Sentences with phrase «mm film on»

Still from Robert Smithson, Spiral Jetty (1970)[illustrated above] 35 minutes, color, sound, 16 mm film on video Camera: Robert Fiore, Nancy Holt, Robert Logan, Robert Smithson Sound: Robert Fiore, Robert Logan Editing: Barbara Jarris

Vito Acconci, video still, «Three Adaptation Studies,» 1970, 8:05... silent, Super 8 mm film on video, courtesy Electronic Arts Intermix.

Curated by Kevin Hegge & Jaime Sin 4 PM Motion Movies; Key Collaborations in Dance for Camera Channels / Inserts with Merce Cunningham 1982, 32:11, 16 mm film on HD video Ex-Romance, 1987, 48:22, 16 mm film on video Because We Must, 1989, 52:30, video.

16 mm film on video.

Joan Jonas will introduce a program of her 16 mm films on September 20 and a selection of her videos on September 21, at Anthology Film Archives in New York.

Not exact matches

Significantly, film usage is substantially less thanks to the sealing depth of the bags being reduced on the end seal from typically 10 mm to just 3 mm, and on the back seal from typically 13 mm to just 6 mm.

17 The Canadians then raced to invent a system that could shoot on film 10 times the size of the 35 mm format and fill a screen six stories high.

By the end of 2012, 35 mm film in movie theaters is expected to decline to 37 percent on a global scale, which is a dramatic decline from 68 percent of global cinema screens in 2010.

Photographed by Ian Wallis with a Meade LX - 50 10» SC telescope at f / 10 on 35 mm Kodak EGP - 400 negative film at the Schmidt - Cassegrain focus (sometimes mistaken for the «prime focus»), exposed 7 minutes.

Starting yesterday and continuing onto the next few weeks, MM and I are working on a new film project.

Shot on 35 mm film using only available light, «Ballast» is a profoundly American film that's nonetheless rooted in the European tradition of improvised, lo - fi naturalism (as in, say, the work of Belgium's Dardenne brothers).

He buys cameras instead of renting them, creates a set of an alley way instead of just shooting in an alley, films on both 35 mm and HD at the same time, and that's before they even start actual production.

Shot on beautiful 35 mm stock, Lincoln is a film filled with natural beauty as seen through the keen eyes of Spielberg and Kamínski.

That it was shot on 35 mm film makes the picture softer and more intimate than hard, high contrast digital.

Filmed entirely on 35 mm, Too Late unfolds in five acts, each a 20 + minute take with no hidden cuts or gimmicks.

As for the 70 mm presentation... considering most of the film is shot indoors, on a single set, is it fair of me to say that it seems like a waste of the format?

The feature shot on 35 mm film.

Despite switching to 35 mm from the previous film's all - digital lensing, «Spectre» often looks the less refined, harder - textured work, in keeping with its protagonist's restless, on - the - fly work ethic.

I know people who travelled to Toronto just to watch The Master on 70 mm, and so, I have to admit that, finally, we have probably lost our status as one of the great film cities, here.

During the Apollo lunar missions between 1968 and 1972 all of those on board were given 16 mm cameras and asked to film everything they saw, in space and on the surface of the moon.

All films seen for the first time and on 35 mm.

Support your local theater, support 35 mm (and 70 mm) film on 3/5, the first annual Reel Film Day.»

The unveiling of the Macintosh in 1984 is shot on grainy 16 mm film and scored with vintage synthesizers.

While viewing it at home may lack the impact of catching it on 70 mm film in the theater, not even the smallest screen could take away from Nolan's masterful filmmaking, ably assisted by a dynamic score from the legendary Hans Zimmer.

Fans of Coppola's work will be particularly pleased with the inclusion of Lick the Star, a 1998 short film she made in 16 mm black - and - white just before she started production on The Virgin Suicides.

Reynolds's behavior may be capricious, but Phantom Thread is consistently beautiful to look at: uncredited, Anderson was his own cinematographer, filming on 35 mm and impeccably framing each luxe interior, each of the protagonist's glorious sculptural dresses.

I would advocate trying to see the film in the 70 mm roadshow presentation (a list of theaters offering such a presentation is here) on the general principle that it's good to see things in 70 mm.

Now Baker's taken on Cannes with The Florida Project — this time shot on 35 mm film — about a precocious six year - old and her ragtag group of friends whose summer break is filled with adventure,

(Liman and cinematographer Roman Vasyanov, shooting on Super 16 mm film, took care of principal photography in 14 days, using the western edge of California's Mojave Desert as a stand - in location.)

As far as I could tell, no one had ever used a roll of film this way — to create a 20 - plus minute shoot on 35 mm — and I thought it would be a fun challenge and an interesting way to make a movie.»

Says co-producer Matt Miller: «Having audiences understand the work that went into the film's production will also reinforce the messaging of why we felt it was important to present this film only on 35 mm and only in theaters.»

Paul Thomas Anderson did another early screening of his new film The Master in 70 mm last night at Chicago's Music Box Theater, to follow on the Santa Monica showing that took place a couple weeks ago.

Reichardt describes the film, shot on 16 mm, as «a road movie without the road, a love story without the love, and a crime story without the crime.»

«When I was a kid, I started out shooting on super 8 film... graduated to 16 mm, and (Johnny X) was my first 35 mm production.

And it's full of everything we love about the prolific filmmaker, including his stalwart casting of familiars Samuel L. Jackson, Tim Roth, Michael Madsen, and others, including Demian Bichir and Jennifer Jason Leigh, as well as his pithy one - liners, and sprawling Western shots, this time captured on 70 mm film.

Golden Exits; the latest film from Alex Ross Perry (Listen Up Phillip, Queen of Earth), is an unnerving American ensemble drama shot on 16 mm that boasts a star - studded cast led by Emily Browning, Chloë Sevigny and indie stalwart Jason Schwartzman.

Among the special features new to our Blu - ray edition of Ingmar Bergman's Wild Strawberries is a remarkable sixteen minutes of silent 16 mm footage filmed by Bergman himself on set.

Every day this weekend, on New York City's Lower East Side, the Metrograph will give moviegoers the chance to see Todd Haynes's 1995 film Safe in a 35 mm print.

THE DVD Innerspace is available on DVD from Warner Home Video in a presentation that contains a 1.78:1 anamorphic widescreen transfer of the film along with 5.1 Dolby Digital sound likely based off the six - track mix that accompanied 70 mm prints.

The movie will be getting a 70 mm IMAX 3D release, and film blog Making Star Wars has posted some info on the initial plans for the IMAX 3D version.

Had the film been shot in color or on 35 mm, it wouldn't have put the viewer in the appropriate state of mind for the unique state of mind necessary and the melding of both comedy and sci - fi.

In every surface aspect, it's a textbook New York underground indie (though shot on 16 mm film rather than video), enamored with repellent details (Laura is introduced mid-crying jag, blasting a mucus strand from her nose and reflexively snorting it back in) and sporting just - get - it - done technical credits.

The film is brilliantly shot on 35 mm by Lol Crawley.

Beautifully shot on 35 mm by Ben Kasulke (who made his debut as a cinematographer on the film).

See the film this weekend on 35 mm and in the meantime, watch our Three Reasons video for The Last Days of Disco below.

One of Broomfield's hastier exposés (for starters, it was shot entirely on consumer DV instead of his typical 16 mm), Aileen 2 became a film more or less on the spur of the moment when the documentarian was subpoenaed to testify at one of Wuornos's pre-execution hearings.

I came to the city as a teenager in the late»70s, too late for the New Yorker Theater itself but right on time for the Cinema Studio on 66th and Broadway, where I spent half of my student life seeing and re-seeing movies like Wenders's The American Friend and Godard's aforementioned return to 35 mm feature filmmaking, and the Metro on the corner of Broadway and 100th Street, where I saw Oshima's early films for the first time.

He talks about why the movie took years to make, his decision to only screen on 35 mm, working with John Hawkes, and everything else you need to know about one of the most unique film releases of the year.

Filmed on 35 mm and left in its grittiest state — the colors have a relatively untreated feel, like a»70s Dirty Harry film — Too Late is an L.A. noir shot in five continuous take scenes.

It was under the radar, but it is a wonderful little film from Finland from first time director on 16 mm black and white — and it won Un Certain Regard.»