Sentences with phrase «mm cameras in»

Manakamana is the first feature collaboration between Stephanie Spray and Pacho Velez, where they placed a fixed 16 mm camera in a cable - car that takes passengers to and from the Manakamana Temple in Nepal.

But we did have a time - lapse 16 - mm camera in the nose of the Beech.

Not exact matches

I started GoPro in 2002, we came out with our first product — the original Hero Camera (a 35 mm film camera)-- inCamera (a 35 mm film camera)-- incamera)-- in 2004.

It has long been clear from apparatus like miniature and 8 mm cine cameras, as well as the tape recorder, which are in actual fact already in the hands of the masses, that the individual, so long as he remains isolated, can become with their help at best an amateur but not a producer.

I took several 35 mm photography courses in high school but I'm definitely still learning how to use a digital SLR camera.

The Halo uses top and bottom sensor banks to view each object «in flight» using a combination of LED, CCD camera and NIR to perform targeted spectroscopy with 1 mm precision.

2.4 ″ LCD Screen Panel Built - in Digital Camera — 3MP (snapshots up to 12MP with interpolation) Image Capture Capability — Snapshots 4x Digital Zoom Optical powers of 1 to 3.7 x and 54x 128 MB Internal Flash Memory SD Card Slot (uses optional SD Cards up to 8 GB) Focus Knob Adjustable LED Illumination USB 2.0 Cable (used to upload images to a computer) Carry Pouch Battery powered for field use or in the home — uses 2AA batteries (user supplied) Weight — 6.5 oz (187 g) Dimensions — 3.8 ″ x2.5 ″ x4.2 ″ (96 mm x 63 mm x 107 mm)

Battinelli started his photo journey in 1995 when his father, an amateur hobbyist photographer, bought him a Pentax P30T 35 mm black and white film camera for Christmas so that he could take photography classes in high school at Peru Central School.

A 25 mm wide - angle lens is incorporated into the standard housing and the camera is renowned for its excellent light - sensing ability, resulting in clearer and sharper images.

In order to make each sample — or fingerprint — from the paper sheet consistent, the team used a rectangular box (dimensions 37 mm x 57 mm) and asked users to only capture what was inside this box with the camera.

This 3 - DVD set features incredible footage of the story of the Saturn V. Amazing rare footage of overcoming technological challenges in materials and techniques to stunning digital transfers of original 35 mm pad camera footage.

MUSTANG - 2 is the successor to the GBT's pathfinder 3 mm bolometer camera, MUSTANG, and represents a large step forward in sensitivity, fidelity, and robustness.

Throughout the winter months of 2016 - 2017 the new ARGUS 16 - pixel camera for 3 mm spectroscopy has been in regular use on the GBT.

The second pair of cameras, fixed - focal length Mast Cameras (Mastcams) with a 34 mm and 100 mm focal length, were delivered in Marccameras, fixed - focal length Mast Cameras (Mastcams) with a 34 mm and 100 mm focal length, were delivered in MarcCameras (Mastcams) with a 34 mm and 100 mm focal length, were delivered in March 2010.

I don't know much about cameras, but what I do know is that a 50 mm makes the background a little blurrier than a 35 mm, which means the subject is in sharper focus.

I've since graduated to the Canon 60D and a 50 mm f / 1.4 lens and can see a difference in my images, but I'll also tell you that buying the fanciest camera will do you no good unless you learn how to properly use it.

He buys cameras instead of renting them, creates a set of an alley way instead of just shooting in an alley, films on both 35 mm and HD at the same time, and that's before they even start actual production.

The lingering impression of him until the end is one of an old 35 mm camera, blocky and immobile and squatting off to the side as everything unfolds in front of him.

During the Apollo lunar missions between 1968 and 1972 all of those on board were given 16 mm cameras and asked to film everything they saw, in space and on the surface of the moon.

Crew: Camera (color, 24p - to - 35 mm — shown in Beta), Stephan Schultze; editor, Randy Mack; music, Dean Harada; production designers, Kenn Coplan, Jennifer Copp; sound (Dolby SR), Jeremy Hoenack; casting, Shana Landsburg.

makes its Blu - ray premiere in a stunning Special Edition, with a crisp HD transfer remastered from the original 35 mm camera negative.

THE BLU - RAY DISC There isn't a ton of detail in the Super16mm camera negative, but Criterion's Blu - ray transfer of Rosetta, sourced from a 35 mm blow - up IP scanned at 2K and graded under the supervision of DP Alain Marcoen, seems to preserve every softly undulating granule.

Funny how a decade earlier in Steven Soderbergh's sex, lies, and videotape, the Truth didn't come out until you put the DV camera down and put your eye to the 35 mm one.

That meant we could not only present the film all from 35 mm, but from a 2ndgeneration nitrate made off the camera negative in 1941.

There's much drinking and improvised rambling in the style of Hopper at his most egomaniacal and paranoid, and all of it is captured on an assortment of cameras: 16 mm, Super 8, hi - and standard - def DV, iPhones.

After Bendjelloul ran out of film for his 8 mm camera, he used an iPhone app called 8 mm Vintage Camera to shoot the remainder of the movie, which came out incamera, he used an iPhone app called 8 mm Vintage Camera to shoot the remainder of the movie, which came out inCamera to shoot the remainder of the movie, which came out in 2012.

Nolan and cinematographer Hoyte van Hoytema («Interstellar») shot the film using 65 mm and IMAX cameras, and while the big scenes of spectacle are unquestionably sweeping and impressive, it's the smaller moments that stayed with me more, whether it's those cascading leaflets in the opening scene, the terrifying majesty of a fighter plane gliding with its engines off, or a harrowing sequence involving a downed plane that will doubtless be used by English teachers to illustrate what poet Stevie Smith meant when she wrote «Not Waving but Drowning.»

You know, I'd trained, the first things I'd ever made in my film class were in black - and - white 16 mm, so there's echoes of that training to expose film, print film — I'd studied all of Ansel Adams's technical manuals, The Camera, The Negative, The Print.

The pair rejected digital cinematography (they thought the cameras of the time weren't stable enough for the remote locations) in favor of good old - fashioned 35 mm.

, German - language documentary in 4x3 SD with burned - in yellow English subtitles contains B - roll that provides a good impression of the filming conditions — including the look of the sets and the relatively small size of the handheld 16 mm film cameras — plus a clip of Burger delivering a lecture on his work in the camps and footage showing him consulting on set during the production.

THE BLU - RAY DISC Cinematographer Benedict Neuenfels shot The Counterfeiters in Super16, and the lighter (compared to 35 mm) cameras allowed for a handheld shooting style that apes documentary - style filmmaking from shakycam operation to fast zooms — an occasionally distracting tactic.

Additionally, whereas the 2002 DVD presented the film in 1.78:1, Synapse have presented more information from 35 mm camera negative, so while the ratio is now 1.85:1, there's slightly more side information - an important issue for fans concerned the new transfer is slightly cropped.

It Came from Kuchar (Unrated) Bio-pic recounting the enduring career of twins George and Mike Kuchar, legendary, low - budget filmmakers from the Bronx who got their start in the Fifties shooting movies in the backyard with an 8 mm camera they borrowed from their Aunt.

Newly scanned and restored in 2k from 16 mm original camera negative 2.

Setting aside the return of their giallo series with Dario Argento's The Bird with the Crystal Plumage, a 35 mm screening of The Murder of Fred Hampton, the fascinating sounding Crossroads and The Exploding Digital Inevitable, Bruno Dumont's Joan of Arc movie Jeannette and the latest doc from sensory Ethnography Lab alum JP Sniadecki, El mar la mar, later in the week, this weekend they've got an exclusive of Hong Sangsoo's utterly delightful Claire's Camera (I'll be seeing it for the fourth time).

Filmed in 16 mm, with a hand - held camera that seems to be breathlessly attempting to keep up with the chaotic events, the movie has a stunning immediacy.

In these rarely seen 8 mm color home movies, shot with Bergman's own camera (most of it by herself, but you...

These episodes haven't been just remastered from the existing film masters, they actually went back to the original 35 mm camera negatives and redone all the visual effects, all in high definition.

Vinegar Syndrome proudly presents this madcap gore fest in its Blu - ray debut, fully uncut and newly restored from its original 35 mm camera negative!

A similar change occurred in the 1960s when Cinerama was adapted from the complex three - camera and projector system to the «Super Cinerama» exhibition format based around a single 70 mm projector.

They hold casting sessions, buy camera equipment (Wiseau's insisted the film be shot in both 35 mm and HD, even way back in 2003, much to the delight of the equipment sales reps), crew up, and start shooting.

As it stands, the 1080p 1.85 X 1 digital High Definition image looks fine throughout, shot with remarkable form by Anderson as an uncredited Director of Photography, his use of the grain in the advanced Kodak Vision 3 35 mm camera negative film stocks is superior and impresses throughout as it usually does in all of his films.

As stated in the included booklet: «Supervised by director of photography Yorick Le Saux and approved by director Olivier Assayas, this new digital transfer was created in 2K resolution on an ARRISCAN film scanner from the 35 mm original camera negative.»

The weird aspect ratio points to a 65 mm source, but that isn't precisely the case: the picture was shot with the Sony F65 CineAlta, a 4K camera with a Super35 sensor and a base AR of 1.9:1, which is what Tomorrowland was projected at in IMAX.

Shot on IMAX 70 mm cameras that capture the enormity of the mass of soldiers on the beaches in detail, the audience is instilled with a sense of dread at the seeming impossibility of the evacuation.

THE BLU - RAY DISC Likewise amazing, Criterion's Blu - ray release presents The Innocents in its original CinemaScope aspect ratio of 2.35:1, in a 1080p transfer the liner notes describe as «created in 4K resolution on an Oxbery wet-gate film scanner from the 35 mm original camera negative.»

Anderson and Yeoman shot «Moonrise Kingdom» in various locations around Narragansett Bay in Rhode Island using Super 16 mm film, plus Aaton Xterà and A-Minima cameras.

At least Eyes Without a Face itself is presented gorgeously, in a pillarboxed 1.66:1, 1080p transfer sourced from the 35 mm camera negative.

Noé used a widescreen Minima Super16 mm camera to film the many unbroken shots in «Irréversible.»

He shot the film with longtime DP Lee Daniel on location in Austin, Texas and used a 16 mm Arriflex camera.