Sentences with phrase «mm film transferred»
«Chapters» 2013, 16 mm film transferred to digital, four - channel video installation, duration: approx. 4 hrs, sound by «Part Wild Horses Main On Both Sides» UK
http://purple.fr/
16 mm film transferred to video.
16 mm film transferred to video (color, silent).
Rosa Barba, Still from Outwardly from Earth's Center, 2007, 16 mm film transferred to digital, colour, sound, 22 min.
Hans Richter, Still from Filmstudie, 1926 35 mm film transferred to video (black and white, silent) March 19 — June 23, 2008 This exhibition considers the transformation of the art object from static image to light projection within two distinct artistic lineages: the unconventional optical techniques and social analyses of the 1920s Neue Optik, or «New Vision,» generation of artists, among them László Moholy - Nagy, Hans Richter, and Marcel Duchamp; and the situational aesthetics advanced by Gordon Matta - Clark, -LSB-...]
Pierre Huyghe, Block Party, 2002 - 2004, Super 16 mm film transferred to video, Duration 5 min 45 sec Edition of 6.
Pierre Huyghe, Block Party, Grandmaster Flash, 2002, Polaroid photograph from the work Block Party, 2002, 5» 30», 16 mm film transferred onto hard disk, Courtesy the artist and Marian Goodman Gallery, New York / Paris
LAURENT GRASSO Élysée, 2016 35 mm film transferred, 16 minutes 29 seconds, looped edition of 3 with 2 APs LG - V.16.1436 © Laurent Grasso / ADAGP, Paris, 2017 Courtesy: Sean Kelly, New York
Jennifer West, Daisies Roll Up Film (16 mm color and b & w film neg rolled with hard boiled eggs, oranges, lemons, avocados, pickles, green apples, milk and watermelon — a remake of a scene from Vera Chytilova's 1966 film, Daisies — rolling off the bed performances by: Mariah Csepanyi, Finn West & Jwest, lit with black light & strobe light), 2008, video still, black - and - white and color 16 mm film transferred to digital video, 5:53 minutes.
Ja'Tovia Gary, An Ecstatic Experience, 2015, 16 mm film transferred to HD video, color, sound, 6 minutes.
Two - channel video / audio installation, 16 mm film transferred to video; El Anatsui — Intermittent Signals, 2009.
16 mm film transferred to video (black and white and color, sound).
16 mm film transferred to video (color, sound).
Sigmar Polke, German, 1941 — 2010, Still from Quetta's Hazy Blue Sky (Quetta's blauer dunstiger Himmel) / Afghanistan — Pakistan, c. 1974 — 76,16 mm film transferred to video (color, sound), 34:33 min.
Sigmar Polke, German, 1941 — 2010, Still from Soot Paintings (Rußbilder), 1990, 16 mm film transferred to video (color, silent), 42:12 min.
Five - screen projection, 16 mm film transferred to digital, colour, 5.1 surround sound, 18» 22».
Lavender Mist Film / Pollock Film 1 (70 mm film leader rubbed with Jimson Weed Trumpet flowers, spraypainted, dripped and splattered with nail polish, sprayed with lavender mist air freshener) 70 mm film transferred to digital video, 46 seconds 2009 Image courtesy of the artist.
Bruce Conner (American, 1933 — 2008) COSMIC RAY, 1961 16 mm film transferred to video (black and white, sound); 5 minutes Courtesy Conner Family Trust
7:30 pm: Bruce Conner (American, 1933 — 2008) A MOVIE, 1958 16 mm film transferred to video (black and white, sound); 14 minutes Courtesy Conner Family Trust
Shred the Gnar Full Moon Film Noir (35 mm film print and negative shredded and stomped on by a bunch of Snowboarders and a few Skiers getting ginormous catching air during Aspen Big Air Competition and Fallen Friends Event — marked up with blue course dye — sprayed with Diet Coke, Bud Lite & Whiskey — taken hot tubbing with Epsom salts, rubbed with Arnica, K - Y Jelly, butter and Advil — full moon shot by Peter West) 35 mm film transferred to high definition video, 5 minutes 9 seconds 2010 Image courtesy of the artist.
Double - screen projection, 16 mm film transferred to video, color, sound, 7 mins.
Image: Martha Colburn, American, born 1972; Triumph of the Wild (Part I + Part II), 2008 — 9; 16 mm film transferred to DVD; duration: 10 min.
In Please, 2008, a black - and - white 16 mm film transferred to video, Schwarz stages the choreographic elements of protest in shots that recall the avant - garde film techniques of the mid-century.
16 mm film transferred to video, color, silent, 56 min.
Robin Rhode, «The Moon is Asleep,» detail, 2015, super 8 mm film transferred to digital HD.
Dara Friedman, Dichter, 2017, still from four - channel video projection, 16 mm film transferred to HD video.
Mark Aerial Waller, Phantom Avantgarde, 2010 Black and white 16 mm film transferred to digital video.
Robin Rhode, The Storyteller, 2006 Video still, 16 mm film transferred to DVD, duration: 13 mins Courtesy of the artist and Perry Rubenstein Gallery, New York
Brian Jungen and Duane Linklater, still from «Modest Livelihood» (2012), Super 16 mm film transferred to Blu - ray, 50 minutes, Walter Phillips Gallery, Banff Centre.
Photo: Hail the New Puritan, 1986, 16 mm film transferred to video, sound (still).
Lynn Hershman Leeson, Lynn Turning Into Roberta, 1978, 16 mm film transferred to video (colour, sound), 5 min 30 sec
Brian Jungen and Duane Linklater, still from «Modest Livelihood» (2012), Super 16 mm film transferred to Blu - ray, 50 minutes, Walter Phillips Gallery, The Banff Centre.
2010 Better Life (single screen version of «Ten Thousand Waves»); 35 mm film transferred to high definition, 5.1 sound, 55» 00»
Dara Friedman Dancer, 2011 Super 16 mm film transferred to HD video, black & white, sound 25 min
From «The Chittendens,» five or six channels shot on 16 mm film transferred to video and projected as digital media, color, sound, variable length per channel (total length: 2 hours 13 min)
It's a large - scale projection, shot on black - and - white 35 mm film transferred to DVD, of a close - up, navel - to - thigh view of a man and woman having rear - entry sex, which runs repeatedly for a little over four minutes.
From «Big Hunt,» five channels shot on 16 mm film transferred to video, projected from DVD, 21 min 48 sec per channel, black and white, silent
Nathaniel Mellors, The Sophisticated Neanderthal Interview, 2014, 35 mm film transferred to HD video, sound, color; 23:19 min, Commissioned by the Hammer Museum with the support of The Mondriaan Fund and Temple Bar Gallery, Dublin, Courtesy the artist; the Box, Los Angeles; Matt's Gallery, London; Monitor, Rome; and Stigter van Doesburg, Amsterdam
Sharon Lockhart, Podwórka, 2009, 16 mm film transferred to HD video, 31 minutes.
35 mm film transferred to Blu - ray, color, sound, paint, speakers, light fixture; 6:30 minutes (loop).
ROBIN RHODE Untitled, Microphone, 2005 Super 8 mm film transferred to video Running time: 10 minutes, 44 seconds Edition 4 of 5
35 mm film transferred to HD video; continuous projection Duration: 00:07:03 Los Angeles County Museum of Art, Gift of Steve Tisch © Steve McQueen
Ana Mendieta, Energy Charge, 1975, 16 mm film transferred to high - definition digital media, color, silent, 49 seconds, Courtesy of The Estate of Ana Mendieta Collection, LLC.
Still from 35 mm film transferred to video, 8 min, 43 sec loop.
35 mm film transferred to video, color, sound; 29 min.
Super 16 mm film transferred to Full HD, 13 minutes, 22 seconds.
Lunch Break (Assembly Hall, Bath Iron Works, November 5, 2007, Bath, Maine), 2008 (still); 35 mm film transferred to HD; 80 min.
Julian Rosefeldt's four - screen installation (Super 16 - mm film transferred to DVD) The Ship of Fools, 2007, at first seems a kind of study in art history or visual culture.
Image: Simon Starling, Black Drop, 2012 (still), 35 mm film transferred to HD.
Installation view, Power Distributor Door, Hotel Door, Safari Bar Door and Temporary Construction Door designed by Anna Viebrock, 2017; Floor Runner from the stage design of Riesenbutzbach Eine Dauerkolonie, by Anna Viebrock, 2009; and Alexander Kluge, The Soft Makeup of Light, 65 mm film transferred to digital projection, 13 minutes 34 seconds.