Sentences with phrase «mm film installation»
35 mm film installation, 4:48 min (loop), color.
https://vimeo.com/
16 mm film installation, sound, 5:27 minutes.
This weekend their gallery will be home to SOAP, by Matt Town, a 16 mm film installation that also features sculpture and photographs, with a special reception with the artist from 2 pm to 5 pm on Saturday.
Film stills from Phonokinetoscope, 2001, 16 mm film installation with modified turntable and 33 1/3 rpm vinyl lp.
Not exact matches
Chris Larson, Land Speed Record (still), 2016, installation with color digital video, black - and - white Super 16 mm film, sound, and sculpture.
LORNA SIMPSON, «Easy to Remember,» 2001 (16 mm film, approximately 2:56 minutes), a video installation featuring 15 separately recorded voices all humming the same tune, was recently on view as part of the Baltimore Museum of Art's Black Box series.
Single channel film installation (16 mm film transferred to HD video, color / sound), 3:29 min.
The Varieties of Experience, 2008 16 mm film, color, silent 8:00 minutes Installation view, The Possibility of an Island Museum of Contemporary Art, Miami, USA Photo: Steven Brooke
Silent Film of a Tree Falling in a Forest, 2006 16 mm film, color, silent 7:10 minutes Installation view, 2008 Whitney Biennial Exhibition Park Avenue Armory, New York, USA Photo: James Ewing
Cinema Concepts, 2003 35 mm film transferred to DVD 12:35 minutes Installation view, Centric 65: Mungo Thomson University Art Museum, California State University, Long Beach, USA, 2004 Photo: Chris Griffiths
Combining handcrafted 16 mm film with video, installation, and performance, her pieces are exhibited internationally in film festivals, museums, galleries, TV, public outdoor installations, and multimedia performances.
His installations make new use of outdated technologies: celluloid 35 mm film, VHS tapes and analogue television screens.
His installations make new use of celluloid 35 mm film, VHS tapes and analogue television screens.
The Swordsman, 2004 35 mm film, color, silent, transferred to DVD 1:00 minute Performer: Bob Anderson Installation view, Mungo Thomson: New York, New York, New York, New York John Connelly Presents, New York, USA
Since the start of their collaboration in 1994 Dutch artists Jeroen de Rijke and Willem de Rooij have produced a select corpus of 35 mm and 16 mm films, photographs, objects, installations and texts.
The Varieties of Experience, 2008 16 mm film, color, silent 8:00 minutes Installation view, Mungo Thomson: The Varieties of Experience John Connelly Presents, New York, USA, 2009
The works on display include Dean's 16 mm films of influential figures such as her major six - screen installation with Merce Cunningham in Merce Cunningham performs STILLNESS... (six performances, six films)(2008), alongside her film of Claes Oldenburg in Manhattan Mouse Museum (2011) and her film diptych of Julie Mehretu GDGDA (2011), all previously unseen in the UK, as well as Mario Merz (2002), Michael Hamburger (2007), Cy Twombly in Edwin Parker (2011), and David Hockney in Portraits (2016).
Daniel Young and Christian Giroux, 35 mm colour motion picture film, no sound 9 min, looping film installation 2010.
Haris Epaminonda, Chapters, 16 mm film transferred to digital, four - channel video installation, approx. 4 hrs, sound by: Part Wild Horses Mane On Both Sides, 2013
Left: Margaret Salmon, Ninna Nanna, 2007; 3 - screen installation of 16 - mm films transferred to DVD; Collection of Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., Museum purchase through the contributions of members of the Contemporary Acquisitions Council and the Joseph H. Hirshhorn Purchase Fund, 2008
Installation view of Margaret Salmon, Ninna Nanna, 2007; 3 - screen installation of 16 - mm films transferred to DVD; Collection of Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.; PhotoInstallation view of Margaret Salmon, Ninna Nanna, 2007; 3 - screen installation of 16 - mm films transferred to DVD; Collection of Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.; Photoinstallation of 16 - mm films transferred to DVD; Collection of Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.; Photo Jake Erlich
Highway Gothic (2017), the most recent film installation to be featured in the exhibition, consists of cyanotype banners of 70 mm film and two 16 mm film projections.
Isaac Julien TEN THOUSAND WAVES (2010) Installation view, The Hayward Gallery, London Nine screen installation, 35 mm film, transferred to High Definition 9.2 surround sound, 49 ′ 41 ″ Courtesy of the artist, Metro Pictures, New York and Victoria Miro GalInstallation view, The Hayward Gallery, London Nine screen installation, 35 mm film, transferred to High Definition 9.2 surround sound, 49 ′ 41 ″ Courtesy of the artist, Metro Pictures, New York and Victoria Miro Galinstallation, 35 mm film, transferred to High Definition 9.2 surround sound, 49 ′ 41 ″ Courtesy of the artist, Metro Pictures, New York and Victoria Miro Gallery, London
Titles include Boomerang by Richard Serra (1974), featuring Nancy Holt vibrantly experimenting with the then - new and immediate medium of video; SHEDS (Jane Crawford and Robert Fiore), a short documentary produced for the 2004 Robert Smithson retrospective at the Museum of Contemporary Art, Los Angeles, that features newly compiled footage of two Smithson works (Partially Buried Woodshed and Mica Spread); video excerpts from artist Renee Green's Partially Buried gallery installation; and the experimental 16 mm films Monuments by Redmond Entwistle (2010) and Center of the Cyclone by Heather Trawick (2015), among other titles.
Ben Dean's Account, 2002 — 2008, the exceptional installation that constituted his first solo show, is really two accounts — one a 16 - mm color film, the other a gray - toned, computer - generated video — of three places.
Installation view of Western Round Table, 2009, The Lux, London, two 16 mm films, two projectors, two loops, optical sound, 2 minutes.
McCall's reemergence is marked by revisiting and further developing what began as his «solid light» films made in the early 1970s: installations of hazy, darkened rooms with slow - moving beams of light from 16 mm projectors.
The installation of Bore Song, where the 16 mm film loops beyond the projector, forefronts the sculptural aspect of the work, which carries with it a precarious and contingent value.
Circulation Figures, 1972/2011 Room Installation comprised of two mirrors, one double - sided projection screen, 16 mm film transferred to QuickTime movie file, one video projector, four audio speakers, newsprint.
Installation view, Power Distributor Door, Hotel Door, Safari Bar Door and Temporary Construction Door designed by Anna Viebrock, 2017; Floor Runner from the stage design of Riesenbutzbach Eine Dauerkolonie, by Anna Viebrock, 2009; and Alexander Kluge, The Soft Makeup of Light, 65 mm film transferred to digital projection, 13 minutes 34 seconds.
Julian Rosefeldt's four - screen installation (Super 16 - mm film transferred to DVD) The Ship of Fools, 2007, at first seems a kind of study in art history or visual culture.
The installation, False Start, a 16 mm and HD film shot in Southern Morocco in December 2014, coupled with an installation of sculptures — Lying Stones — explores the production and trade of one of Morocco's most particular items for export: fake prehistoric fossils.
The exhibition features obsessive tinkering, elaborate drawing, juicy painting, hand - painted animation, hand - altered 16 mm film, pricked paper drawings, artists» books, epic collage, site - specific installation and more.
Finished works have taken the form of Super 8 mm or 16 mm films, film performances with live music, and installations; presented at film festivals in Australia, including the Melbourne International Film Festival, and at various spaces in New York including Union Docs, Roulette, Vaudeville Park, Eyebeam, Norte Maar, and Centotto, amongst others.
Un Jardin d'Hiver (ABC) 1974, 35 mm, col., sound, 6», Brussels The subject of the film is Broodthaers» installation of a winter garden — including palm trees, folding chairs and natural history prints - in one room of a group exhibition at the Palais des Beaux - Arts in Brussels in January 1974.
Siemon Allen Untitled (Richmond VA) 1996 16 mm film, magnetic tape, sheets, wood Installation view with artist
«A Past of Plank and Nail» (installation view), 16 mm film projection on video, Victorian chairs, dimensions variable, 2013
These installations consist of viewer - activated 16 mm film loops projected either onto or into tableaux (which consist of props with sheets of ground glass) or onto photographs in which the film image blends with the still images.
In his process - based film installations, Mauricio Ancalmo often incorporates found machines of various kinds — 16 mm film projectors, a sewing machine, a word processor, turntables, old medical equipment — and pushes these mechanical instruments to their material limit, so that chance, physical breakdown, and erosion become incorporated into his working method without being the end in and of itself.
This Bushwick artist's first solo show, Soap by Matt Town will focus on a 16 mm celluloid film and sculptural installation about the creation and test drive of a soapbox derby car.
2004 True North; Three - screen installation, 16 mm colour film, 5.1 sound, 14» 20» Encore II (Radioactive); Super-8mm and 16 mm colour film, 3» 00»
«LOOKING BACK» - SPECIAL CLOSING EVENT / SCREENING AT ANTHOLOGY FILM ARCHIVES A special one - night screening as a part of the exhibition «Looking Back - the 4th White Columns Annual», curated by Primary Information PAUL SHARITS SHUTTER INTERFACE (1975, 32 minutes, double 16 mm, color, sound) This 2 - projector version of the 4 - projector «locational» installation reorganizes the four reels into an equally engaging work meant for theatrical screening.
1999 Long Road to Mazatlán; Three - screen installation (rear projection), 16 mm colour film, sound, 20» 00» The Conservator's Dream; Three - screen installation, 16 mm colour film, sound, 6» 00» Three; Single - screen installation, 16 mm colour film, sound, 28» 19»
Left: Vergleich über ein Drittes (Comparison via a third), 2007 2 - channel video installation 24 min.16 mm film, transfered to digital Ed.
Artists — including Martha Rosler, Lawrence Weiner, Andrea Zittel, Richard Wentworth, Paola Pivi, Liam Gillick, Aleksandra Mir, gelitin and Jeremy Deller — have contributed work ranging from site - specific installations and 35 mm films to impromptu performances and print publications.
South Kiosk is pleased to present And the Earth Screamed, Alive *, a solo exhibition by Emma Charles, featuring a multi screen expanded installation of her 16 mm film White Mountain.
Her installation brings together sculpture, 16 mm film, and textured paintings.
For more than a decade, Runa Islam has created 16 mm and 35 mm films and film - based installations that are generated from an interest in avant - garde film history, theories, and structures of filmmaking.
Zarina Bhimji Still from Waiting, 2007 35 mm color film, HD transfer, single screen installation Duration: 7» 48» Courtesy the artist
Installation view of Tacita Dean's film «Mario Merz» (2002, 16 mm film, colour, optical sound, duration: 8 minutes 30 seconds)