Sentences with phrase «mm film format»

The program culminates with a screening of Spiral Jetty (1970) in its original 16 mm film format, an integral part of Smithson's master earthwork situated at Rozel Point, spooling into the Great Salt Lake, Utah.

«The Hateful Eight» is set for a release date on December 25, 2015, but only in 70 mm film format, but either way, that's a great incentive to see it early.

And rolling the film out in a limited «roadshow» release in the long - obsolete 70 mm film format, complete with overture and intermission.

I can only imagine what Dunkirk looks and sounds like on a huge digital IMAX screen, or projected in the detail - rich 70 mm film format (as it will be at one theater in the KC area — AMC Town Center 20).

Though «The Hateful Eight» is filled with the same self - indulgent tendencies that fans have come to expect from the director's movies, this Agatha Christie - styled whodunit is a lot of fun thanks to a smartly crafted script, some outstanding camerawork that benefits from the 65 mm film format, and riotous performances from the cast.

Though «The Hateful Eight» is filled with the same self - indulgent tendencies that fans have come to expect from the director's movies, this Agatha Christie - styled whodunit is a lot of fun thanks to a smartly crafted script, some outstanding camerawork that benefits from the 65 mm film format, and riotous performances from the ensemble cast.

There are a number of revelations, such as the fact they deliberately bounced from 16 mm to 35 mm film formats to emphasize contrast between Blair and the Queen and the confession that neither was in England during the week in question.

Not exact matches

17 The Canadians then raced to invent a system that could shoot on film 10 times the size of the 35 mm format and fill a screen six stories high.

The film was shot in two anamorphic 35 mm 2.35 X 1 scope formats: Panavision and Technovision, the latter an Italian format that has a good look.

Special Guests: Seven out of the eight films shown will be in old - school 35 mm prints, and the other is in digital format.

As for the 70 mm presentation... considering most of the film is shot indoors, on a single set, is it fair of me to say that it seems like a waste of the format?

«Techniscope is unique in that it can yield 22 minutes of footage from a single roll of film, as opposed to the standard 11 minutes of most other 35 mm formats.

Established in 1889, the standard format of 35 mm film with an image aspect ratio of 1.33:1 was not seriously challenged until Twentieth Century Fox's invention of CinemaScope (initially 2.55:1, later 2.35:1) in the early 1950s.

Final note for Bay Area readers: «Fantastic Beasts» is being presented in 70 mm at the Grand Lake Theatre in Oakland - the only Northern California movie house showing the film in this wide high - resolution format.

«My Beautiful Laundrette» was made with TV in mind, shot in the then - cheaper format of 16 mm, but the response it received at film festivals quickly proved that it warranted a theatrical release.

It's exciting and comically incisive that the first discernable thing about The Hateful Eight is that it's shot in 70 mm — a wide, uncommon, high - res format — and, after an opening salvo of John Ford - like panoramas of snow - flecked landscapes the story hunkers down into what is essentially a pocketed one - room chamber film.

But that's not all: Using plenty of gorgeous footage from some of your favorite recent films, Saladino delves deeper into the appeal of his favorite format, which he calls the «perfect middle ground between the retro aesthetic charm» of 8 mm and the more polished look of 35 mm.

The film was shot entirely on the highest definition IMAX and 65 mm film and this fantastic new format, with its increased resolution and superior colour reproduction is able to maximize Dunkirk's impact in the home.»

20th Century Fox plans to release it in all widescreen formats and Imax but also in select 70 mm film prints when it opens on Friday.

Paul Giamatti turns in an overwrought performance as Abraham Zapruder, apparently the only person to have photographed the president's arrival at the fateful curve in the road and whose 8 mm film had to be adapted to a 35 mm format.

This is a film steeped in the nouvelle vague tradition, with poppy bits of poetic - seeming dialogue and pretty pictures of beautiful, pining people, shot on multiple soon - to - be-extinct film formats (8 mm, 16 mm, and 35 mm).

But in point of fact, the movie was his fifth feature, and with his sixth and latest film, The Florida Project, Baker returns to his favored shooting format of 35 mm, this time in the at once fantastical and sober environs of Orlando, Florida.

Experimenta screened all of them in their original formats, in 16 mm, something that reminds its participants of the significance of celluloid in the tumultuous and ever - secret histories of experimental cinema that often escapes us for the ubiquitous presence of the digital in the regular, standard received festivals that do exist in the international film festival lexicons.

In regards to the actual 65 mm format and film size, let's get into the details.

For true cinephiles, Tarantino even filmed the movie in 70 mm and The Weinstein Company is promising the widest release this shooting format has been offered in 20 years.

Originally shot on 16 mm, the Irish Film Archive restored and exhibited the films in digital format.

In a masterstroke of money wasting genius, he decreed that The Room should be the first film shot on both 35 mm film and Digital HD formats at the same time.

The film was shot in 35 mm (by Roger Deakins) and finished at 4K; it should look smashing on UHD Blu - ray, if and when Universal embraces the format.

As multiple cameras circle around the objects, presenting different perspectives on the same figures, Tan varies her film format, flipping between 35 mm and Super 8, and between high - definition digital and camera - phone quality.

Kimsooja, Thread Routes — Chapter 1, 2010; Single - channel video projection, 16 - mm film transferred to HD format, and sound; Courtesy of Kimsooja Studio

KIMSOOJA, Thread Routes - Chapter 1, 2010, 16 mm film transferred to HD format, 29 min 31 sec.Courtesy Kimsooja Studio and Kukje Gallery, Seoul.

To demonstrate the potential of medium - format photography, which uses a roll of film larger than 35 mm, the organizers selected a work by James Steele.

The 35 mm film From Source to Poem (2016), co-produced by Pirelli HangarBicocca and CAPC musée d'art contemporain de Bordeaux, France, with the participation of Tabakalera, Donostia, Spain, is shot in Culpeper, Virginia at the Packard Campus for Audio - Visual Conservation, part of the Library of Congress: more than 90 miles of shelves that hold a collection of over four million items, both moving - image (films, videos, television episodes) and audio recordings (music, spoken word, radio broadcasts) in obsolete formats as well as modern digital files.

During January and February S1 Artspace will host three programmes of artist film and video featuring work by artists based in the UK, USA, Finland, Denmark and Germany combining video formats with 16 mm film projection.

Tacita Dean, Providence, 2017, 35 mm anamorphic colour film still, reduced to 16 mm spherical format, silent, 5.5 mins, continuous loop.

During January and February S1 Artspace will host three programmes of artist film and video featuring work from the UK, Denmark, Germany, Estonia, Serbia and Montenegro, Australia and Peru, combining video formats with screenings in 16 mm and Super 8.

Carey has worked in a variety of cameras and formats, including Polaroid SX - 70 and Polaroid PN film; b / w to color; 35 mm, medium and large format.

He employs analog formats including: wet - plate photography; Polaroid; 16 mm / Super 8 film; & VHS tape to produce collaborative work with strangers.

It will be a rare opportunity to view a selection of vom Gröller's early films in their original format (16 mm) together with more recent ones (12 short films in total, from 1968 to 2014).

He experimented with cameras in a range of sizes, from 35 mm to 8 x 10 inch formats; and made multiple exposures, high - contrast prints and used both black and white and color film.

Drawing inspiration from the medium's modernist masters like Edward Weston and Walker Evans, Nixon largely works with a large format 8x10 camera rather than shooting 35 mm film, arguing that it enabled him to capture «greater chunks» of time.

• Digital lab with Epson Stylus Pro 4900s, 7800, 9600, 9800, and 9900 digital inkjet printers, profiling systems and large print viewer • Hasselblad Imacon high resolution negative scanner, scans up to 4 × 5 sheet film • 18 27 ″ iMacs with a full suite of Adobe Creative Cloud software • Black and white darkroom with 18 enlargers (4 × 5, medium and 35 mm formats) • 16 mm Elmo slimline projector with 800 ′ looper, Full HD Cinema Projectors in all studios and classrooms w / Blu - ray player • Photographic and filmmaking peripherals, such as lenses, microphones, tripods and light kits available for checkout

In 1965, using one of the first portable Sony video recorders, Nam June Paik began producing musical video art, while Warhol had for some time been screening underground video films shot in 8 mm and 16 mm formats in his Factory studio.

Nha Trang About Blog Shooting Film is a daily blog for all things analogue: from 35 mm, medium format to large format, color to black and white, negative to slide films, and even instant film.