Sentences with phrase «mm print so»

Not exact matches

I met Poppy last year in South Africa and she gifted me these pair and I've been saving them for a special occasion and this day felt just about right.Mary Katrantzou Dress (love this beautiful printed one as well) Dior So Real 48 mm Sunglasses (more colors at Nordstrom) Chanel Quilted Handbag Superga x Poppy Ntshongwana Lace Sneakers (the Rodarte collab here)

The transfer is good, but just can not capture all the detail the 35 mm print offered, so we'll have to wait for the Blu - ray and HD - DVD versions for that possibility.

I've never seen a 35 mm print of The Deep, so it's impossible for me to say whether this is an accurate representation of the film, but the cinematographer's experience with Technicolor photography suggests the saturation could well be intentional, if a bit unnatural.

You know, I'd trained, the first things I'd ever made in my film class were in black - and - white 16 mm, so there's echoes of that training to expose film, print film — I'd studied all of Ansel Adams's technical manuals, The Camera, The Negative, The Pprint film — I'd studied all of Ansel Adams's technical manuals, The Camera, The Negative, The PrintPrint.

I don't recall the 35 mm print I saw back in 1984 being quite so aggressively vibrant, but my memory could be faulty, and it's entirely possible that a good show print of Starman (or one of the 70 mm blowups) would have looked like this.

70 mm prints of Blade Runner featured six - track sound, so why didn't we get that mix here?

Working from multiple elements, including standard definition video masters and a 35 mm film print, a project team created a new uncropped, high definition digital master that better represents the pictorial quality of the original videography, so this will be a very special screening indeed.

Mastered from the original 35 mm camera negative, it's almost flawless (with a touch of fluctuating pixels in the neutral skies) and so clean that the hard vertical scratches 65 minutes into the film — the only blemishes on the print — are jarring.

12 or so «old» films, in the order in which I saw them: Night and the City (UK version, Jules Dassin, 1950): on 35 mm nitrate (May, Rochester) Until They Get Me (Frank Borzage, 1917): an incredibly advanced Western, on 35 mm (June, Bologna); Secrets (Frank Borzage, 1924) was also notable, DCP West Indies (Med Hondo, 1979): 35 mm, anamorphic color print (Bologna) Furcht (Fear, Robert Wiene, 1917): German «impressionism» before «expressionism,» 35 mm (Bologna) Mit hem är Copacabana (My Home is Copacabana, Arne Sucksdorff, 1965): A Swedish documentarian meets Brazilian Cinema Novo, DCP (July, Bologna) El rebozo de Soledad (Soledad's Shawl, Roberto Gavaldón, 1952), DCP (Bologna) Where would the Mexican Cine de Oro have been without Gabriel Figueroa's cinematography?