A small - time private eye (Cage, Snake Eyes) is hired by a wealthy widow (Carter, The Love Letter) to learn the secret to a short 8
mm film found in her deceased husband's safe.
Not exact matches
But before that arrives, lucky cinephiles will have the chance to revisit the original
film as a pristine 35
mm print of an uncut version of the
film was
found by the Chicago Cinema Society.
His enlightening cinematic collage was culled from
found 16
mm film of vintage interviews conducted by fellow Swedish journalists with everyone from Black Panthers Bobby Seale and Huey Newton to radical attorney William Kunstler.
Indulgent, sweet, and staged with all the visual panache of a sitcom (albeit a sitcom shot on 35
mm by Martha Marcy May Marlene cinematographer Jody Lee Lipes), the
film doesn't
find the Knocked Up director stepping forward or sideways so much as rocking a new wardrobe and standing in place.
INDEPENDENT & FOREIGN
FILMS The Black Power Mixtape 1967 - 1975 (Unrated) Cinematic collage culled from
found 16
mm footage of vintage interviews conducted by Swedish journalists with leaders like Stokely Carmichael, Bobby Seale, Huey Newton, Angela Davis and Eldridge Cleaver at the height of the Black Power Movement.
Inside, she
found a reel of 8
mm film.
The beloved Ghostbusters (1984) on 70
mm, a Vincent Price double feature (Tales of Terror and House of Usher) to the brand - new
films such as The Master Cleanse, Blood Hunters, Egomaniac,
Found Footage 3D) to live scores with silent
films (The Unknown) and more.
Although the
film lacks an engaging narrative or structure and has none of the stunningly composed long takes and bravura performances
found in 0.5
mm, Han Han's trademark scepticism and wry reserve still shine through in his first directorial effort.
All of these specials were traditionally hand - animated and shot on 35
mm film, so there isn't the usual fine detail you'd
find in live action footage.
Her exhibition will explore «landscape» in its broadest sense, including intimate collections of natural
found objects, large scale drawn pieces and a major new, experimental 35
mm film, Antigone.
For this exhibition she has selected some of her most significant landscape drawings and collections of
found natural objects and has created a body of new work culminating in a major, one hour - long, two - screen 35
mm Cinemascope
film, Antigone, which uses multiple exposures to combine places, people and seasons into a single cinematographic frame.
In her Light Leaks series, the color banding, overexposure, and light leaks
found in 35
mm film photography serve as inspiration for the artist.
Sabrina Gschwandtner reactivates the beauty of winter at Wave Hill by creating illuminated
film quilts comprised of 16
mm film footage shot onsite combined with
found footage.
Using analog projection and digital video, Sherman combined television broadcasts and
found 16
mm films into an anxiety - ridden, disorienting video collage of war, surveillance and authority.
The work combines original and
found imagery including hand - painted slides, Super 8
mm and 16
mm films, video, overhead and liquid projections with original music and sound.
In each photograph in the series, shot on 35
mm film, the artist physically manipulates the
found snapshot to create a new image.
«A Lover s Discourse» (detail)(2010) 16
mm film projector, turntable, LP record, amp, speakers, rope,
found footage, and sound by Mauricio Ancalmo; dimensions variable
In his process - based
film installations, Mauricio Ancalmo often incorporates
found machines of various kinds — 16
mm film projectors, a sewing machine, a word processor, turntables, old medical equipment — and pushes these mechanical instruments to their material limit, so that chance, physical breakdown, and erosion become incorporated into his working method without being the end in and of itself.
Finding Chopin: Dans l'Essex, (2015) was shot by Tris Vonna - Michell on 16
mm film during a residency in Montreal in order to document the artist's exhibition
Finding Chopin, which took place in the same city around the same time.
A Sony reference monitor displayed a 3D animation filtering human experience through
found texts in the latter artist's work, YouTube clips, 16
mm film and spoken narratives presented as «two coded abstract symbols move in tension with each other» on the screens white, framed background.
The 16
mm color
film At the hour of tea, which presents five sequences structured around
found objects — silver coins, Roman glassware, a green leatherette box, an envelope, and a typewriter — gradually reveals a text describing a historical painting in modernist terms.
Her practice encompasses artist's books, drawing,
found objects, photography and sound installations, but she is best known for her use of 16
mm film.
Readers who
found the Hollywood stories of
films such as The Day After Tomorrow, Waterworld or An Inconvenient Truth scary, might like to note that the mean average value of +1.0
mm / yr is not quite as dramatic.