New York based artist Martha Colburn's fast - paced, hand - made, 16
mm film animation, Myth Labs, 2008, will be on view in gallery three.
Florian Pumhösl's Tract, 2011, is a 16
mm film animation of early dance notation (an inspiration to a number of artists and photographers in recent years).
Not exact matches
Part of the Academy's Marc Davis Celebration of
Animation, the event will include a screening of the 1991
film from a pristine 70
mm original theatrical release print from the Academy
Film Archive.
Horn Perspective, 2009 35
mm film transferred to DVD,
animation, certificate of authenticity dimensions variable edition of 5 with 2 APs LG - V.09.506
Shot on 16
mm, with all the
animation and visual effects being constructed in camera through multiple exposures, Beckman's
films create narratives using the pedagogic and competitive structures of games.
The sculpture has a smoother mechanism but remains positively lo - fi in its technics, like a hand drawn
animation superimposed over 35
mm film.
Over rhythmically edited 16
mm stop - motion
animation of Montessori toys and grammar symbols, the cadence of the
film's voiceovers juxtaposes her mother's account of the trip with the organizers» perspectives on the Africans» attitudes and behavior.
DIEGO MARCON, Monelle, 2017, 35
mm film, CGI
animation, color, sound, 13» 56» in loop
Film frame, Produced by In Between Art
Film, Courtesy Ermes - Ermes.
One Mile
Film (5,280 feet of 35
mm film negative and print taped to the mile - long High Line walk way in New York City for 17 hours on Thursday, September 13th, 2012 with 11,500 visitors — the visitors walked, wrote, jogged, signed, drew, touched, danced, parkoured, sanded, keyed, melted popsicles, spit, scratched, stomped, left shoe prints of all kinds and put gum on the filmstrip — it was driven on by baby stroller and trash can wheels and was traced by art students — people wrote messages on the
film and drew
animations, etched signs, symbols and words into the
film emulsion lines drawn down much of the filmstrip by visitors and Jwest with highlighters and markers — the walk way surfaces of concrete, train track steel, wood, metal gratings and fountain water impressed into the
film;
filmed images shot by Peter West —
filmed Parkour performances by Thomas Dolan and Vertical Jimenez — running on rooftops by Deb Berman and Jwest —
film taped, rolled and explained on the High Line by art students and volunteers) 2012, 58 minutes, 40 seconds 35
mm negative and
film print transferred to high - definition video, no sound Commissioned and produced by Friends of the High Line and the New York City Department of Parks and Recreation
The exhibition features obsessive tinkering, elaborate drawing, juicy painting, hand - painted
animation, hand - altered 16
mm film, pricked paper drawings, artists» books, epic collage, site - specific installation and more.
A second exhibition in 2011 at Julie Saul Gallery titled Seducing Birds, Snakes, and Men introduced Whetstone's work in
animation, 16
mm film, and video to a wide audience.
The exhibition includes six digitized 16
mm film works which have been made over the course of ten years and include stop - motion
animations, unedited shorts, and documentations of abstract form.
Exclusively using analogue technologies, live - action footage, early computer graphics, stop - motion
animation and in - camera effects on 16
mm films, Beckman's work is a carefully designed collage reminiscent of the 70s Structuralist filmmaking and the 80s No Wave cinema.
A Sony reference monitor displayed a 3D
animation filtering human experience through found texts in the latter artist's work, YouTube clips, 16
mm film and spoken narratives presented as «two coded abstract symbols move in tension with each other» on the screens white, framed background.
For Abstract composition, a black and white
film projected here in 35
mm, Sietsema has taken phrases from online auction sites («English hunting scene,» «painted waterfall,» «carved marble urn») and, using digital
animation, punched the words into a cardboard sign that appears to rotate slowly, like a coin flipping between heads and tails.
Revelations in Media Art, a major exhibition of significant works by artists Cory Arcangel, Hans Breder, Takeshi Murata, Bruce Nauman, Raphael Montañez Ortiz, Nam June Paik, Martha Rosler, Eve Sussman, Bill Viola and others that highlight the breadth of media art, including 16
mm films, computer - driven cinema, closed - circuit installations, digital
animation, video games, and more.