Sentences with phrase «mm film elements»

Kino's earlier DVD release features both versions but the Blu - ray includes only the longer, original German - language, newly restored from archival 35 mm film elements by the Friedrich Wilhelm Murnau Stiftung, with optional English subtitles.

Presented in 1080p high definition with a 1.65:1 widescreen aspect ratio (original ratio was 1.85:1) and complete with a Spanish DTS - HD MA (Master Audio) 2.0 (mono or simple stereo, its hard to tell) track, the film has been nicely restored here from its original 35 mm film elements and has a detailed sound mix with some interesting design work.

Both «She (1935)» and «H.G. Wells» Things to Come (1936)» have been restored to high definition from their original 35 mm film elements and for films that are nearly 80 years old they look quite impressive.

Not exact matches

Source elements (camera negative and a 35 mm print) were scanned at 4K and a digital restoration took place at 2K; the film is windowboxed to 1.72:1 for some reason, contrary to the box's claim of 1.66:1.

Working from multiple elements, including standard definition video masters and a 35 mm film print, a project team created a new uncropped, high definition digital master that better represents the pictorial quality of the original videography, so this will be a very special screening indeed.

B The Birth of a Nation Available on DVD and Blu - ray Largely considered one of the most controversial films of all time, D.W. Griffith's monumental 1915 film about the Civil War and violent racism in America has been newly mastered in HD from its original 35 mm elements.

Home Video Notes: Apollo 13: 20th Anniversary Release Date: 2 June 2015 Apollo 13 releases in a 20th Anniversary edition (Blu - ray / Digital Copy) with the following extras: - Blu - ray version of the movie newly restored and re-mastered from high resolution 35 mm original film elements.

It provides a 2.20:1 transfer derived from restored 65 mm elements whose image looks vibrant and beautifully detailed throughout, regardless of whether it's racing footage or interiors, and the various European locations look like picture postcards, particularly the scenes of Monaco shown throughout the film's first racing sequences.

With a focus on temporality and physicality, Hassabi's choreographic experience will direct and experiment with various ways in which the body engages with the established formal elements from the previous iterations: a black and white 16 mm film (shot by Robert), a collection of wooden planks, and a non-linear abstract text (written by Robert).

Rolls of film or 16 mm projectors often become compositional elements in kinetic sculptures that project sequences of colored light, focusing attention on the idea of movement and rhythm.

In Please, 2008, a black - and - white 16 mm film transferred to video, Schwarz stages the choreographic elements of protest in shots that recall the avant - garde film techniques of the mid-century.