulling, made a 2,000 - foot magazine to accommodate his penchant for long takes and provided anamorphic lenses for 70 mm projectors.

Anderson usually shoots in an anamorphic 35 mm that is 2.39:1 (or close to that figure, sometimes 2.35.1).

It was also good to see the IMAX film projector used again, for Interstellar, although it was disconcerting to see the aspect ratio change from 70 mm to anamorphic 35 mm, often within the same scene.

The film was shot in anamorphic 35 mm by cinematographer Alexis Zabe, known for his work in music videos (Pharrell's «Happy») and collaborations with director Carlos Reygadas («Silent Night» and «Post Tenebras Lux»).

We just had three anamorphic lenses and we mostly shot with the one that is equivalent to the 40 in 35 mm.

Dayton and Faris honor the feel of 1973 by shooting on anamorphic 35 mm film, even if handheld lensing during emotional scenes gives things a more contemporary edge.

Cinematographer Adam Stone used anamorphic 35 mm film to provide a true - to - life vision for Oscar - contender «Loving.»

12 or so «old» films, in the order in which I saw them: Night and the City (UK version, Jules Dassin, 1950): on 35 mm nitrate (May, Rochester) Until They Get Me (Frank Borzage, 1917): an incredibly advanced Western, on 35 mm (June, Bologna); Secrets (Frank Borzage, 1924) was also notable, DCP West Indies (Med Hondo, 1979): 35 mm, anamorphic color print (Bologna) Furcht (Fear, Robert Wiene, 1917): German «impressionism» before «expressionism,» 35 mm (Bologna) Mit hem är Copacabana (My Home is Copacabana, Arne Sucksdorff, 1965): A Swedish documentarian meets Brazilian Cinema Novo, DCP (July, Bologna) El rebozo de Soledad (Soledad's Shawl, Roberto Gavaldón, 1952), DCP (Bologna) Where would the Mexican Cine de Oro have been without Gabriel Figueroa's cinematography?

That said, it's a bizarre choice for Tarantino to set his story so minimally and confined when he's decided to shoot the film on 70 mm with Panavision anamorphic lenses and a wide aspect ratio that's normally suited to grand, outdoor filmmaking.

The Dark Crystal was shot on 35 mm photochemical film using Panavision cameras and anamorphic lenses.

Tacita Dean Craneway Event [Still], 2009 16 mm colour anamorphic film, optical sound 1 hour 48 mins 13th May — 23rd June In November 2008, Tacita Dean filmed the choreographer Merce Cunningham (1919 — 2009) and his dance company rehearsing for an event in a former Ford assembly plant in Richmond, California.

Tacita Dean Craneway Event [Still], 2009 16 mm colour anamorphic film, optical sound 1 hour 48 mins 13th May — 23rd June