Sentences with phrase «mm film screens»

A delicate black and white 35 mm film screens next to an aggressive and sexy neon sign but the artist's singular vision never waivers.

Not exact matches

A 207 seat theatre capable of screening 16 mm and 35 mm films is available for private bookings at the Alexander Library Building.

All films will be screened in 35 mm.

17 The Canadians then raced to invent a system that could shoot on film 10 times the size of the 35 mm format and fill a screen six stories high.

By the end of 2012, 35 mm film in movie theaters is expected to decline to 37 percent on a global scale, which is a dramatic decline from 68 percent of global cinema screens in 2010.

Filmmaker Greg MacGillivray, a specialist in gigantic - screen nature movies including «The Living Sea,» is up to date in his use of 70 mm IMAX film, but he's stuck in the past about how to tell a story.

I was one of the lucky few to catch a screening of the film in 70 mm last week.

This was the highly - touted 70 mm screening of Paul Thomas Anderson's latest film, and it started about an hour or more late, due to scheduling (mostly Pines) running behind.

Over 90 % of their screenings were of 35 mm prints, and it is great to know that many film archives are continuing to make film copies of their most recent restorations, even though they will be screened very rarely.

While viewing it at home may lack the impact of catching it on 70 mm film in the theater, not even the smallest screen could take away from Nolan's masterful filmmaking, ably assisted by a dynamic score from the legendary Hans Zimmer.

Paul Thomas Anderson did another early screening of his new film The Master in 70 mm last night at Chicago's Music Box Theater, to follow on the Santa Monica showing that took place a couple weeks ago.

Therefore, to give that replacement screen a proper send - off before it is taken down, the theater will be presenting «70 mm Film Festival: The Ultimate Edition,» the third iteration of a program of 70 mm films that began back in 2013 as a way of exhibiting some of Hollywood's most spectacular visions in the manner in which they were meant to be seen.

Beginnings: Black Female Cinema (1977 - 81): This rare screening of four 16 mm short films is a crucial part of American film history.

He talks about why the movie took years to make, his decision to only screen on 35 mm, working with John Hawkes, and everything else you need to know about one of the most unique film releases of the year.

Also joining the show is filmmaker Dennis Hauck, whose new film Too Late is in theaters now, exclusively screening in 35 mm.

Sexy Beast (2000)-- 7:00 PM, 35 mm «A refreshing entry among the recent spate of British gangster films, Sexy Beast plays in spots something like a stage play smartly brought to screen.

Shot in Super 35 mm, the film pays special attention to its visuality and contains some of the most beautiful shots ever seen on the silver screen.

When Anderson went on to make his next film, his ingenious Thomas Pynchon adaptation «Inherent Vice» (2014) he shot it in 35 mm but had a couple of 70 mm prints blown up from it that have only received a handful of public screenings to date.

Starting opening night, the Franklin Institute will be screening The Last Jedi on the 70 - foot - wide and 4 1/2 - story Tuttleman IMAX Theater in 70 mm film.

There's a scene midway through the film where the Browns gather around an old 16 mm projector in Mr Gruber's shop and Paddington, entranced by the warm glow emanating from it, steps forward and walks straight through the screen into a world far removed from the drab, drizzly place he has come to call home.

Because (1) home video is killing 16 mm exhibition and all the film communities and programming that revolved around it, and (2) modern marketing techniques have consolidated exhibition patterns, so that movies can be block - booked onto thousand s of screens at once and sold in a media blitz.

Douglas Lemza of Films Incorporated, the largest 16 mm film rental company, tells me that classic and foreign film exhibition on the campus is dying or dead, replaced by videocassettes on big - screen TV.

«Carol» on 35 mm (March 26) For one night only, catch Todd Haynes» critically acclaimed film grace the screen in all of its 35 mm glory, along with wildly talented cinematographer Ed Lachman.

Expanding on our traditional Dolby screening services for 35 mm soundtracks, we now offer the complete package of equipment and engineering support for digital cinema screenings, including special one - off events, film festivals, marketing screenings, and premieres.

I first saw the film during a Saturday matinee at my local library, which would show movies for kids on a (somewhat) big screen with a 16 mm projector back in the»70s.

The fest also provides one of the few opportunities available in St. Louis to see films projected the old - school, time - honored way, with Jean Renoir's «Boudu Saved from Drowning» and Julien Duvivier's «Pépé le moko» screening from 35 mm prints.

Although I was really holding out for a screening of DeMille's very pre-code The Sign of the Cross, or even an entire festival dedicated to the films of Fredric March (as I cheekily suggested to TCM Director of Programming Charlie Tabesh a couple years ago), I am very excited about the 35 mm screening of Stanley Kramer's Inherit the Wind.

Nolan directed «Dunkirk» from his own original screenplay, utilizing a mixture of IMAX ® and 65 mm film to bring the story to the screen.

Having only ever seen muddy, public - domain versions of the film, the 4K digital restoration on Criterion's Blu - ray completely rewrote my memories of it; the crystalline VistaVision images are a revelation I'd compare with seeing the 70 mm restorations of Lawrence of Arabia and Vertigo, even at the reduced size of a TV screen.

I can only imagine what Dunkirk looks and sounds like on a huge digital IMAX screen, or projected in the detail - rich 70 mm film format (as it will be at one theater in the KC area — AMC Town Center 20).

The film adheres to the flighty, anarchic whims of its protagonists, this time tracking them in gorgeous 35 mm shot by Alexis Zabe, whose day - glo Florida facades and pastel clouds fizz off the screen.

Experimenta screened all of them in their original formats, in 16 mm, something that reminds its participants of the significance of celluloid in the tumultuous and ever - secret histories of experimental cinema that often escapes us for the ubiquitous presence of the digital in the regular, standard received festivals that do exist in the international film festival lexicons.

Working from multiple elements, including standard definition video masters and a 35 mm film print, a project team created a new uncropped, high definition digital master that better represents the pictorial quality of the original videography, so this will be a very special screening indeed.

Human 1980s anecdote machine Frank Henenlotter returns with Chasing Banksy, a comedic art heist caper film, while BUFF honors special guest and indie horror stalwart Larry Fessenden with a special presentation of his cult classic Wendigo, which will be screened in a glorious 35 mm print.

Also added: In Honor of Dan Ireland, a tribute to the SIFF co-founder with film clips, trailers, short films, and a screening of one of Dan Ireland's favorite films from a rare 35 mm CinemaScope collector's print.

As the digital revolution has swept through Hollywood like brushfire, Nolan has remained a stalwart champion of shooting on film, and as 3D has increasingly become the blockbuster norm, he has refused to join the bandwagon, advocating instead for IMAX, a variant on the old 70 mm process responsible for the likes of Lawrence of Arabia and 2001, and whose screen - filling images envelop us in a way that only a select few 3D movies (chiefly Avatar and Hugo) have even approached.

To celebrate the Blu - ray and digital re-releases of Happy Together and Fallen Angels, courtesy of Kino Lorber, 35 mm prints of these two films will be screened back - to - back in downtown Manhattan on Thursday July 22 at the 92Y Tribeca.

However, given the reactions of my friends who have properly seen the film (I have not seen the film, but UCLA has a 35 mm print that they do screen occasionally for classes), Sorcerer got a bum rap and deserves a reassessment.

This box set version also contains, within its plush exterior, a set of eight limited edition card prints, an exclusive Senitype still with 35 mm film frame, a collection of six black - and - white screen - captures, and a 27» x40» theatrical poster.

18 noir films, all in 35 mm, will screen at Chicago's Music Box Theater from Friday, August 25 through Thursday, August 31.

Part of the Academy's Marc Davis Celebration of Animation, the event will include a screening of the 1991 film from a pristine 70 mm original theatrical release print from the Academy Film Archive.

Oscar - winning film editor and longtime Martin Scorsese collaborator Thelma Schoonmaker, who has been a frequent special guest at Seattle screenings over the past couple of decades, is coming to the Seattle Art Museum to introduce a newly restored 35 mm print of The Life and Death of Colonel Blimp, directed by Michael Powell (her late husband) and Emeric Pressburger, and Peeping Tom, Powell's 1960 psychodrama of sex, violence, and the cinema.

For those who have visited an IMAX screen in the last few months, you may have seen the incredible 70 mm teaser for the film, which tells of the infamous military evacuation of the small French coastal town during the early years of World War Two.

Friedkin will be signing copies of his memoir «The Friedkin Connection,» and then will screen his film Sorcerer on a classic 35 mm print (straight from the Paramount Pictures Archives).

Because it's not optimal to look at a book with the area around the letters shining brightly directly into your eyes, the Kindle crew here has turned the whole show on its head, shining light from the side of the screen across it, down toward the display through a reflecting film layer just 0.5 mm thin.

Following the presentations of Shelly Silver (2015), Akram Zaatari (2016), and Vincent Dieutre (2017), this year's 40th edition will be devoted to Tacita Dean's 16 mm and 35 mm films, and will feature screenings of The Uncles (2004), Kodak (2006), Craneway Event (2009), Event for a Stage (2015), among others, as well as some of the artist's short films, including the 35 mm premiere of His Picture in Little (2017) and Providence (2017).

MICKALENE THOMAS Screen Test: Joyce, Screen Test: Que, Screen Test: Racquel, Screen Test: Mickalene, Screen Test: Angel, Screen Test: Theolanda, (film still), each: 2016 hand - painted super 8 mm film, black and white, silent duration: 7 minutes dimensions variable LM22924

Rarely - seen 16 mm films from the 1970s will be screened in the Osher Lecture Hall, including Dufus (aka Art)(1970/73), The Last Supper (1970/73), Rocking Chair (1972), Pitchfork and the Devil (1979), and Down Hear (1972).

His installations make new use of outdated technologies: celluloid 35 mm film, VHS tapes and analogue television screens.

Last Tuesday we screened Tacita Dean's 2009 Craneway Event, a 16 mm film that is, on the surface, about a rehearsal for one of choreographer Merce Cunningham's «Events,» a collage of bits and pieces of dance from his company's repertoire.