Sentences with phrase «mm lens shooting»

Just swipe to select it, and the iPhone 7 Plus does the rest of the work, with the 56 mm lens shooting a close - up of your subject while the other lens captures background information to be blurred by the iPhone's image processor.

Not exact matches

I shoot all my food photos with this Nikor f / 1.8 50 mm lens, AKA the «nifty fifty.»

For all of my food shots, I use either a canon 50 mm f / 1.4 lens or canon 100 mm f / 2.8 IS macro lens.

Also, I find that I use very few photos taken at maximum aperture and tend to like the ones at about 4.0 Though I just bought a 100 mm macro lens, I've only used it for the samosas photos and will probably stick with 50 mm for most food shots.

A 50 mm f / 1.2 for all top shots and a 100 mm f / 1.8 macro lens for all close - ups.

I took the shot of Steve with the $ 1749.99 EF 50 mm f / 1.2 L USM lens.

THE SHOT Photographer João Marcos Rosa conquered his fear of heights to venture into the Amazon canopy, where he captured this shot using a Canon EOS - 3 with a 100 - 400 mm lSHOT Photographer João Marcos Rosa conquered his fear of heights to venture into the Amazon canopy, where he captured this shot using a Canon EOS - 3 with a 100 - 400 mm lshot using a Canon EOS - 3 with a 100 - 400 mm lens.

The Shot Photographer Susanna Sáez Catllà used a Canon EOS 5D Mark II with a 16 — 35 mm lens to capture this view from a walkway overlooking the supercomputer.

THE SHOT Photographer Scott Linstead captured the jump with a laser - triggered Nikon D300 and a Sigma 150 mm macro lens.

The shot: Astronomer Richard Wainscoat took this photograph in February 2008 using a Canon EOS 5D with a 24 mm lens, ISO 800, f / 1.4, 6 seconds.

THE SHOT: This photo was taken in November 2008 with a Nikon D300 installed at the test site with an 18 — 135 mm lens, f / 16, 1/1, 000 second.

THE SHOT: This photograph was taken by marine biologist Charles Mazel using a waterproof Nikonos III camera with a 35 mm lens, ISO 200, f / 4, 1/60 second.

Shot with ISO 100, f / 8.0, 1/160 seconds, wide - angle lens set to 16 mm.

We shot today's look with our fancy new 35 mm Sigma lens and I am in love, well I think my husband is more in love haha!

Williams captured this shot with a Canon Rebel T3, and 18 - 55 mm lens.

When I shoot my recipe posts I use a Nikon D600 and either a 50 mm lens or an 85 mm.

Most photos you'll see on my blog in the future will still be shot with my Nikon D90 in combination with my 50 mm f1.4 lens, that's just the best, but photos made in other cities than Leeuwarden will probably be shot with my new Samsung.

So, I then bought a 35 mm lens, which works perfectly for pretty much everything I need to shoot — and is the lens that stays on my camera 99 % of the time.

Garrett shoots my outfits with a Leica M - P 240 and 35 mm lens.

If I'm shooting something I either use my Nikon D3200 and a 50 mm lens or this little Canon that I can easily tuck into a purse.

I'm have a DSLR but my lens isn't very good and I hear people recommend the 50 mm but it seems impossible to shoot with when out and about.

(My other tip for DSLR shooting: If you often shoot outfit photos, shoot with a 35 mm lens over a 50 mm — the wider angle is far more flattering!

The 35 mm f / 2 lens is my personal favorite right now, and what I shoot with most often.

For a while, I was only shooting with my 50 mm lens, but soon realized I was going to need something with more scope, especially for a wedding I shot in 2014.

I shoot with a Nikon D7000 and a 35 mm f / 1.8 or 50 mm f / 1.4 lens.

We get this question quite often which is what camera and lens do we shoot with... Our favorite setup is the Canon 5D Mark 3 with the 85 mm f / 1.2 L lens.

We shoot with a Canon 5D Mark III with a 50 mm F / 1.8 lens.

THE BLU - RAY DISC by Bill Chambers Shot in «scope on 35 mm, Priest arrives (unrated) on Blu - ray from Sony in an ultra-fine-grain 2.40:1, 1080p transfer, the tack sharpness of which demonstrates just how much anamorphic lenses have improved in recent years.

We just had three anamorphic lenses and we mostly shot with the one that is equivalent to the 40 in 35 mm.

We shot in 35 mm film stock and 35 mm lens.

That said, it's a bizarre choice for Tarantino to set his story so minimally and confined when he's decided to shoot the film on 70 mm with Panavision anamorphic lenses and a wide aspect ratio that's normally suited to grand, outdoor filmmaking.

The Dark Crystal was shot on 35 mm photochemical film using Panavision cameras and anamorphic lenses.

Screen size: 4.7 inch Super Clear LCD, multitouch, Corning Gorilla Glass 2 Screen resolution: 1024 × 720 Operating System: Android 4.1 Jelly Bean Processor: 1.4 GHz Cortex - A9 quad core Chipset: Exynos 4412 Graphics: Mali - 400MP System Memory: 1 GB Storage capacity: 8 GB Memory card: Support Micro SD card, up to 32 GB Main Camera: 16 MP, 21x optical zoom lens Camera Features: geo - tagging, Smart Pro, Action Freeze, Slow Motion Video, Auto Cloud Back - up, Share Shot Interface Port: micro USB 2.0, audio jack, HDMI port Connectivity: Bluetooth 4.0, Wi - Fi 802.11 a / b / g / n, Wi - Fi hotspot, LTE support Dimension: 128.7 x 70.8 x 19.1 mm Weight: 305 g Features: Buddy Photo Share, AllShare Play, Android Play Market source: press release, product page

Panasonic Lumix DMC - GF1 ($ 800 body only, $ 1,000 with 20 mm lens): Technically not a true DSLR, but if the idea of manually focusing puts you off, this camera keeps point - and - shoot simple.

Canon EOS Rebel T2i ($ 900 body only, $ 1,000 with 18 - 55 mm lens): Shoots video at full 1080p HD and takes stunning pictures at 18 MP.

Get a 50 mm 1.8 lens, shoot in the shade, focus on the eyes and watch my videos!

The mid-range Nikon 50 mm 1.8 is super sharp and fast as long as you don't shoot wide open, and it's my go to lens when shooting portraits of people.

Seth gives some tips and tricks about taking pet photos with a point and shoot camera, and then walks you through his preferred setup — a DSLR camera with a 50 mm lens.

I was able to get some fantastic shots with my 16 - 300 mm lens!

Details: 20.9 megapixels, 24 - 70 mm equivalent F / 1.8 - 2.8 lens, continuous shooting up to 10 FPS, ISO 160 - 12800.

First things first: I shoot with a Canon 5D Mark II and I have two lenses — a 50 mm 1.4 and a 28 - 135 mm.

My crew finally gave the thumbs up for a paddle at Serangan and I have to say it wasn't looking too bad even though the wind had started to swing cross / on shore, that's where the bulk of today's photo gallery was shot at with our 1000 mm lens.

BTW shooting photos out of a constantly rocking boat with hand held 600 mm lens is tricky, you have to shoot in manual for starters, if you can..

I had to bail out early as one of our team got hit in the head by his board and needed some stitches, so here's the photos that I shot before leaving the 1000 mm lens in Ketut's capable hands.

-- Shot taken on a @lumix GX8 with a 35 - 100 mm f / 2.8 lens Aperture: 4.5 Exposure: 1/100 ISO: 400 — Have a look at my travel vlogs on YouTube: raphael.fyi (link in bio)-- More photos and stories on my blog: http://raphael.fyi — #lumixgx8 #vietnam #explorevietnam #everydayvietnam #streetphotography #train

I was shooting with my 600 mm lens yesty and the 1000 mm today so it's not hard to pick the difference.

The interface is basically a set of buttons which need to be clicked on to change the active crosshair: hand (needed to pick up additional equipment or medi packs for healing), 50 mm lens, telephoto lens (for small and far off animals) and a rifle (shooting hunters which try to hurt the player).

Some of his shots were taken shooting from the hip with a 28 mm lens, to avoid detection.

I was using a 28 mm wide angle lens on my 35 mm camera, which meant that I had to get in pretty close to the window to get my shot, and when I did there would inevitably be a reaction: surprise, amusement, and on some few occasions, annoyance.»

One of the lenses is equivalent to 28 mm for wide angle shots (like a standard iPhone camera), while the other has a closer, 60 mm equivalent lens.