Sentences with phrase «mm films in»

Showing 16 mm films in the gym to your classmates?

A photographer and designer, she is known above all for her 16 mm films in which she focuses on historic or fictional stories.

JG departs from her previous 16 mm films in that it marks a return to voiceover and sets out to respond directly to Ballard's challenge — posed to her in a letter shortly before he died — that she should seek to solve the mysteries of Smithson's Spiral Jetty with her film.

I was raised back in the day when teachers showed 16 mm films in the classroom.

By the end of 2012, 35 mm film in movie theaters is expected to decline to 37 percent on a global scale, which is a dramatic decline from 68 percent of global cinema screens in 2010.

While viewing it at home may lack the impact of catching it on 70 mm film in the theater, not even the smallest screen could take away from Nolan's masterful filmmaking, ably assisted by a dynamic score from the legendary Hans Zimmer.

from 8 mm film In the second gallery is the digitally restored version of THREE SCREEN RAY, now titled EVE - RAY - FOREVER.

Jordan Wolfson's Dreaming of the Dream of the Dream is 16 mm film in which isolated clips of water from animated cartoons are organized as if in a condensed day cycle.

The 50 - minute program features works captured on 16 mm film in Iceland, the Svalbard archipelago in the High Arctic, the Atacama desert in Chile, and White Sands and Death Valley in the United States.

Not exact matches

I started GoPro in 2002, we came out with our first product — the original Hero Camera (a 35 mm film camera)-- in 2004.

Instead, «Hateful Eight» — which held its worldwide premiere at the Cinerama Dome — will play in another auditorium at the Arclight equipped to project in 70 mm film.

With the help of 70 mm film images and a focused light crystal, actors in heavy makeup and costumes invited casual observers to participate in a third dimension filled with dreams, eagles and shadowy visions.

Typically customers choose sealant films in the 3.0 mil mm range for this type of application.

The market also requires vacuum metallisers that can absorb that increase in the film production output with ever faster (1,200 m / min) and wider (up to 5000 mm) vacuum metallisers,» Mr Cano adds.

All films will be screened in 35 mm.

Battinelli started his photo journey in 1995 when his father, an amateur hobbyist photographer, bought him a Pentax P30T 35 mm black and white film camera for Christmas so that he could take photography classes in high school at Peru Central School.

«While the era of 35 mm will end at this time, there will still be some older films circulating in print for some cinemas,» Hancock said.

The standard 35 mm film we're all used to seeing in movie theaters will be replaced worldwide by digital technology in the next few years, and the hit blockbuster film «Avatar» is to blame for the shift, according to a new report.

MM and I have been working non-stop in the last few weeks to ramp up to the release of our film project.

Also some variants 70 mm film is projected at 48 fps (Disney's «Soaring» Ride and some of the documentaries put out in the 1990s if I'm not mistaken and it also looks amazing, and certainly didn't have anyone complaining.

Criterion's DVD of Days of Heaven presents a luminous enhanced transfer of a film that elicited oohs and ahhs from audiences when first shown in 70 mm; we can imagine this title as a highly - desirable candidate for Hi - Def release.

Shot on 35 mm film using only available light, «Ballast» is a profoundly American film that's nonetheless rooted in the European tradition of improvised, lo - fi naturalism (as in, say, the work of Belgium's Dardenne brothers).

Criterion's Blu - ray of Days of Heaven presents a luminous enhanced transfer of a film that elicited oohs and ahhs from audiences when first shown in 70 mm; it's a highly appropriate candidate for Hi - Def release.

He buys cameras instead of renting them, creates a set of an alley way instead of just shooting in an alley, films on both 35 mm and HD at the same time, and that's before they even start actual production.

Filmmaker Greg MacGillivray, a specialist in gigantic - screen nature movies including «The Living Sea,» is up to date in his use of 70 mm IMAX film, but he's stuck in the past about how to tell a story.

The entire picture was filmed in expensive 70 mm, from enormous spaceship models to microphotography of lacquer smears mixing into water.

Limited Edition Giftset includes: CD of the music used in the film, senitype (70 mm limited edition film frame) and 16 - page booklet.

The film was shot in two anamorphic 35 mm 2.35 X 1 scope formats: Panavision and Technovision, the latter an Italian format that has a good look.

It's filmed in 35 mm but flat lighting, film stock and broad depth of field give the impression of inferior digital video.

The 1080p 2.35 X 1 digital High Definition image was shot in Super 35 mm by Director of Photography Mark Irwin, C.S.C. / A.S.C., giving it the same lame school look emphasizing the same color schemes typical of such films shot in California.

I was one of the lucky few to catch a screening of the film in 70 mm last week.

Presented in 70 mm and with a running time of 187 minutes (because Tarantino), the film continues his love for old school cinema, right down to the three minute «overture» that opens the film, something I don't think I've seen since Dancer in the Dark.

They are the longest 35 mm Steadicam shots in cinema history — each using nearly an entire film reel.

The Hateful Eight has been heavily hyped as to its release in Ultra Panavision 70 mm as part of a «roadshow» release in 100 theaters to kick off the film's roll - out.

Presented windowboxed in 1.65 anamorphic widescreen *, the film looks exactly like it did in theatres, all but confirming that the transfer was sourced from the 35 mm blow - up (Vincent Gallo's viewing preference) rather than the Super16 negative.

Special Guests: Seven out of the eight films shown will be in old - school 35 mm prints, and the other is in digital format.

After its initial release, the film was neglected to the point that it was almost lost, being rescued in 2004 after the chance discovery of an original 35 mm print.

A small - time private eye (Cage, Snake Eyes) is hired by a wealthy widow (Carter, The Love Letter) to learn the secret to a short 8 mm film found in her deceased husband's safe.

Filmed entirely on 35 mm, Too Late unfolds in five acts, each a 20 + minute take with no hidden cuts or gimmicks.

The highlights of my film year were trips to BAFICI 14 in Buenos Aires with a few students — where one venue was dedicated to showing 16 mm experimental films!

Despite switching to 35 mm from the previous film's all - digital lensing, «Spectre» often looks the less refined, harder - textured work, in keeping with its protagonist's restless, on - the - fly work ethic.

The confinement drama, though perhaps predictable to attentive horror veterans, pays off with some prime living - room Grand Guignol, and the deceptively lucid imagery is, as the credits proudly proclaim, «filmed in glorious 35 mm.»

During the Apollo lunar missions between 1968 and 1972 all of those on board were given 16 mm cameras and asked to film everything they saw, in space and on the surface of the moon.

«And so what better way than to show the silent - movie period in black - and - white [35 mm] negative,» he said, «and for the»70s we looked to the urban reality grit of New York films like Mean Streets, The French Connection and Midnight Cowboy — a much rawer look.»

I don't really understand why the film was shot in 70 mm, other than maybe it was impressive back in the 80's, but I guess it's a credit to Tobe Hooper for realizing the world wouldn't be able to handle a movie full of Mathilda May's boobs in 35 mm.

The unveiling of the Macintosh in 1984 is shot on grainy 16 mm film and scored with vintage synthesizers.

The introduction of the NeXT computer, which took place in 1988 during Jobs's hiatus from Apple, uses 35 mm film and a full orchestra.

This is Tarantino, so the film is all about dialogue and character and not really breathtaking cinematography, so other than Tarantino's firm belief in preserving 70 mm, I'm not clear why he's pushing it for this particular film.

The film combines present - day interview segments with Goodall, now in her eighties, and never - before - seen 16 mm footage of her experiences in Africa when she was in her twenties.

Nothing is better suited for 35 mm film than the western because of the narrative significance of the land, often depicted in lingering long shots.