Sentences with phrase «mm print on»

Gary Lockwood in a scene from «2001: A Space Odyssey,» a classic from 1968 reissued in a new 70 mm print on its 50th anniversary.

Not exact matches

I would very much enjoy commenting on this piece of news but, unfortunately, my PC has just received an impact from a 2 mm meteorite with the name HAL printed on its green, reflecting, NASA spotless surface.

design and manufacture of 3D printers based on the concept of melt electrospinning writing (MEW) to enable printing at a finer scale than previously achieved — down to 0.01 mm - which can be precisely tailored for a variety of biomedical applications such as heart valves, blood vessels, nerve guides and bone scaffolds.

(G) Print FLI1 on the lower footprint surface at FwJj14E, rendered with 5 - mm alternating black and white isopleths.

With a slingback strap and open toe, this effortlessly chic shoe is built on a tapered 110 mm heel with on - point reptile print.

As you can see on the high - heeledDIMPLE pony pumps ($ 950.00) in eye - catching black and white zebra print with contrasting yellow stripe, pointy toe design for perfect elegant silhouette, the glamorous AZA pointed - toe pumps ($ 750.00) in gold textured glittery fabric with alluring black zebra patterned lace and 50 mm heel to give simple yet clean vibe to wear with any stylish clothes from women's spring / summer 2015 closet, while to accentuate a ladylike look on the new season, what you can not miss from Jimmy Choo is also the designer LAPRIS pumps ($ 1,195.00) featuring sensual classic shape with contemporary touch on its design in shades of yellow and black gloss honeycomb structured elaphe and smooth kid leather strap in black with delicate lace up bow for a refined silhouette.

Stained leather stack heel: 40 mm Premium suede supper Mini metal bow on the back with gros grain ribbion Metal toe tip Printed lining and Ted Baker metallic sock and sole

Starting the series is a new 35 mm print of a superb prison drama based on actual events: «A Man Escaped» (1956).

In the pre-digital days, when FX elements were literally printed on top of each other, they were typically photographed in 65 mm or VistaVision, since large formats yield more image detail up front than standard 35 mm, toning down the loss of quality that occurs during optical compositing.

Every day this weekend, on New York City's Lower East Side, the Metrograph will give moviegoers the chance to see Todd Haynes's 1995 film Safe in a 35 mm print.

THE DVD Innerspace is available on DVD from Warner Home Video in a presentation that contains a 1.78:1 anamorphic widescreen transfer of the film along with 5.1 Dolby Digital sound likely based off the six - track mix that accompanied 70 mm prints.

But as director Christopher Nolan says within the extras, his motive for shooting in IMAX was the format's clarity as opposed to its size — and that's something you can still appreciate at home, what with the rest of the picture looking significantly fuzzier on BD, owing to the inscrutable decision to use the electronically - processed IMAX blowup as the print source for the 35 mm material.

Previously on DVD from Sony, it makes its Criterion debut on a 2K digital transfer from a new 35 mm fine - grain print struck from the original camera negative.

When Anderson went on to make his next film, his ingenious Thomas Pynchon adaptation «Inherent Vice» (2014) he shot it in 35 mm but had a couple of 70 mm prints blown up from it that have only received a handful of public screenings to date.

Both films are remastered from new 2k scans of 35 mm prints struck directly from the camera negatives and the double feature (two discs on DVD, one on Blu - ray) includes new interviews with manga author Koike Kazuo and screenwriter Norio Osada.

Yek Ettefagh - e Sadeh (A Simple Event, Sohrab Shahid Saless, 1973) A definitive Iranian New Wave film: on a 35 mm print.

20th Century Fox plans to release it in all widescreen formats and Imax but also in select 70 mm film prints when it opens on Friday.

In addition, we had William Friedkin come on the closing night as our guest of honor and, after many weeks of effort, we were able to finally secure a 35 mm print of «Sorcerer,» his stunning 1977 reworking of «The Wages of Fear» that had the misfortune to go over-schedule and over-budget and open a week after «Star Wars,» as the grand finale.

All titles are presented on the big screen in glorious 35 mm prints.

Wellman's son William Wellman, Jr. delivers audio commentary on Kino Lorber's upcoming home video release of Beggars of Life, which utilizes the best print of the film known to exist, the 35 mm version preserved at George Eastman Museum.

Come and see the maestro's final big trick on a 35 mm print at the ICA cinema with MUBI and Little White Lies.

As part of Monday Night Mysteries, on Aug. 27, there's a Fritz Lang double feature, starting with a new 35 mm print of «The Big Heat,» starring Glenn Ford, Gloria Grahame and Lee Marvin, followed by «The Woman in the Window,» in which Edward G. Robinson risks his cozy life as a college professor to have an affair with Joan Bennett.

Screened from a 35 mm print, these movies are the cinematic equivalent of wearing sunglasses, a leather jacket and chewing on a toothpick.

«Easily Woo's best film and just as easily the best action film of the nineties, Woo perfected a cinematic alchemy» — BH on the rare unspooling of the 35 mm print (TIFF Bell Lightbox, July 29th)

Then on Sunday, he was on hand at the Salle Debussy for the event that brought him to the Croisette: the premiere presentation of a new «unrestored» 70 mm print of Stanley Kubrick's 2001: A Space Odyssey — a process he both initiated and personally oversaw at Warner Bros., the distributor of his own 70 mm projects Dunkirk and Interstellar.

To celebrate the Blu - ray and digital re-releases of Happy Together and Fallen Angels, courtesy of Kino Lorber, 35 mm prints of these two films will be screened back - to - back in downtown Manhattan on Thursday July 22 at the 92Y Tribeca.

We received a gorgeous transfer of the Out 1 corpus on BD / DVD, which improves upon the 35 mm print of Out 1 that toured the U.S. in 2007.

Mastered from the original 35 mm camera negative, it's almost flawless (with a touch of fluctuating pixels in the neutral skies) and so clean that the hard vertical scratches 65 minutes into the film — the only blemishes on the print — are jarring.

It has a pretty good gritty, muddy look, and the print I saw (on television) looked like a scratched 16 mm.

12 or so «old» films, in the order in which I saw them: Night and the City (UK version, Jules Dassin, 1950): on 35 mm nitrate (May, Rochester) Until They Get Me (Frank Borzage, 1917): an incredibly advanced Western, on 35 mm (June, Bologna); Secrets (Frank Borzage, 1924) was also notable, DCP West Indies (Med Hondo, 1979): 35 mm, anamorphic color print (Bologna) Furcht (Fear, Robert Wiene, 1917): German «impressionism» before «expressionism,» 35 mm (Bologna) Mit hem är Copacabana (My Home is Copacabana, Arne Sucksdorff, 1965): A Swedish documentarian meets Brazilian Cinema Novo, DCP (July, Bologna) El rebozo de Soledad (Soledad's Shawl, Roberto Gavaldón, 1952), DCP (Bologna) Where would the Mexican Cine de Oro have been without Gabriel Figueroa's cinematography?

Shima no musume (The Island Girl, Nomura Hotei, 1933): on 35 mm, with music and effects track (October, Pordenone); a rare example of another Shochiku master silent film director Fièvre (Louis Delluc, 1921): DCP (Pordenone) Nebulvalyi Pokhid (An Unprecedented Campaign, Mikhail Kaufman, 1931): DCP (Pordenone) Seven Footprints to Satan (Benjamin Christensen, 1929): Hilarious / scary, reflexive, silent spoof on the «Old Dark House» genre, with title cards by Cornell Woolrich: DCP (Pordenone) Morænen (The House of Shadows, Anders Wilhelm Sandberg, 1924): on a beautiful, subtly shaded 35 mm print (Pordenone)

Having first experienced the film on television, via a worn 16 mm TV print, Warner's DVD presentation is a remarkable revelation: exquisite colour shading, atmospheric and often poetic cinematography, and dreamy close - ups of the emotionally strained characters.

The Dolby Digital soundtrack resides in the spaces between sprocket holes on 35 mm prints, next to the analog soundtrack.

, a feature - length documentary on the entire series (from the memorable Second Sight Films release of the film); In Search of the Hotel Broslin, a 2001 featurette with Henenlotter and rapper R.A. «The Rugged Man» Thornburn; a six - minute outtakes reel in HD from a 2K scan of a 16 mm print; The Frisson of Fission: Basket Case, Conjoined Twins, and «Freaks» in Cinema, a new video essay by Travis Crawford discussing the history of films featuring «freaks of nature»; a set of image galleries (promotional stills, behind the scenes, ephemera, advertisements, home video releases); a promo gallery featuring 3 theatrical trailers (all in HD from 4K sources), a TV spot (also in HD from a 4K source), and 2 radio spots; The Slash of the Knife, a rarely seen short film made by Henenlotter prior to Basket Case; an audio commentary on The Slash of the Knife by Henenlotter and Mike Bencivenga; outtakes and an image gallery from The Slash of the Knife; Belial's Dream, an animated short story by filmmaker Robert Morgan; and last but not least, a 28 - page insert booklet featuring the essay «Case History» by Michael Gingold, «Cham - pain in the Park!»

Friedkin will be signing copies of his memoir «The Friedkin Connection,» and then will screen his film Sorcerer on a classic 35 mm print (straight from the Paramount Pictures Archives).

These stickers are designed to be printed on Avery L7163 or stickers that are 99.1 x 38.1 mm.

These stickers print on white labels 24 to a page (63.5 mmx33.9 mm).

All 50th Anniversary Edition came equipped with a digital dash and ancillary gauges including average mileage, G - force, and compass readouts, in - car electronic adjustable shocks, Bodysonic speakers in the seats, cruise and radio controls in the steering wheel, mirrored t - tops, embroidered leather seats, embroidered floor mats, sixteen - inch (406 mm) aluminum wheels, rear fender flares, flared front fenders, a 50th AE logo badge on the driver's side front fender, and grey cloth indoor car cover with 50AE printing.

Because our print - on - demand services allow for a 1/16» (0.0625 in / 2 mm) variance in printing, any text or images that are too close to the trim edges could be cut in the printing and binding process.

On the plus side, the Nook Touch weighs 7.5 oz making it 35 % lighter than the original NOOK, 15 % thinner than the original NOOK, 32 mm shorter despite having the same screen size, battery like of 60 days instead of 10 days and high contrast Pearl screen gives the closer experience to printed paper.

MM print these out and then make notes on them if changes are needed

Presented on the third and fourth floors of the Museum, this comprehensive survey will bring together over 115 works, including paintings, sculptures, drawings, wallpapers and prints, early computer - based art, videos, and 16 mm films.

Gelatin silver print, 7 3/8 x 11 inches (190 x 278 mm), printed 1985, signed, titled, dated and numbered 3 from the edition of 25 in pencil on verso of print, pencil annotated with title and edition on the back mat.

Talia Smith, Seven Times over Seven Days (Time, Distance, Me and You), inkjet print on matte paper from a 120 mm photograph, bricks, plywood, 2016.

His photographs are lambda c - prints front mounted on acrylic glass and backed with 2 mm aluminum Dibond.

It is a digital pigment print on archival cotton rag paper (900 x 727.8 mm).

Gelatin silver print, 4 5/8 x 6 3/8 inches (115 x 160 mm), pri... Gelatin silver print, 4 5/8 x 6 3/8 inches (115 x 160 mm), printed 1984, signed, titled, dated and numbered 2 from the edition of 20 in pencil on verso of print, pencil annotated with title and edition on the back mat; Together with [Sand Creatures: Couple] 75 GL - 25.

Gelatin silver print, 6 3/8 x 4 5/8 inches (160 x 117 mm... Gelatin silver print, 6 3/8 x 4 5/8 inches (160 x 117 mm), printed 1980, signed, titled, dated and numbered 3 from the edition of 20 in pencil on verso of print, pencil annotated with title and edition on the back mat; Together with [Sand Creatures: Man on Towel] 71 HL - 24A.

Gelatin silver print, 17 x 12 1/8 inches (427 x 308 mm), signed, titled, dated and numbered 1 from the edition of 25 in pencil on verso of print, pencil annotated in another hand with title and edition on the back mat.

Photograph, C - print on paper, 254 x 203 mm.