Sentences with phrase «mm film stock»

Something like Ed Lachmann's Carol could not be further on the other side of the spectrum, with his inspired choice of shooting it on Super 16 mm film stock creating that hazy historical feel while lavishing over the faces of his two stars as they traverse 1950's a 1950's New York City resplendent with hats (so many hats!).

Nolan used his own salary to pay for the 16 mm film stock used on his debut feature «Following.»

The Cremaster Cycle was all shot on video, but the footage is transferred to 35 mm film stock for projection.

The 35 mm film stock and muted colour palette add an authentic 70s patina to the visuals, with cinematographer Janusz Kaminski's smartly choreographed cameras pursuing the film's protagonists through halls and corridors with efficient panache.

Cinematographer Jody Lee Lipes (Martha Marcy May Marlene, Tiny Furniture) captures the dreary landscapes of a desolate town on grainy 35 mm film stock.

We shot in 35 mm film stock and 35 mm lens.

There's a hand - crafted feeling to his movies (too bad George Harrison already used the name «Handmade Films»), from the props and set design to the images themselves, a sense «Moonrise Kingdom» underscores with the use of Super 16 mm film stock and a softly aged, yellowed visual texture.

Having been shot on less expensive 16 mm film stock and cheaper, tougher «reversal» stock, (which means there is no negative), the restoration started by taking the original 16 mm film that rolled through the cameras and transferred all 120,960 frames to a 4K scan.

Techniques including VHS transfers and custom scanned 16 mm film stock were implemented to give the short its retro look.

Using a variety of techniques, West exposes, manipulates and transforms 16 mm film stock to produce results reminiscent of 60s psychedelic visuals.

This approach has taken on an increased poignancy as the facilities that produce and process her preferred 16 mm film stock have begun to disappear themselves.

Derived from the original 16 mm film stock, this Portfolio captures Mekas's constant and playful chronicling of the world around him over the course of his career.

The looping film For how we perceived a life (Take 3)(2012) was shot by Wu Tsang on a single 400 - foot long roll of 16 mm film stock.