Sentences with phrase «mm film photography»

In her Light Leaks series, the color banding, overexposure, and light leaks found in 35 mm film photography serve as inspiration for the artist.

Not exact matches

Battinelli started his photo journey in 1995 when his father, an amateur hobbyist photographer, bought him a Pentax P30T 35 mm black and white film camera for Christmas so that he could take photography classes in high school at Peru Central School.

This moody, elegiac film has universally been acclaimed as a cinematographic masterpiece, from the talents of Cuban - born European Nestor Almendros (and «additional photography» by Haskell Wexler), with naturally - lit, sweeping, 70 mm images of crystal clarity and scope, and artfully composed scenes reminiscent of Andrew Wyeth paintings.

The 1080p 2.35 X 1 digital High Definition image was shot in Super 35 mm by Director of Photography Mark Irwin, C.S.C. / A.S.C., giving it the same lame school look emphasizing the same color schemes typical of such films shot in California.

I've never seen a 35 mm print of The Deep, so it's impossible for me to say whether this is an accurate representation of the film, but the cinematographer's experience with Technicolor photography suggests the saturation could well be intentional, if a bit unnatural.

(Liman and cinematographer Roman Vasyanov, shooting on Super 16 mm film, took care of principal photography in 14 days, using the western edge of California's Mojave Desert as a stand - in location.)

Shot on grainy 16 mm film («Drinking Buddies» was shot digitally), the look of the film (lensed by Ben Richardson of «Beast of the Southern Wild» fame) is definitely a step backwards, and it appears as if the filmmakers only used available light, which doesn't make for the most flattering photography.

As it stands, the 1080p 1.85 X 1 digital High Definition image looks fine throughout, shot with remarkable form by Anderson as an uncredited Director of Photography, his use of the grain in the advanced Kodak Vision 3 35 mm camera negative film stocks is superior and impresses throughout as it usually does in all of his films.

As stated in the included booklet: «Supervised by director of photography Yorick Le Saux and approved by director Olivier Assayas, this new digital transfer was created in 2K resolution on an ARRISCAN film scanner from the 35 mm original camera negative.»

The film's lush 35 mm photography is abruptly replaced by the sharp digital look of an iPhone camera, and for the first time in the film a musical score kicks in.

It's not the most plot - heavy of films, dancing from skit - like episode to episode, a structure reminiscent of the aforementioned «Frances Ha,» a parallel further underlined by the black - and - white photography (if anything the 35 mm work here, by photographer Sara Mishara, is even better than in Noah Baumbach «s film).

To demonstrate the potential of medium - format photography, which uses a roll of film larger than 35 mm, the organizers selected a work by James Steele.

Working in very diverse mediums, including 16 mm film and slide projection, painting, assemblage sculpture and vintage photography, the artists share an approach to making that allows them to navigate their relationship with the world and its substances in a way that is tactile and therefore often quite instinctive.

London - based photographer Robin Cracknell explores themes of love, loss and memory using a unique non-digital process combining traditional film photography and cinematography, and shooting with old, sometimes damaged cameras and salvaged 35 mm cine film.

Biography: London - based photographer Robin Cracknell explores themes of love, loss and memory using a unique non-digital process combining traditional film photography and cinematography, and shooting with old, sometimes damaged cameras and salvaged 35 mm cine film.

Using the model of artists teaching artists, workshops have covered pinhole photography, solarplate etching, website design, and 16 mm film.

He employs analog formats including: wet - plate photography; Polaroid; 16 mm / Super 8 film; & VHS tape to produce collaborative work with strangers.

Gioli, who is among the artists representing Italy at this year's Venice Biennial, works with 16 mm film and photography, altering and reinventing photographic techniques to achieve new uses of light and chemicals for his photographic series.

Leigh Ledare 00 PH, best known for his own disturbing photography, presents a new 16 mm film called Vokzal, shot in Moscow outside three adjacent train stations and presented in the galleries as three looped 16 mm projections replete with the cranking and buzzing of the anachronistic projectors used to screen the film on the walls.

For his fifth solo show at Casey Kaplan, Berlin - based, British artist, Jonathan Monk, will present a new body of work that takes shape from key principles of Conceptual art — the favoring of ideas over object - making, serialism, the dematerialization of the art object — interpreting them with a playful sensibility and through a variety of media: 16 mm film, painting, sculpture, drawing, photography, and a laser - light installation.

Gelatin silver print, 11 1/4 x 8 1/2 inches (290 x 215 mm), titled and dated in Cyrillic on verso by Varvara Rodchenko, Rodchenko's wife, (thus a later, but not a modern print), also with the collection stamp of Professor Lubomir Linhart of Prague, a noted historian of photography and film (who published a book on Rodchenko in 1964).

Analogue film, such as 35 mm slide photography and 16 mm film, use James» sculptural works as their muses, reproducing and representing these structures as projected or printed image.

Danish artist Joachim Koester transforms the galleries of Camden Arts Centre with an immersive installation comprising 16 mm film projection, digital video, photography and audio works.

Nashashibi works mainly with 16 mm film, but has occasionally ventured into the realm of photography and photographic installations.

Her practice encompasses artist's books, drawing, found objects, photography and sound installations, but she is best known for her use of 16 mm film.

None of the artists present objects or paintings, instead, photography, video installation, wall drawing, sound, 16 mm film, and computer terminals are employed.

However, the rise of the consumer 135 mm film and more recently and powerfully, digital photography, has diminished the popularity of 120 film, decreasing its demand.