Sentences with phrase «mm film project»

This exhibition comes on the heels of JG, a new 35 mm film project by Tacita Dean on view at the Arcadia University Art Gallery through Sunday, April 21.

Tacita Dean conceived a piece that consists of an eleven - minute silent 35 mm film projected onto a monolithic wall erected at the end of a darkened Turbine Hall.

Not exact matches

Instead, «Hateful Eight» — which held its worldwide premiere at the Cinerama Dome — will play in another auditorium at the Arclight equipped to project in 70 mm film.

Starting yesterday and continuing onto the next few weeks, MM and I are working on a new film project.

MM and I have been working non-stop in the last few weeks to ramp up to the release of our film project.

MM and I are heading up to San Francisco today to finish shooting our film project.

Also some variants 70 mm film is projected at 48 fps (Disney's «Soaring» Ride and some of the documentaries put out in the 1990s if I'm not mistaken and it also looks amazing, and certainly didn't have anyone complaining.

Now Baker's taken on Cannes with The Florida Project — this time shot on 35 mm film — about a precocious six year - old and her ragtag group of friends whose summer break is filled with adventure,

That second film was Paul Thomas Anderson «s The Master, and it was projected in 70 mm.

The Florida Project, Sean Baker's new, funny, thoughtful, poignant and beautiful film is a realist fairy tale, a gorgeous 35 mm technical experiment, a heartbreaking character drama and a staggering documentation of the many possible meanings of the word «bitch».

This will be a challenging task as multiplexes have gone digital, and few art house theaters outside Los Angeles and New York can still project 35 mm film.

The fest also provides one of the few opportunities available in St. Louis to see films projected the old - school, time - honored way, with Jean Renoir's «Boudu Saved from Drowning» and Julien Duvivier's «Pépé le moko» screening from 35 mm prints.

With The Florida Project, the eye for framing that Baker hinted at comes centre stage through 35 mm film.

I can only imagine what Dunkirk looks and sounds like on a huge digital IMAX screen, or projected in the detail - rich 70 mm film format (as it will be at one theater in the KC area — AMC Town Center 20).

But in point of fact, the movie was his fifth feature, and with his sixth and latest film, The Florida Project, Baker returns to his favored shooting format of 35 mm, this time in the at once fantastical and sober environs of Orlando, Florida.

From cinematographer Hoyte van Hoytema's lush visuals, thanks to 65 mm IMAX film (projected at 70 mm in theaters); the realistic use of practical effects further adding to the mise - en - scène; the visceral sound design transporting the audience alongside the soldiers; Hans Zimmer's heart - wrenching score; the lack of dialogue, gracefully showing and not telling the story, Dunkirk is an exercise in not only perfecting the art of filmmaking but advancing it forward.

Working from multiple elements, including standard definition video masters and a 35 mm film print, a project team created a new uncropped, high definition digital master that better represents the pictorial quality of the original videography, so this will be a very special screening indeed.

It was a series he began in 1973 with the 16 mm film Line Describing a Cone, in which a volumetric form composed of a beam of projected light slowly evolves in real, three - dimensional space.

In these works, everyday objects take on uncanny properties, as in Two Holes of Water No. 3, 1966, where suburban station wagons wrapped in plastic become mobile TV and film projectors, or in Prune Flat, 1965, in which a single lightbulb descends from above, its brightness washing out the piece's projected 16 - mm footage and restoring three - dimensionality to the world onstage.

The Brooklyn - based artist's process for making her black - and - white films involves shooting imagery on Super-8 and 16 mm film — as well as digital and mobile phone platforms — which she then manipulates and projects onto paintings before finally screening and reshooting works to abstract ends.

Featuring a selection of short, mid-century animated 16 mm films by American icon Robert Breer — all of which were projected in L.A. during the opening of a Larry Rivers exhibition in 1963 — including A Man and His Dog Out for Air (1957), Eyewash (1959), and Homage to Jean Tinguely's Homage to New York (1960).

Rolls of film or 16 mm projectors often become compositional elements in kinetic sculptures that project sequences of colored light, focusing attention on the idea of movement and rhythm.

Sonic Acts: Vertical Cinema February 20 — 23, 2014 During four consecutive days, ten large - scale commissioned film works by internationally renowned experimental filmmakers and audiovisual artists will be presented on 35 mm celluloid and projected vertically with a custom - built projector in the monumental staircase of the Stedelijk.

From May 5 to October 8, 2017, Pirelli HangarBicocca presents Rosa Barba's solo exhibition From Source to Poem to Rhythm to Reader, curated by Roberta Tenconi: a project that brings together fourteen works made since 2009, including 35 mm and 16 mm films, kinetic sculptures, and site - specific pieces.

Developed during a residency at Meantime project space in Cheltenham, Bore Song is a 28second 16 mm film looped from projector to ceiling projecting onto float glass.

A self - described «emotional science project,» Bernadette Mayer's Memory — 1,100 - odd photographs made by shooting a thirty - six - exposure roll of 35 - mm color slide film on each of the thirty - one days of July 1971, accompanied by six - plus hours of diaristic narration that the artist later revised into a book — is one of those conceptual pieces from the 1960s and»70s that have been better known as anecdote than as physical fact.

PROJECTED CLOSE AGAINST A WALL in a large, dark gallery, the saturated red of Steve McQueen's 16 - mm film Charlotte, 2004, produced an intimacy with the viewer every bit as charged as the contact that occurs between the artist's finger and Charlotte Rampling's eyeball.

The project begins with a time - lapse of a glass jar containing fireflies and rolls of unexposed 16 mm film.

From «Ice Floes of Franz Joseph Land,» five channels shot on 16 mm film, transferred to video, projected from DVD, 21 minutes 48 seconds per channel, black and white, silent.

Five channels shot on 16 mm film, transferred to video, projected from DVD, 21 minutes 48 seconds per channel, black and white, silent.

At Cornerhouse, Subconscious Society is shown on a large suspended screen in Gallery 3, projected onto from both sides using 35 mm and 16 mm film.

These installations consist of viewer - activated 16 mm film loops projected either onto or into tableaux (which consist of props with sheets of ground glass) or onto photographs in which the film image blends with the still images.

From «Big Hunt,» five channels shot on 16 mm film transferred to video, projected from DVD, 21 min 48 sec per channel, black and white, silent

From «The Chittendens,» five or six channels shot on 16 mm film transferred to video and projected as digital media, color, sound, variable length per channel (total length: 2 hours 13 min)

In the piece, a 16 mm film projector suspended from the ceiling and tethered to a turntable below, spins in a circular motion around the room while casting the projected image across the walls of the darkened space.

For over a decade the artist has sourced 8 mm, 16 mm and 35 mm black and white films for this ongoing project.

In the first part of the show, a thirteen - minute 16 - mm black - and - white film was projected

An 8 mm black and white film was also created, completing the project by exploring the city's landscape and its current state of change.

Image Credit Steve McQueen Ashes, 2002 - 2015; Two channel synchronized HD video transferred from 8 mm and 16 mm film, with audio, projected onto a two - sided screen, posters; 20 min.

Projected from a bright green 16 mm film projector, the black & white film displays two apparently disconnected scenes.

The bell tolling at the outset of Tigertail, 2007, Dara Friedman's new 16 - mm film, immediately calls to mind Toll, 2002, in which film footage was projected onto a drywall campanile she erected in the exhibition space.

Analogue film, such as 35 mm slide photography and 16 mm film, use James» sculptural works as their muses, reproducing and representing these structures as projected or printed image.

Shot and projected in color 16 mm, the 60 - minute film Vokzal uses the sprawling space connecting three Moscow train stations as a rubric through which to map the dynamics emerging among individuals and the groups to which they belong, as well as «others» unlike them.

Pinelopi Gerasimou, being here and being elsewhere, 46x65cm, 35 mm colour film - Inject print on Fine Art paper, at Hot Wheels Projects, 2018.

The exhibition, to be presented at the Hales Project Room in New York, explores a selection of Keen's drawings from the 1970s alongside his 16 mm film work Cineblatz (1967).

‖ Photographed at The Factory (Warhol's studio in New York City from 1962 to 1968) on 16 mm black - and - white film stock at the standard sound speed of 24 frames per second (fps), the portraits were intended to be projected at 16 fps, the speed of earlier silent films.

PROJECTED CLOSE AGAINST A WALL in a large, dark gallery, die saturated red of Steve McQueen's 16 - mm film Charlotte, 2004,.

For Abstract composition, a black and white film projected here in 35 mm, Sietsema has taken phrases from online auction sites («English hunting scene,» «painted waterfall,» «carved marble urn») and, using digital animation, punched the words into a cardboard sign that appears to rotate slowly, like a coin flipping between heads and tails.

In 2011 Tacita Dean's FILM, an 11 - minute silent 35 mm film was projected onto a gigantic white monolith and Tino Sehgal's work, which has just opened, is the latest piece in this long - running and successful serFILM, an 11 - minute silent 35 mm film was projected onto a gigantic white monolith and Tino Sehgal's work, which has just opened, is the latest piece in this long - running and successful serfilm was projected onto a gigantic white monolith and Tino Sehgal's work, which has just opened, is the latest piece in this long - running and successful series.