Sentences with phrase «mm celluloid»
This Bushwick artist's first solo show, Soap by Matt Town will focus on a 16 mm celluloid film and sculptural installation about the creation and test drive of a soapbox derby car.
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Sonic Acts: Vertical Cinema February 20 — 23, 2014 During four consecutive days, ten large - scale commissioned film works by internationally renowned experimental filmmakers and audiovisual artists will be presented on 35 mm celluloid and projected vertically with a custom - built projector in the monumental staircase of the Stedelijk.
The lecture will explore the transitions of his career over the last three decades from 35 mm celluloid to memory stick.
From the news story on Variety: «Videa hired German lab TLEFilms to do digital restoration on the damaged 35 mm celluloid original... The original Suspiria screen titles have been also been restored, as they appeared in Argento's original cut.»
They discuss the nude scene they're about to film, as well as the restrictions of working with 35 mm celluloid, which can never capture a take longer than 11 minutes.
Not exact matches
We are so fortunate to still get great guests and films, and to have the facility at the beautiful movie palace, the Virginia Theater, to show movies on celluloid as well as in 70 mm.
If you're a cinephile who adores features borne on actual celluloid, patronize your nearest 70 mm exhibitor and is enamored with the technology behind practical filmmaking, there's a lot to love about «Dunkirk.»
Experimenta screened all of them in their original formats, in 16 mm, something that reminds its participants of the significance of celluloid in the tumultuous and ever - secret histories of experimental cinema that often escapes us for the ubiquitous presence of the digital in the regular, standard received festivals that do exist in the international film festival lexicons.
Shot in 35 mm per director Wally Pfister's fanatical devotion to celluloid, the picture nevertheless shows signs of having been manipulated in the telecine suite, though thankfully to a lesser, subtler extent than the Pfister - shot The Dark Knight.
The film was shot on three - perf 35 mm stock to allow for smaller magazines and therefore lighter cameras / increased mobility; according to Greg Carson's worthwhile supplemental featurette, «Obtaining Cover: Inside Code 46», director Michael Winterbottom purposely avoided digital video because he wanted the crispness of celluloid, and yet there is often a PAL - like quality to the image here that considerably softens definition and shadow detail.
His installations make new use of outdated technologies: celluloid 35 mm film, VHS tapes and analogue television screens.
His installations make new use of celluloid 35 mm film, VHS tapes and analogue television screens.