Sentences with phrase «mm camera negative»

It includes Curtis Harrington's 1963 debut avant - garde title «Night Tide» — showcasing Dennis Hopper's first starring role — in a new restoration from its original 35 mm camera negative.

Mastered from the original 35 mm camera negative, it's almost flawless (with a touch of fluctuating pixels in the neutral skies) and so clean that the hard vertical scratches 65 minutes into the film — the only blemishes on the print — are jarring.

At least Eyes Without a Face itself is presented gorgeously, in a pillarboxed 1.66:1, 1080p transfer sourced from the 35 mm camera negative.

Arrow Academy presents Orchestra Rehearsal utilizing a recent 2K restoration of the film from the original 35 mm camera negative.

Not only that, but they've secured an exclusive, brand new 4K restoration from the original 35 mm camera negative (opening with the Trans World Entertainment logo, I might add).

As it stands, the 1080p 1.85 X 1 digital High Definition image looks fine throughout, shot with remarkable form by Anderson as an uncredited Director of Photography, his use of the grain in the advanced Kodak Vision 3 35 mm camera negative film stocks is superior and impresses throughout as it usually does in all of his films.

The 1080p 1.66 X 1 digital High Definition image transfer on Virgin Suicides has stunning color grading (also a 4K scan from the original 35 mm camera negative), making the film look as great as it ever has and not only increases its smooth density, but its realism and naturalism, no matter how dream - like it gets.

Vinegar Syndrome proudly presents this madcap gore fest in its Blu - ray debut, fully uncut and newly restored from its original 35 mm camera negative!

Additionally, whereas the 2002 DVD presented the film in 1.78:1, Synapse have presented more information from 35 mm camera negative, so while the ratio is now 1.85:1, there's slightly more side information - an important issue for fans concerned the new transfer is slightly cropped.

Exclusive new digital restoration from the original 35 mm camera negative, with uncompressed monaural soundtrack on the Blu - ray edition

makes its Blu - ray premiere in a stunning Special Edition, with a crisp HD transfer remastered from the original 35 mm camera negative.

These episodes haven't been just remastered from the existing film masters, they actually went back to the original 35 mm camera negatives and redone all the visual effects, all in high definition.

Not exact matches

Criterion's BD release, sourced from the original camera negative, puts the lie to all of those earlier versions with its richly - textured shadows, searing whites, and twinkling 35 mm film grain.

Source elements (camera negative and a 35 mm print) were scanned at 4K and a digital restoration took place at 2K; the film is windowboxed to 1.72:1 for some reason, contrary to the box's claim of 1.66:1.

THE BLU - RAY DISC There isn't a ton of detail in the Super16mm camera negative, but Criterion's Blu - ray transfer of Rosetta, sourced from a 35 mm blow - up IP scanned at 2K and graded under the supervision of DP Alain Marcoen, seems to preserve every softly undulating granule.

That meant we could not only present the film all from 35 mm, but from a 2ndgeneration nitrate made off the camera negative in 1941.

Previously on DVD from Sony, it makes its Criterion debut on a 2K digital transfer from a new 35 mm fine - grain print struck from the original camera negative.

Both films are remastered from new 2k scans of 35 mm prints struck directly from the camera negatives and the double feature (two discs on DVD, one on Blu - ray) includes new interviews with manga author Koike Kazuo and screenwriter Norio Osada.

You know, I'd trained, the first things I'd ever made in my film class were in black - and - white 16 mm, so there's echoes of that training to expose film, print film — I'd studied all of Ansel Adams's technical manuals, The Camera, The Negative, The Print.

Newly scanned and restored in 2k from 16 mm original camera negative 2.

For the first time since the original release, this 70 mm print of 2001: A Space Odyssey was struck from new printing elements made from the original camera negative.

Produced directly from the 16 mm camera reversal master, the 35 mm negative was also beginning to fade but not nearly to such an extent as the camera originals and the release prints.

As stated in the included booklet: «Supervised by director of photography Yorick Le Saux and approved by director Olivier Assayas, this new digital transfer was created in 2K resolution on an ARRISCAN film scanner from the 35 mm original camera negative.»

THE BLU - RAY DISC Likewise amazing, Criterion's Blu - ray release presents The Innocents in its original CinemaScope aspect ratio of 2.35:1, in a 1080p transfer the liner notes describe as «created in 4K resolution on an Oxbery wet-gate film scanner from the 35 mm original camera negative.»

Though the 1.85:1, 1080p transfer admirably has the look of a 35 mm print, it lacks the pinpoint sharpness that characterizes other BU titles mastered from the camera negative.

This editions is mastered from a preserved, near - complete 35 mm nitrate print struck from the camera negative and preserved in the archives of EYE Film Institute in Amsterdam.

from the original 16 mm AB camera negative with 35 mm interpositive inserts and final approval by Frank Henenlotter himself, the film now looks better than ever.