Sentences with phrase «mm film frame»

The full - frame sensor is the same size as a 35 mm film frame (36 x 24 mm), while the APS - C sensor is slightly smaller, ranging from 22.2 x 14.8 mm to 23.7 x 15.6 mm, depending on the camera manufacturer.

This box set version also contains, within its plush exterior, a set of eight limited edition card prints, an exclusive Senitype still with 35 mm film frame, a collection of six black - and - white screen - captures, and a 27» x40» theatrical poster.

Not exact matches

Limited Edition Giftset includes: CD of the music used in the film, senitype (70 mm limited edition film frame) and 16 - page booklet.

Reynolds's behavior may be capricious, but Phantom Thread is consistently beautiful to look at: uncredited, Anderson was his own cinematographer, filming on 35 mm and impeccably framing each luxe interior, each of the protagonist's glorious sculptural dresses.

With The Florida Project, the eye for framing that Baker hinted at comes centre stage through 35 mm film.

by Bryant Frazer More than twenty years ago, I sat in Stan Brakhage's office at the University of Colorado, handling original frames of 65 mm IMAX film stock that the avant - garde filmmaker had hand - painted with swirling layers of colour.

Tarantino, cinematographer Bob Richardson, and others discuss the thinking behind resurrecting 65 mm film / 70 mm projection, retrofitting cameras to work with these old lenses, utilizing the widest frame available, and treating this like the event movies of yore.

They often frame their 16 mm films through performance, as a way to heighten the embodiment of characters who are often brought together across different historical moments, facts, and fictions.

Employing a range of techniques, including collage, hand - drawn rotoscoping — a technique that involves tracing from frames of live film footage — interlaced still photographic images, and live 16 mm film footage, Breer composes lively, nimble films that present an intimate, modest, and personal portrait of slices of shared lives and eras.

Time Frame takes its departure from Robert Smithson's sculptural refractions of the late 1960s, and the artist is represented in the exhibition by the 16 mm film Swamp (1971), made in collaboration with Nancy Holt, dealing with the limitations of perception.

February 27 — March 5 I ♥ Neutrinos: You Can't See Them but They are Everywhere (70 mm Film Frames of Neutrino Movements — shot in 15 ft Bubble Chamber at Fermilab, Experiment 564 near Chicago — dunked in liquid nitrogen, neutrino movements events with invisible ink and decoder markers and highlighters, inked up by Monica Kogler and Jwest, film roll from Janet Conrad, MIT Professor of Physics) 2011, 37 seconds Roll of specialized film for scientific use of about 1,000 Images transferred to high - definition video on a hand - made telecine device, no sound Made while Jennifer West was an Artist in Residence at the MIT List Visual Arts Center, Cambridge, MA in 2011; Funded, in part, by the Nimoy Visual Artist Residencies program of the Nimoy Foundation.

Mathias Poledna, Substance, 2014 35 mm color film with optical sound, 6:40 min 35 mm frame enlargement Courtesy of the artist and Galerie Buchholz, Cologne / Berlin; Galerie Meyer Kainer, Vienna; Richard Telles Fine Art, Los Angeles

Poledna 1 Mathias Poledna, Substance, 2014 35 mm color film with optical sound, 6:40 min 35 mm frame enlargement.

For this exhibition she has selected some of her most significant landscape drawings and collections of found natural objects and has created a body of new work culminating in a major, one hour - long, two - screen 35 mm Cinemascope film, Antigone, which uses multiple exposures to combine places, people and seasons into a single cinematographic frame.

Image: Frame from Tacita Dean, Day for Night, 2009; 16 mm color film, silent, 10 min.; Collection SFMOMA, Accessions Committee Fund purchase; © Tacita Dean

«Framed in an Open Window» presents a selection of five works — a sound piece and four 35 and 16 mm films — displayed across the South London Gallery's two newest spaces.

DIEGO MARCON, Monelle, 2017, 35 mm film, CGI animation, color, sound, 13» 56» in loop Film frame, Produced by In Between Art Film, Courtesy Ermes - Ermes.

karthik pandian and mathias poledna, in turn, cut up a 35 mm film, treat the individual images (frames) as slides, and show them in extremely decelerated slow - motion sequences, so that only one image is presented a day.

The carefully selected, closely framed shots made using 35 mm film are filled completely by the seemingly impenetrable, monochromatic patterns of the rainforest flora, and — with the exception of the obvious existence of a camera — do not evoke any kind of human presence.

Using the same masking system that she used in her giant film for Tate Modern's Turbine Hall in 2011, Dean shot different sections of the same 35 mm frame in different countries and at different times.

Andy Warhol, Screen Test: Ann Buchanan, 1964, 16 mm film, black and white, silent, 4 minutes at 16 frames per second.

GILBERT & GEORGE The World of Gilbert & George (still frame), 1981 16 mm color film transferred to video dimensions variable LM19807

This photograph — based on indivdual frames from a 35 mm print of the 1978 film Eyes of Laura Mars — was made to support Nottingham Contemporary, an exemplary contemporary art space in the UK, where Anne had a solo exhibition in 2011.

‖ Photographed at The Factory (Warhol's studio in New York City from 1962 to 1968) on 16 mm black - and - white film stock at the standard sound speed of 24 frames per second (fps), the portraits were intended to be projected at 16 fps, the speed of earlier silent films.

A Sony reference monitor displayed a 3D animation filtering human experience through found texts in the latter artist's work, YouTube clips, 16 mm film and spoken narratives presented as «two coded abstract symbols move in tension with each other» on the screens white, framed background.

35 mm slide film photograph c print mounted framed in custom white wood uv protective non reflective glass one of a kind from past exhibition shows little to no wear from being exhibited

A typical two hour movie, if traditionally shot on 35 mm film and played back at 24 frames per second, requires a little over two miles worth of film for theater playback.