Angela Conner is one of Britain's most prolific sculptors who has created many of Europe's vast
mobile sculptures as well as life - like statues and portrait busts.
Not exact matches
A further example cutting this up by pasting on cardboard a copy of the painting and then cutting this up in shapes and building a construction of form
as a 3D
sculpture A Construction of a 3D
sculpture using cardboard to make a
mobile or standing
sculpture based on Cubism.
Activation: Alexander Calder's Cône d'ébène at Whitney Museum
As part of a series of Alexander Calder
mobile activations related to the Whitney Museum's current «Calder: Hypermobility» exhibition, the Calder Foundation's president, Alexander S. C. Rower, will spring his grandfather's 1933
sculpture Cône d'ébène into action this week.
Following the celebrated debut of the series during Salone del
Mobile in Milan, Studio Swine's innovative blossoming
sculpture New Spring will be presented at The Temple House
as an official satellite of Design Miami /, presented by Future \ Pace.
He is renowned for his invention of wire
sculpture — coined by critics
as «drawings in space» — and the
mobile, a kinetic
sculpture of suspended abstract elements whose actual movement creates ever - changing compositions.
Animated
as if by a life force, these works quickly came to be known
as «
mobiles,» a word that still brings to mind aerial, wind - activated
sculptures today.
His invention of the «
mobile», a term coined by Marcel Duchamp, in Paris in 1931 was among his most radical contributions, permanently transforming the landscape of art by introducing the concept of performativityas well
as actual kinetic qualities into
sculpture, engendering a redefinition of art beyond composition and material.
Officially known
as metamechanics, Tinguely's
sculptures appear light - hearted and fun, yet the dangerously spiked tail of the
mobile and the metallic grinding — even self - eroding — structure serve
as an ironic and satirical metaphor for commercial machines, overproduction and consumerism.
The artist recalls being mesmerized by the
mobiles of Alexander Calder and the
sculpture of Michael Steiner, whose name is less - known now than it was in the»60s and»70s when such powerhouse critics
as Clement Greenberg and Karen Wilkin hailed him
as an important figure.
Won by the terrific Helen Marten, who split the winnings with her fellow contenders, the Hepworth
sculpture prize exhibition (ends 19 February) ranges from Phyllida Barlow's rough - and - tumble slanted stage, with its cavernous undercroft, to David Medalla's delicate foam fountains, from Steven Claydon's
mobile phone masts disguised
as trees and rafts of fabricated tribal artifacts, to Marten's complex syntax games with objects and images.
Supplementing the works on display at the museum (
sculptures, installations, music), several works will exist only
as instructions accessible by
mobile phone or the Internet.
In this video, Alexander S. C. Rower (Chairman and President, Calder Foundation) and Oliver Wick (Curator at Large, Fondation Beyeler) talk about the title and the concept of the exhibition, the differences between the first and the second Calder Gallery at Fondation Beyeler, the restoration of the large outdoor
sculpture that will be on view again soon in the park of Fondation Beyeler, and specific works in the show, such
as the models for the avant - garde redesign of the Bronx Zoo, and the
mobiles The Forest is the Best Place and El Corcovado.
Traveled to: Washington University Art Gallery, St. Louis, Missouri, February 21 — March 26, 1965; Milwaukee Art Center, Wisconsin, February 25 — March 28, 1965; Des Moines Art Center, Iowa, April 28 — March 28, 1965;
as Mobiles and Stabiles by Calder, the Man Who Made
Sculpture Move, Art Gallery of Toronto, May 1 — 30, 1965.
The opening on June 14 will also mark the completion of Lisi Raskin's project,
Mobile Observation (Transmitting and Receiving) Station,
as well
as the reopening of Christian Philipp Müller's Hudson Valley Tastemakers, an earth
sculpture on the grounds of Bard College originally installed in 2003.
For Space Program: Europa, Sachs presents an immersive installation of large scale
sculptures including the
Mobile Quarantine Facility, Mission Control, and the Landing Exploration Module (LEM),
as well
as a variety of materials and equipment for conducting scientific experiments.
2015
Mobile M +: Live Art, M +, Hong Kong, China The Malady of Death: Écrire and Lire, commissioned by M + for
Mobile M +: Live Art, Hong Kong, China The Eighth Asia Pacific Triennial of Contemporary Art (APT8), Queensland Art Gallery, Brisbane, Australia Office Space, Yerba Buena Center for the Arts, San Francisco, USA Paradox of Place: Contemporary Korean Art, Seattle Asian Art Museum, Seattle, USA Remember Lidice, Edition Block, Berlin La vie moderne, 13th Biennale de Lyon, Lyon, France J'adore, Kunsthalle Lingen, Lingen, Germany Future Light, MAK — Austrian Museum for Applied Arts / Contemporary Art, Vienna, Austria Passing Leap, Hauser & Wirth, New York Scenes for a New Heritage: Contemporary Art from the collection, MoMA, New York, USA
As We Never Imagined: 50 Years of Art Making, STPI gallery, Singapore After Babel, Moderna Museet, Stockholm, Sweden Absolute Collection Guideline, Sifang Art Museum, Nanjing, China Storylines: Contemporary Art at the Guggenheim, Guggenheim Museum, New York, USA Works on Paper, Greene Naftali, New York, USA Fiber:
Sculpture 1960 - present, Des Moines Art Center, Iowa, USA Temporary Permanent, Galerie Wien Lukatsch, Berlin, Germany Feminismen, Nordsternturm Videoart Center, Gelsenkirchen, Germany Suppleness and Rigidity — The Art of the Fold, Kunstraum Alexander Bürkle, Freiburg, Germany The past, the present, the possible, Sharjah Biennale 12, Sharjah, UAE Scenes for a New Heritage: Contemporary Art from the Collection, MoMA, New York, USA Man in the Mirror, Vanhaerents Art Collection, Brussels, Belgium 360 °: Die Rückkehr der Sammlung, Stiftung Kunstmuseum Stuttgart, Stuttgart, Germany
Alexander Calder also employed aluminum, often in combination with other metals such
as steel, to create his celebrated
mobile sculptures.
It was Marcel Duchamp that christened these
sculptures as «
mobile» — in French,
mobile both means motive and
mobile.
In the end of its evolution, Calder's
mobile could be defined
as a kinetic
sculpture made with delicately balanced or suspended components which move in response to motor power or air currents.
This constellation of key
sculptures brings together major examples of Calder's work dating from the 1930s and includes early motor - driven abstractions and sound - generating gongs
as well
as the standing and hanging
mobiles for which he is best known.
He's an incredibly inventive artist and one of the things the exhibition is trying to do is look at, with his invention of the
mobile, how that revolutionised
sculpture as a practice.
Djordjadze is also presenting Matisse - inspired
mobile sculptures within the Frieze London tent
as part of Frieze Projects, the fair's programme of site - specific commissions.
The Deluge Group is creating a
mobile sculpture trailer, which serves
as a place of production and vehicle for the exhibition and sale of a wide range of art objects, trash constructions and objects of social parody, and other creative forms of exchange.
The county also reconfigured the 28 - by -28-foot
sculpture by adding weights to hoist up a portion of the
mobile that it deemed
as hanging too low and then attached a motor because, with the added weight, the
mobile would no longer rotate on its own.
Sound
Sculpture, a three - piece sound installation (with instruments such
as cowbells on drum petals and an xylophone) played manually, by singing into a
mobile phone or by downloading drum - machine software (Location: corner of Stephanie and John streets, south of Grange Park)
Audiences are encouraged to engage, explore and participate in this colourful exhibition - visitors can try on his wearable «Parangolés» and enjoy the fun of dressing up
as a
mobile sculpture.
«Calder Acclaimed
as Father of the
Mobile, Whirling
Sculpture.»
Alexander Calder largely stood apart from other modernist sculptors with his brightly colored
mobiles and stabiles, which have since been widely influential,
as in the large, brightly colored
sculpture of Albert Paley.
While not typically compared to Dalí or Picasso, Curry's brightly colored biomorphic
sculptures, disorienting wall - paper, and three - dimensional paintings are often described
as contemporary kin to the work of Jean Dubuffet and
mobile master Alexander Calder.
(1898 - 1976) was an American sculptor who conceived a unique form of wire
sculpture, known
as «drawings in space,»
as well
as his signature «
mobiles,» which incorporated suspended abstract elements to create a kinetic
sculpture.
Conducted on the occasion of the exhibition Teatro delle Esposizioni at the Villa Medici, this
sculpture is
as a
mobile stage, polychrome, composed of eight distinct parts, infinitely reconfigurable and offering the possibility of staging in situations still unpublished, artistic practices (music, dance, theater)... or strictly intellectual.
As a result, many new types and forms of
sculpture were pioneered by American artists, including monumental stonework (Mount Rushmore), Kinetic art (
mobiles), assemblage, minimalist structures, photorealist statues, pop
sculptures, environmental earthworks, and multi-media
sculpture.
Alexander Calder (1898 - 1976) is known
as the originator of the
mobile, a type of kinetic
sculpture made with delicate balances or suspended elements moving in response to motor power or wind.
Following a visit in October of 1930 to Mondrian's studio, where he was impressed by the environment and actuation of space, Calder made his first wholly abstract compositions and invented the kinetic
sculpture now known
as the
mobile.
For Sterling Ruby's second solo exhibition at Sprüth Magers, Berlin, he presents works from his SCALES series of
mobile sculptures — conceived for the first time
as a single installation.
Ruth Asawa, American artist known for her abstract wire
sculptures, many of which were displayed suspended
as mobiles.
Ruth Asawa, in full Ruth Aiko Asawa, (born January 24, 1926, Norwalk, California, U.S. — died August 6, 2013, San Francisco), American artist known for her abstract wire
sculptures, many of which were displayed suspended
as mobiles.
Pryor, an abstract painter, has been curating the unique shows at the gallery for two years, creating shows such
as «Fashioned: One Becomes Another,» in 2011, which saw him collaborate with Project Runway designer Christopher Straub to turn his abstract images into fashion pieces that were like
mobile three - dimensional
sculptures.
Elsewhere, cocking a snook at the idea of art
as commodity, Matthew Darbyshire has redesigned the fair's ticket office in lurid pink (inspired, apparently, by the interior of a certain
mobile - phone store) and Gabriel Kuri has replaced the ashtrays with
sculptures.
Other modern sculptors like Jean Arp (1886 - 1966)
as well
as Henry Moore (1898 - 1986) and Barbara Hepworth (1903 - 75)- leaders of modern British
sculpture - were experimenting with new forms of biomorphic / organic abstraction, while the American Alexander Calder (1898 - 1976) was pioneering
mobile sculpture and kinetic art, and David Smith (1906 - 65) was developing abstract metal
sculpture.
Shaw and Loren will talk about their roles in
Mobile Homestead, and Mike Kelley Foundation for the Arts Executive Director Mary Clare Stevens joins them in discussing the
sculpture's function
as public art, community space and private architecture.
Renowned for his large - scale
sculptures, innovative
mobiles,
as well
as stabiles, wire
sculptures, paintings, toys and jewelry, Calder developed a unique abstract sculptural language.
Calder (1898 - 1976) is best known for his «
mobiles» (
as named by Marcel Duchamp), «stabiles» and
as the pioneer of kinetic
sculpture playing an essential role in 20th century modernism.
The modernist interest in motion in
sculpture is represented by a «
mobile» and a «stabile» by Alexander Calder,
as well
as a motorized
sculpture by José de Rivera.