Sentences with phrase «mm film projector»

Crayon on paper, rope, harness, Super 8 mm film projector, video (colour, sound; 29 min.)

The centerpiece at Eli Ridgway Gallery is a sculptural installation, Monolithoscope, which consists of a 16 mm film projector, a turntable and record, stereo amplifiers and speakers, a bio chart reader, and black film leader that runs through these connected devices.

Projected from a bright green 16 mm film projector, the black & white film displays two apparently disconnected scenes.

In the piece, a 16 mm film projector suspended from the ceiling and tethered to a turntable below, spins in a circular motion around the room while casting the projected image across the walls of the darkened space.

«A Lover s Discourse» (detail)(2010) 16 mm film projector, turntable, LP record, amp, speakers, rope, found footage, and sound by Mauricio Ancalmo; dimensions variable

Carolee Schneemann, Up to and Including Her Limits, 1973 — 76, crayon on paper, rope, harness, 16 mm film projector, video, and six monitors.

Yesterday 35 mm film projector manufacturer Kinoton announced they were dissolving the company effective immediately.

In his process - based film installations, Mauricio Ancalmo often incorporates found machines of various kinds — 16 mm film projectors, a sewing machine, a word processor, turntables, old medical equipment — and pushes these mechanical instruments to their material limit, so that chance, physical breakdown, and erosion become incorporated into his working method without being the end in and of itself.

Not exact matches

As one would hope, there will definitely be special IMAX 70 mm film showings at the few remaining «real» IMAX theaters, but they will be in 3D with dual projectors, so this will still be pushed as 3D.

It was also good to see the IMAX film projector used again, for Interstellar, although it was disconcerting to see the aspect ratio change from 70 mm to anamorphic 35 mm, often within the same scene.

There's a scene midway through the film where the Browns gather around an old 16 mm projector in Mr Gruber's shop and Paddington, entranced by the warm glow emanating from it, steps forward and walks straight through the screen into a world far removed from the drab, drizzly place he has come to call home.

In the golden age of the late Sixties, no film commentary of any sort reached most of the households in most of these markets (although faculty members on the local campus knew who Kael was, and huddled over the glow from their 16 mm projectors like monks in the Dark Ages treasuring manuscripts from far lands).

I first saw the film during a Saturday matinee at my local library, which would show movies for kids on a (somewhat) big screen with a 16 mm projector back in the»70s.

My training and early experience as a filmmaker had been using 16 mm, so I could see right away that much of this material would not only not run through a projector but it also might not even run through high end film - to - digital video transfer machines.

Like the first educational films, some 75 years earlier, there were not enough videodisc players in schools, and also a paucity of good discs that would encourage schools to purchase them and give up their well - entrenched 16 mm films and projectors.

1974 - Nintendo developed an image projection system which used a 16 mm ~ film projector, this was put to use in amusement arcades, they exported these to Europe and the United states.

16 mm film transferred to digital (25 minutes, 45 seconds), wooden masks, cast bronze masks, bowler hat, metals stands, suspended mirror, suspended screen, HD projector, media player, and speakers.

Amalia Pica «s (b. 1978 in Neuquén, Argentina) work explores the problem of communication by setting everyday objects alongside obsolete technologies such as shutter telegraphs, slide projectors, and 16 mm film.

Stan Douglas's 1995 Der Sandmann, a nine minute, 16 mm black and white film uses two film projectors synchronized to play so that their film tracks repeatedly overlap images of events in the same location taking place at different times.

In these works, everyday objects take on uncanny properties, as in Two Holes of Water No. 3, 1966, where suburban station wagons wrapped in plastic become mobile TV and film projectors, or in Prune Flat, 1965, in which a single lightbulb descends from above, its brightness washing out the piece's projected 16 - mm footage and restoring three - dimensionality to the world onstage.

When the exhibition of Tacita Dean's JG at the Hammer Museum ended, the 35 mm film had passed through the projector close to 350 times.

Rolls of film or 16 mm projectors often become compositional elements in kinetic sculptures that project sequences of colored light, focusing attention on the idea of movement and rhythm.

Sonic Acts: Vertical Cinema February 20 — 23, 2014 During four consecutive days, ten large - scale commissioned film works by internationally renowned experimental filmmakers and audiovisual artists will be presented on 35 mm celluloid and projected vertically with a custom - built projector in the monumental staircase of the Stedelijk.

Installation view of Western Round Table, 2009, The Lux, London, two 16 mm films, two projectors, two loops, optical sound, 2 minutes.

McCall's reemergence is marked by revisiting and further developing what began as his «solid light» films made in the early 1970s: installations of hazy, darkened rooms with slow - moving beams of light from 16 mm projectors.

The installation of Bore Song, where the 16 mm film loops beyond the projector, forefronts the sculptural aspect of the work, which carries with it a precarious and contingent value.

Developed during a residency at Meantime project space in Cheltenham, Bore Song is a 28second 16 mm film looped from projector to ceiling projecting onto float glass.

Circulation Figures, 1972/2011 Room Installation comprised of two mirrors, one double - sided projection screen, 16 mm film transferred to QuickTime movie file, one video projector, four audio speakers, newsprint.

Leigh Ledare 00 PH, best known for his own disturbing photography, presents a new 16 mm film called Vokzal, shot in Moscow outside three adjacent train stations and presented in the galleries as three looped 16 mm projections replete with the cranking and buzzing of the anachronistic projectors used to screen the film on the walls.

«LOOKING BACK» - SPECIAL CLOSING EVENT / SCREENING AT ANTHOLOGY FILM ARCHIVES A special one - night screening as a part of the exhibition «Looking Back - the 4th White Columns Annual», curated by Primary Information PAUL SHARITS SHUTTER INTERFACE (1975, 32 minutes, double 16 mm, color, sound) This 2 - projector version of the 4 - projector «locational» installation reorganizes the four reels into an equally engaging work meant for theatrical screening.

16 mm film, projector, copper foil, copper rod, whipping twine, brass clips.

16 mm film with projector and looper.

Mary Kelly, «Still: An Earthwork Performed» (1970, black and white 8 mm film loop, film projectors, shovel, microphone, tape recorder, amplifier, 448 pounds of coke)

JENNY PERLIN GALLERY 400 The raspy clackety - clack of 16 mm cine projectors is already a poignant and wistful sound, and this exhibition of recent films and drawings by Jenny Perlin included four...

2005 The Rape of the Sabine Women, single channel High Definition Video Cliff House, multi channel installation 2003 89 seconds at Alcazar, single channel video based on Las Meninas 2002 Portman's Looking Glass, a 4 projector installation, 150 ft. 16 mm loop Fly Right, a video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen Hatch

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