Tamara Henderson Accent Grave on Ananas (film still) 2013 16
mm color film with optical sound 2:44 minutes Sound Credit: Dan Riley.
Poledna 1 Mathias Poledna, Substance, 2014 35
mm color film with optical sound, 6:40 min 35 mm frame enlargement.
Mathias Poledna, Substance, 2014 35
mm color film with optical sound, 6:40 min 35 mm frame enlargement Courtesy of the artist and Galerie Buchholz, Cologne / Berlin; Galerie Meyer Kainer, Vienna; Richard Telles Fine Art, Los Angeles
Not exact matches
«Welcome to Sherwood: The Story of The Adventures of Robin Hood» is an excellent making - of documentary that literally covers everything, using rare
film clips from early Robin Hood versions, and fascinating outtake and 16
mm color / black & white behind - the - scenes footage (archived separately as well,
with good commentary from Behlmer).
Underworld was shot on 35
mm film, so Sony presents it here in a full 4K scan in the original 2.39:1 theatrical aspect ratio, and
with a new High Dynamic Range
color timing pass.
Chris Larson, Land Speed Record (still), 2016, installation
with color digital video, black - and - white Super 16
mm film, sound, and sculpture.
To limit the amount of B&W
film I was developing and printing every day, I started carrying a 35
mm camera
with color slide
film to the clubs.
Anthony McCall Landscape for Fire, 1972/2006 16
mm color optical
film with sound transferred to DVD, 7:30 minutes edition of 15
with 3 APs AMC - 23
It was
filmed in
color on 16
mm with two cameras, manned by Andy Warhol and Paul Morrissey, and featured Superstars Viva, Taylor Mead, Louis Waldon, Joe Dallesandro, Tom Hompertz, Ingrid Superstar, and Eric Emerson, plus Nawana Davis and others.
Nathaniel Mellors, The Sophisticated Neanderthal Interview, 2014, 35
mm film transferred to HD video, sound,
color; 23:19 min, Commissioned by the Hammer Museum
with the support of The Mondriaan Fund and Temple Bar Gallery, Dublin, Courtesy the artist; the Box, Los Angeles; Matt's Gallery, London; Monitor, Rome; and Stigter van Doesburg, Amsterdam
Tamara Henderson, Accent Grave on Ananas, 16
mm color film on loop
with optical sound, 2:44, 2013.
Finally, a digitized version of Bruce Conner's 8 -
mm short
film Easter Morning, 2008, an expansion of his memorable Super 8
film Easter Morning Raga, 1966, is a harmonious and festive composition of lights and
colors,
with music by Terry Riley.
He experimented
with cameras in a range of sizes, from 35
mm to 8 x 10 inch formats; and made multiple exposures, high - contrast prints and used both black and white and
color film.
«Passageways: James Turrell,» 1995
Color film, Super 16
mm blown up to 35
mm, 26 minutes Sound: digital stereo Directed and produced by Carine Asscher for C.A. Productions and Centre Georges Pompidou
with the backing of the Plastic Arts Delegation, Paris.
16
mm film,
color,
with sound.
Jennifer West, Daisies Roll Up
Film (16
mm color and b & w
film neg rolled
with hard boiled eggs, oranges, lemons, avocados, pickles, green apples, milk and watermelon — a remake of a scene from Vera Chytilova's 1966
film, Daisies — rolling off the bed performances by: Mariah Csepanyi, Finn West & Jwest, lit
with black light & strobe light), 2008, video still, black - and - white and
color 16
mm film transferred to digital video, 5:53 minutes.
Mathias Poledna, Imitation of Life (still), 2013, 35
mm color film,
with optical sound, 3 minutes.
Load slides, 35
mm color film, black - and - white negatives, and Advanced Photo System (APS)
film into your computer
with Konica's Qscan QS - 1202U
Film Scanner.