Sentences with phrase «mm film black»
For her exhibition and residency at the New Museum, Santiago Muñoz premieres a new three - channel video That which identifies them like the eye of the Cyclops (2016) and a new silent 16 mm film Black Beach / Horse / Camp / The Dead / Forces (2016).
https://hamptonsarthub.com/ Not exact matches
I had a clunky Canon 35 mm camera loaded with black and white film that I took around the country and the world alike, and I had the time of my life shooting everything from European cathedrals to iconic East Coast skylines.
Battinelli started his photo journey in 1995 when his father, an amateur hobbyist photographer, bought him a Pentax P30T 35 mm black and white film camera for Christmas so that he could take photography classes in high school at Peru Central School.
«And so what better way than to show the silent - movie period in black - and - white [35 mm] negative,» he said, «and for the»70s we looked to the urban reality grit of New York films like Mean Streets, The French Connection and Midnight Cowboy — a much rawer look.»
Fans of Coppola's work will be particularly pleased with the inclusion of Lick the Star, a 1998 short film she made in 16 mm black - and - white just before she started production on The Virgin Suicides.
White Nights / Le notti bianche Luchino Visconti, Italy / France, 1957, 35 mm, 101m Italian with English subtitles Visconti's adaptation of a Dostoevsky story (filmed many times over, including by Robert Bresson) is a ravishing romantic reverie composed in incandescent black and white.
Beginnings: Black Female Cinema (1977 - 81): This rare screening of four 16 mm short films is a crucial part of American film history.
It was under the radar, but it is a wonderful little film from Finland from first time director on 16 mm black and white — and it won Un Certain Regard.»
His enlightening cinematic collage was culled from found 16 mm film of vintage interviews conducted by fellow Swedish journalists with everyone from Black Panthers Bobby Seale and Huey Newton to radical attorney William Kunstler.
You know, I'd trained, the first things I'd ever made in my film class were in black - and - white 16 mm, so there's echoes of that training to expose film, print film — I'd studied all of Ansel Adams's technical manuals, The Camera, The Negative, The Print.
Chazelle's passion for the movie musical was evident in Guy and Madeline on a Park Bench his no - budget, 16 mm, black - and - white, Harvard - film - student ode to the French New Wave and its love for postwar song»n' dance flicks.
«Welcome to Sherwood: The Story of The Adventures of Robin Hood» is an excellent making - of documentary that literally covers everything, using rare film clips from early Robin Hood versions, and fascinating outtake and 16 mm color / black & white behind - the - scenes footage (archived separately as well, with good commentary from Behlmer).
Shot on a combo of 35 mm and 16 mm, the black and white Academy cropped image contains plenty of detail and contrast, even showing an adequate amount of film grain.
Aside from some crushed blacks and clipped whites (it's not outrageous to assume that Scream pumped up the exposure to help make this dark film a bit more legible), the transfer, with its patina of grain and mild speckling (both positive and negative), is pleasantly evocative of a 35 mm print after a few showings.
It's the kind of addled farce that lies at the heart of so much of Roth's fiction, and Perry's formal chops — he and cinematographer Sean Price Williams use 16 mm black - and - white film over cheap DV, and they favor piercing deep - focus shots over hazy, foregrounded compositions — visually approximate the careful construction of the author's language.
INDEPENDENT & FOREIGN FILMS The Black Power Mixtape 1967 - 1975 (Unrated) Cinematic collage culled from found 16 mm footage of vintage interviews conducted by Swedish journalists with leaders like Stokely Carmichael, Bobby Seale, Huey Newton, Angela Davis and Eldridge Cleaver at the height of the Black Power Movement.
Made in 1992 and shown at the Sundance Film Festival in 1993, this black & white 16 mm short plays out similarly to the first third of the film it inspires, with the bookstore heist described but not seen.
That subversive nature of the film begins on the formal level: Shot in grainy black - and - white on 16 mm, The Happiest Day commits utmost to an aesthetic of realism, with Kuosmanen and cinematographer Jani - Petteri Passi capturing scenes in detailed long takes and smooth tracking shots.
The movie was filmed on high - contrast 16 mm black - and - white reversal film.
Shot black & white in the 1.33:1 aspect ratio on 16 mm and running just 70 minutes with credits, Following has a distinct student film feel, but it also manages to be an arresting, fully realized tale loaded with promise.
It's not the most plot - heavy of films, dancing from skit - like episode to episode, a structure reminiscent of the aforementioned «Frances Ha,» a parallel further underlined by the black - and - white photography (if anything the 35 mm work here, by photographer Sara Mishara, is even better than in Noah Baumbach «s film).
This box set version also contains, within its plush exterior, a set of eight limited edition card prints, an exclusive Senitype still with 35 mm film frame, a collection of six black - and - white screen - captures, and a 27» x40» theatrical poster.
Chris Larson, Land Speed Record (still), 2016, installation with color digital video, black - and - white Super 16 mm film, sound, and sculpture.
«A Village by the Sea» (2011) is a 35 mm black and white film produced by Mathias Poledna to evoke a scene or excerpt from a late 1930s, early 1940s musical.
MICKALENE THOMAS Screen Test: Joyce, Screen Test: Que, Screen Test: Racquel, Screen Test: Mickalene, Screen Test: Angel, Screen Test: Theolanda, (film still), each: 2016 hand - painted super 8 mm film, black and white, silent duration: 7 minutes dimensions variable LM22924
LORNA SIMPSON, «Easy to Remember,» 2001 (16 mm film, approximately 2:56 minutes), a video installation featuring 15 separately recorded voices all humming the same tune, was recently on view as part of the Baltimore Museum of Art's Black Box series.
16 mm film, black - and - white, sound; 18 minutes 35 seconds.
Der Sandmann, a 16 mm black and white film loop also featured in Constructing Realities, debuted at the Whitney Biennial in March 1995.
Stan Douglas's 1995 Der Sandmann, a nine minute, 16 mm black and white film uses two film projectors synchronized to play so that their film tracks repeatedly overlap images of events in the same location taking place at different times.
16 mm film transferred to video (black and white, sound).
Ana Mendieta X-ray, c. 1975 16 mm film transferred to high - definition digital media, black and white, sound Running time: 1:36 minutes Edition of 8 with 3 APs
In 1963, Whitman, using 16 mm black and white film, captured Suzanne De Maria, Simone Forti, John Vaccaro and Larry Rutter individually as they sat around a table in conversation with one another, as well as another shot of the table from above.
The Brooklyn - based artist's process for making her black - and - white films involves shooting imagery on Super-8 and 16 mm film — as well as digital and mobile phone platforms — which she then manipulates and projects onto paintings before finally screening and reshooting works to abstract ends.
New Zealand - born Thompson, 30, is shortlisted for a silent black - and - white 35 mm film portrait of Diamond Reynolds, whose boyfriend was shot by police in Minnesota — a shocking event she livestreamed on Facebook.
35 mm film (black and white, sound) transferred to video.
16 mm film transferred to digital video, black and white, sound.
With a focus on temporality and physicality, Hassabi's choreographic experience will direct and experiment with various ways in which the body engages with the established formal elements from the previous iterations: a black and white 16 mm film (shot by Robert), a collection of wooden planks, and a non-linear abstract text (written by Robert).
Andy Warhol, Vinyl, 1965, 16 mm film, black and white, sound, 67 minutes, © 2016 The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute.
Lifted from Irvin Kershner's film Eyes of Laura Mars (1978), the work's black - and - white print on the left depicts a 35 - mm camera pressed against film star Faye Dunaway's eye.
16 mm film, black - and - white, sound; 7 minutes.
35 mm film (black and white, sound), 37 min.
The Fifth Night (Rehearsal), 2010; seven - channel 35 mm film transferred to HD; black and white, sound; 52:09 min.
16 mm film (black and white, sound).
Highlights included Larry Clark's presentation of newly unearthed 16 mm film footage from Tulsa, SxSW and Austin Chronicle founder Louis Black introducing Austin filmmaker Eagle Pennell's film The Whole Shootin» Match, the Texas premiere of Celine Danhier's documentary on No Wave Cinema Blank City, and Glenn O'Brien's presentation of rarely - seen -LSB-...]
3.30 — 4.30 pm jennifer west rainbow party on 70 mm film (2008), 0:38 min a 70 mm film wearing thick heavy black liquid eyeliner that gets smeary (2008), 0:30 min salt crystals spiral jetty dead sea five year film (2013), 0:54 min spiral of time documentary film (2013), 9:01 min pink beach red desert dream sand film (2017), 3:21 min film title poem (2016), 35 min special short version courtesy marc foxx, los angeles
Image: John Smith, The Black Tower, 1985 - 87, still from 16 mm film, colour, sound, 24 min.
Image: Simon Starling, Black Drop, 2012 (still), 35 mm film transferred to HD.
An exception to the video medium, Wind was a silent black and white shot on 16 mm film and transferred to video.
Zaatari's two - part contribution to dOCUMENTA (13) similarly challenges the expectations audiences may bring by casting his latest works on archives not in the context of politics, history and memory but rather as a love story for two men played by three actors, in the black and white, 16 mm silent film The End of Time (2012), and as a mentor — apprentice drama in Time Capsule (2012), an extended performance for which the artist buried a concrete - encased collection of small monochromatic paintings — a tribute to an unnamed photographer said to be losing his sight — in a hole in the ground that was dug next to the Fulda River in the Karlsaue Park, with four spokes of rebar marking the spot.
Continuing the exhibition, Jonathan Monk will present three artworks: Laser VII, a laser text projection (after Bruce Nauman), Hand - held Sky, a 16 mm film loop, and The Burden, two black and white photographs held to the wall by diamond earrings.