Sentences with phrase «mm film showings»

At director's behest, the space epic starring Matthew McConaughey blasts off with 240 IMAX, 70 mm and 35 mm film showings

As one would hope, there will definitely be special IMAX 70 mm film showings at the few remaining «real» IMAX theaters, but they will be in 3D with dual projectors, so this will still be pushed as 3D.

Not exact matches

Criterion's DVD of Days of Heaven presents a luminous enhanced transfer of a film that elicited oohs and ahhs from audiences when first shown in 70 mm; we can imagine this title as a highly - desirable candidate for Hi - Def release.

Criterion's Blu - ray of Days of Heaven presents a luminous enhanced transfer of a film that elicited oohs and ahhs from audiences when first shown in 70 mm; it's a highly appropriate candidate for Hi - Def release.

Special Guests: Seven out of the eight films shown will be in old - school 35 mm prints, and the other is in digital format.

The highlights of my film year were trips to BAFICI 14 in Buenos Aires with a few students — where one venue was dedicated to showing 16 mm experimental films!

«And so what better way than to show the silent - movie period in black - and - white [35 mm] negative,» he said, «and for the»70s we looked to the urban reality grit of New York films like Mean Streets, The French Connection and Midnight Cowboy — a much rawer look.»

Paul Thomas Anderson did another early screening of his new film The Master in 70 mm last night at Chicago's Music Box Theater, to follow on the Santa Monica showing that took place a couple weeks ago.

I firmly believe that when you go out to the cinema, the film should be shown in 35 mm.

Final note for Bay Area readers: «Fantastic Beasts» is being presented in 70 mm at the Grand Lake Theatre in Oakland - the only Northern California movie house showing the film in this wide high - resolution format.

Also joining the show is filmmaker Dennis Hauck, whose new film Too Late is in theaters now, exclusively screening in 35 mm.

We are so fortunate to still get great guests and films, and to have the facility at the beautiful movie palace, the Virginia Theater, to show movies on celluloid as well as in 70 mm.

The movie, shot on 35 mm film, showed the same steady hand, but McQueen and Bobbitt had more resources to play with, not least in the unforgettable tracking shot that follows Fassbender's Brandon as he goes for a nighttime jog.

, German - language documentary in 4x3 SD with burned - in yellow English subtitles contains B - roll that provides a good impression of the filming conditions — including the look of the sets and the relatively small size of the handheld 16 mm film cameras — plus a clip of Burger delivering a lecture on his work in the camps and footage showing him consulting on set during the production.

Thousands have been flabbergasted by the fest's harvest of 16 mm film — «the vinyl of visuals,» says Robert Emmett, host of the internationally popular Norman Bates Memorial Soundtrack show on KFJC 89.7 FM.

I first saw the film during a Saturday matinee at my local library, which would show movies for kids on a (somewhat) big screen with a 16 mm projector back in the»70s.

Bringing the films of Mitchell & Kenyon to life, with a live cinema event, we showed several of their films on 35 mm at Rotterdam's amazing venue, WORM.

Shot on a combo of 35 mm and 16 mm, the black and white Academy cropped image contains plenty of detail and contrast, even showing an adequate amount of film grain.

Fifty years after the film's release in France, Rialto Pictures has acquired the U.S. rights to a new 35 mm print of Jean - Luc Godard's New Wave groundbreaker, which showed at this year's Berlin...

Aside from some crushed blacks and clipped whites (it's not outrageous to assume that Scream pumped up the exposure to help make this dark film a bit more legible), the transfer, with its patina of grain and mild speckling (both positive and negative), is pleasantly evocative of a 35 mm print after a few showings.

The contrast between the 8 mm home - movie footage that opens the film and the subsequent scene showing Murray's bookstore in its final throes sets the thematic stage: Fading Gigolo is intended to be as much about aging as it is about love and sex.

Made in 1992 and shown at the Sundance Film Festival in 1993, this black & white 16 mm short plays out similarly to the first third of the film it inspires, with the bookstore heist described but not seen.

This figure was the result of such senseless cost overruns as Wiseau's choice to buy rather than rent his cameras and lighting equipment and to shoot every scene both on 35 mm film and digital video, not to mention his propensity for showing up hours late to his own set every day.

For past festivals Shteyrenberg has even shown he has a knack for pushing this writer to see the right movies to introduce at the festival, Ida was one («Ida» comes to South Florida in 35 mm; My review appears in «Reverse Shot»), and then there was the Israeli film Gett: The Trial of Viviane Amsalem (Gett: The Trial of Viviane Amsalem shows how to make a powerful, resonant drama using one setting — a film review).

The filmmaker Joanna Hogg (Exhibition) is one of the founders of A Nos Amours, which shows rare art house films on 35 mm (a Chantal Akerman retrospective is currently under way).

From cinematographer Hoyte van Hoytema's lush visuals, thanks to 65 mm IMAX film (projected at 70 mm in theaters); the realistic use of practical effects further adding to the mise - en - scène; the visceral sound design transporting the audience alongside the soldiers; Hans Zimmer's heart - wrenching score; the lack of dialogue, gracefully showing and not telling the story, Dunkirk is an exercise in not only perfecting the art of filmmaking but advancing it forward.

The IMAX people eventually lost interest in the idea, and «Night Music» was shown instead in 16 mm prints, drastically reduced from the large - gauge film stock.

Although Doctor Zhivago was reportedly shown in the 2.20:1 aspect ratio in 70 mm exhibitions, the DVD presents the film in its more widely used 2.35:1.

Amir Ganjavie, MovieMaker Magazine (MM): I like the courage this film shows, especially because most filmmakers are afraid of talking about revenge and are prepared to compromise.

It provides a 2.20:1 transfer derived from restored 65 mm elements whose image looks vibrant and beautifully detailed throughout, regardless of whether it's racing footage or interiors, and the various European locations look like picture postcards, particularly the scenes of Monaco shown throughout the film's first racing sequences.

I was raised back in the day when teachers showed 16 mm films in the classroom.

Because it's not optimal to look at a book with the area around the letters shining brightly directly into your eyes, the Kindle crew here has turned the whole show on its head, shining light from the side of the screen across it, down toward the display through a reflecting film layer just 0.5 mm thin.

The highlight of the exhibition will be a major new, experimental 35 mm film, Antigone, shown as two simultaneous cinemascope projections.

In her first U.S. show Manon de Boer exhibits the 35 mm film Presto.

Each will focus on a different aspect of Dean's practice; the NPG will show her portrait work, including her six - screen portrait of Merce Cunningham, the National Gallery will display still lifes (both 15 March — 28 May), and the RA will show landscapes — among them, a new 35 mm CinemaScope film called Antigone (19 May — 12 August).

At the fair, Kavi Gupta brought one of Thomas's pieces from her thesis show (the entirety of which was shot either on 35 - mm film or with disposable cameras).

The section of the exhibition devoted to his activity in the city features the screening of his Super 8 mm films Brasil Jorge, Fillmore East, Gay Pride Parade (all from 1971), Agrippina is Rome - Manhattan (1972), and his slide shows Neyrótica (1973), which shows young men in various sexually provocative poses, and South Bronx (1973 - 76).

I was lucky enough to be in Hamburg when his 16 mm films were first shown.

Ben Dean's Account, 2002 — 2008, the exceptional installation that constituted his first solo show, is really two accounts — one a 16 - mm color film, the other a gray - toned, computer - generated video — of three places.

Titled Quoin, the show features new collages and works on paper, objects, sculpture, and a 16 mm film.

In this spirit, many of his works are sequences showing attempts at accomplishing an arbitrary goal, such as Throwing Three Balls in the Air to Get a Straight Line (1973), in which the artist attempted to do just that, photographing the results, and eventually selecting the «best out of 36 tries», with 36 being the determining number just because that is the standard number of shots on a roll of 35 mm film.

karthik pandian and mathias poledna, in turn, cut up a 35 mm film, treat the individual images (frames) as slides, and show them in extremely decelerated slow - motion sequences, so that only one image is presented a day.

At the Royal Academy, which will host the landscapes show, Dean will debut a new 35 mm film that stars writer / poet Anne Carson and actor Stephen Dillane.

Two new 16 mm films will be showcased alongside works produced by the artist in the past 10 years, many of which will be shown in the UK for the first time.

At Cornerhouse, Subconscious Society is shown on a large suspended screen in Gallery 3, projected onto from both sides using 35 mm and 16 mm film.

This Bushwick artist's first solo show, Soap by Matt Town will focus on a 16 mm celluloid film and sculptural installation about the creation and test drive of a soapbox derby car.

In the first part of the show, a thirteen - minute 16 - mm black - and - white film was projected

While the early works are shown on 16 mm film, his more recent works are digital projections whose complex forms can only be created with the aid of computers.

For his fifth solo show at Casey Kaplan, Berlin - based, British artist, Jonathan Monk, will present a new body of work that takes shape from key principles of Conceptual art — the favoring of ideas over object - making, serialism, the dematerialization of the art object — interpreting them with a playful sensibility and through a variety of media: 16 mm film, painting, sculpture, drawing, photography, and a laser - light installation.

Heitzler's 16 mm film, When the Levee Breaks, shows Art Clokey's beloved Claymation creation Gumby re-edited to play the song of the same title on a tiny piano.