Sentences with phrase «mm film loop»

16 mm film loop.
Mary Kelly, «Still: An Earthwork Performed» (1970, black and white 8 mm film loop, film projectors, shovel, microphone, tape recorder, amplifier, 448 pounds of coke)
Continuing the exhibition, Jonathan Monk will present three artworks: Laser VII, a laser text projection (after Bruce Nauman), Hand - held Sky, a 16 mm film loop, and The Burden, two black and white photographs held to the wall by diamond earrings.
Rivane Neuenschwander, Pangaea's Diaries - still, 2008, Digital photographs transferred to, 16 mm film loop and projectorDuration: 1 minEdition of 8
Jenny Perlin, Still image from «Inks,» 16 mm film loop, b / w, 5 seconds, 2014.
The installation of Bore Song, where the 16 mm film loops beyond the projector, forefronts the sculptural aspect of the work, which carries with it a precarious and contingent value.
Developed during a residency at Meantime project space in Cheltenham, Bore Song is a 28second 16 mm film looped from projector to ceiling projecting onto float glass.
These installations consist of viewer - activated 16 mm film loops projected either onto or into tableaux (which consist of props with sheets of ground glass) or onto photographs in which the film image blends with the still images.

Not exact matches

The Silent Movie, 2010 16 mm film transferred to Blu - Ray DVD 23 minutes 27 seconds, looped edition of 5 with 2 APs LG - V.10.648
1972 35 mm film transferred to digital 5 min 16 sec continuous loop Courtesy Gavin Brown's enterprise, New York
The artist will perform with modular synthesizers and percussion, playing alongside an immersive environment created using looping 16 mm film.
35 mm anamorphic colour film, silent, reduced to spherical 16 mm for exhibition as a miniature, 15 1/2 minutes, continuous loop.
Der Sandmann, a 16 mm black and white film loop also featured in Constructing Realities, debuted at the Whitney Biennial in March 1995.
Daniel Young and Christian Giroux, 35 mm colour motion picture film, no sound 9 min, looping film installation 2010.
The archival wall reads as an elite rose petal taxonomy, funneling the viewer into the auditorium where the artist's 30 - minute 16 mm film of the performance art piece shot on 16 mm at Bell Labs, plays on a loop.
8 mm film transferred to digital video, color, sound, continuous loop.
Nam June Paik, Zen for Film, 1962 — 64, 16 - mm film, looped.
Installation view of Western Round Table, 2009, The Lux, London, two 16 mm films, two projectors, two loops, optical sound, 2 minutes.
DIEGO MARCON, Monelle, 2017, 35 mm film, CGI animation, color, sound, 13» 56» in loop Film frame, Produced by In Between Art Film, Courtesy Ermes - Ermes.
Tacita Dean, Providence, 2017, 35 mm anamorphic colour film still, reduced to 16 mm spherical format, silent, 5.5 mins, continuous loop.
Still from 35 mm film transferred to video, 8 min, 43 sec loop.
Leigh Ledare 00 PH, best known for his own disturbing photography, presents a new 16 mm film called Vokzal, shot in Moscow outside three adjacent train stations and presented in the galleries as three looped 16 mm projections replete with the cranking and buzzing of the anachronistic projectors used to screen the film on the walls.
35 mm film transferred to Blu - ray, color, sound, paint, speakers, light fixture; 6:30 minutes (loop).
Tamara Henderson, Accent Grave on Ananas, 16 mm color film on loop with optical sound, 2:44, 2013.
The looping film For how we perceived a life (Take 3)(2012) was shot by Wu Tsang on a single 400 - foot long roll of 16 mm film stock.
The Super 16 mm film Island Universe (2005 ─ 08), shot on location at the Metropolitan Opera in New York, is presented on a continuous loop in the auditorium every Sunday for the duration of the exhibition.
Her dynamic body of work Directing Light onto Fist of Father (2011) at Leo Koenig Projekte in New York, combined a looping 16 mm film and a plaster cast of MPA's father's fist in an installation that incited three durational performances.
2011 winner, Daniel Young and Christian Giroux, 35 mm colour motion picture film, no sound 9 min, looping film installation 2010.
2005 The Rape of the Sabine Women, single channel High Definition Video Cliff House, multi channel installation 2003 89 seconds at Alcazar, single channel video based on Las Meninas 2002 Portman's Looking Glass, a 4 projector installation, 150 ft. 16 mm loop Fly Right, a video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen Hatch
35 mm film installation, 4:48 min (loop), color.
LAURENT GRASSO Élysée, 2016 35 mm film transferred, 16 minutes 29 seconds, looped edition of 3 with 2 APs LG - V.16.1436 © Laurent Grasso / ADAGP, Paris, 2017 Courtesy: Sean Kelly, New York
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