The 16
mm color film At the hour of tea, which presents five sequences structured around found objects — silver coins, Roman glassware, a green leatherette box, an envelope, and a typewriter — gradually reveals a text describing a historical painting in modernist terms.
Not exact matches
16
mm color film of performance behind Duchamp's The Bride Stripped Bare by Her Bachelors, Even
at the Philadelphia Museum of Art.
In his video work «The Enclave», originally presented in the Irish Pavilion
at the 2013 Venice Biennale, Mosse (Kilkenny, 1980) narrates the war in the Democratic Republic of the Congo under a quite unusual point of view by using a special military surveillance 16
mm film which alters the natural
colors, turning the green of foliage into bright pink for anti-camouflage purposes.
«LOOKING BACK» - SPECIAL CLOSING EVENT / SCREENING
AT ANTHOLOGY
FILM ARCHIVES A special one - night screening as a part of the exhibition «Looking Back - the 4th White Columns Annual», curated by Primary Information PAUL SHARITS SHUTTER INTERFACE (1975, 32 minutes, double 16
mm,
color, sound) This 2 - projector version of the 4 - projector «locational» installation reorganizes the four reels into an equally engaging work meant for theatrical screening.
Hanafuda / Jasper Johns (1978 — 81), DVD from Super 8
mm film,
color, 35 minutes, documents Johns
at work on the screenprints Cicada and Usuyuki, both of which are on display in the exhibition.