Not exact matches
«My Beautiful Laundrette» was made with TV in mind, shot in the then - cheaper format of 16
mm, but the response it received at
film festivals quickly proved that it warranted a theatrical release.
Expanding on our traditional Dolby screening services for 35
mm soundtracks, we now offer the complete package of equipment and engineering support for digital cinema screenings, including special one - off events,
film festivals, marketing screenings, and premieres.
Although I was really holding out for a screening of DeMille's very pre-code The Sign of the Cross, or even an entire
festival dedicated to the
films of Fredric March (as I cheekily suggested to TCM Director of Programming Charlie Tabesh a couple years ago), I am very excited about the 35
mm screening of Stanley Kramer's Inherit the Wind.
For past
festivals Shteyrenberg has even shown he has a knack for pushing this writer to see the right movies to introduce at the
festival, Ida was one («Ida» comes to South Florida in 35
mm; My review appears in «Reverse Shot»), and then there was the Israeli
film Gett: The Trial of Viviane Amsalem (Gett: The Trial of Viviane Amsalem shows how to make a powerful, resonant drama using one setting — a
film review).
Experimenta screened all of them in their original formats, in 16
mm, something that reminds its participants of the significance of celluloid in the tumultuous and ever - secret histories of experimental cinema that often escapes us for the ubiquitous presence of the digital in the regular, standard received
festivals that do exist in the international
film festival lexicons.
Although a few Competition
films such as Matteo Garrone's Reality and Hong Sang - soo's In Another Country, as well as Un Certain Regard entries like Darezhan Omirbaev's Student, are shot and presented on
film, the increasing rarity of 35
mm in the
festival now makes each such entry something of an event.
Combining handcrafted 16
mm film with video, installation, and performance, her pieces are exhibited internationally in
film festivals, museums, galleries, TV, public outdoor installations, and multimedia performances.
8 Fest is a
festival that programs
film works created and finished on Super 8
mm film.
Finished works have taken the form of Super 8
mm or 16
mm films,
film performances with live music, and installations; presented at
film festivals in Australia, including the Melbourne International
Film Festival, and at various spaces in New York including Union Docs, Roulette, Vaudeville Park, Eyebeam, Norte Maar, and Centotto, amongst others.
A year later, those same two franchisees came back with an 8
mm film of a Re / Max hot air balloon they had flown the day before at a hot air balloon
festival and said, «This should be our logo!»