Not exact matches
A further example cutting this up
by pasting on cardboard a copy of the painting and then cutting this up in shapes and building a construction of form as a 3D
sculpture A Construction of a 3D
sculpture using cardboard to make a
mobile or standing
sculpture based on Cubism.
Following the celebrated debut of the series during Salone del
Mobile in Milan, Studio Swine's innovative blossoming
sculpture New Spring will be presented at The Temple House as an official satellite of Design Miami /, presented
by Future \ Pace.
The inaugural exhibition in 1992 took place at Hauser & Wirth's first gallery, located in the first - floor apartment of an Art Deco villa in the heart of Zurich; it united
mobiles and gouaches
by Alexander Calder with
sculptures and paintings
by Joan Miró.
He is renowned for his invention of wire
sculpture — coined
by critics as «drawings in space» — and the
mobile, a kinetic
sculpture of suspended abstract elements whose actual movement creates ever - changing compositions.
Animated as if
by a life force, these works quickly came to be known as «
mobiles,» a word that still brings to mind aerial, wind - activated
sculptures today.
His invention of the «
mobile», a term coined
by Marcel Duchamp, in Paris in 1931 was among his most radical contributions, permanently transforming the landscape of art
by introducing the concept of performativityas well as actual kinetic qualities into
sculpture, engendering a redefinition of art beyond composition and material.
He is a father of «
mobiles», kinetic
sculptures of flat metal pieces connected
by a wire that moved delicately in the air.
After joining the French artists group Abstraction - Création, Calder began to perfect his trademark
mobile sculptures, influenced
by the abstract, non-traditional styles of fellow artists like Marcel Duchamp and Joan Miró.
The artist recalls being mesmerized
by the
mobiles of Alexander Calder and the
sculpture of Michael Steiner, whose name is less - known now than it was in the»60s and»70s when such powerhouse critics as Clement Greenberg and Karen Wilkin hailed him as an important figure.
He travelled to Paris in the 1920s where he developed his wire
sculptures and
by 1931 had invented the
mobile, a term first coined
by Marcel Duchamp to describe Calder's motorised objects.
Drawing upon social -
sculpture practice where other strategies have failed, Saro - Wiwa advances different ways of knowing about the Niger Delta and its global implications while prompting a reconsideration of the parameters of contemporary «Afropolitan» identities — a term coined in 2005
by writer Taiye Selasi to describe the transnational experience of a new generation of globally
mobile Africans.
Sculptural constructions
by Richard Stankiewicz, Betye Saar, and Abe Ajay, a
mobile by Alexander Calder, a large glass piece
by Dale Chihuly, and several large - scale metal pieces
by Seymour Lipton — some of which are currently on view in the Hamer
Sculpture Garden — round out the museum's collection of post-war s
Sculpture Garden — round out the museum's collection of post-war
sculpturesculpture.
Featuring bronze
sculptures of giant, pre-historic vertebrae and a film inspired
by NASA data of extrasolar meteors, the commission centres around a large
mobile of 24 electronic star maps.
Won
by the terrific Helen Marten, who split the winnings with her fellow contenders, the Hepworth
sculpture prize exhibition (ends 19 February) ranges from Phyllida Barlow's rough - and - tumble slanted stage, with its cavernous undercroft, to David Medalla's delicate foam fountains, from Steven Claydon's
mobile phone masts disguised as trees and rafts of fabricated tribal artifacts, to Marten's complex syntax games with objects and images.
These observations led me to develop a
mobile app, called FDM: In the Garden, that will combine information about the
sculptures and sculptors in the garden with creative and restorative activities,
by presenting users with a daily challenge meant to educate, motivate, and rejuvenate.
Supplementing the works on display at the museum (
sculptures, installations, music), several works will exist only as instructions accessible
by mobile phone or the Internet.
Traveled to: Washington University Art Gallery, St. Louis, Missouri, February 21 — March 26, 1965; Milwaukee Art Center, Wisconsin, February 25 — March 28, 1965; Des Moines Art Center, Iowa, April 28 — March 28, 1965; as
Mobiles and Stabiles
by Calder, the Man Who Made
Sculpture Move, Art Gallery of Toronto, May 1 — 30, 1965.
Mobile Homestead is the new installation
by the american artist Mike Kelley, a moving
sculpture which leaves from its new home in Midtown Detroit to its native home in the suburbs.
«Elements of Peace» consists of 47 recent paintings, works on paper,
sculpture,
mobiles and maquettes of large multi-dimensional constructions, and features works that range from vivid explosions of color
by which the artist is recognized, to newer subtle white meditative paintings.
2015
Mobile M +: Live Art, M +, Hong Kong, China The Malady of Death: Écrire and Lire, commissioned
by M + for
Mobile M +: Live Art, Hong Kong, China The Eighth Asia Pacific Triennial of Contemporary Art (APT8), Queensland Art Gallery, Brisbane, Australia Office Space, Yerba Buena Center for the Arts, San Francisco, USA Paradox of Place: Contemporary Korean Art, Seattle Asian Art Museum, Seattle, USA Remember Lidice, Edition Block, Berlin La vie moderne, 13th Biennale de Lyon, Lyon, France J'adore, Kunsthalle Lingen, Lingen, Germany Future Light, MAK — Austrian Museum for Applied Arts / Contemporary Art, Vienna, Austria Passing Leap, Hauser & Wirth, New York Scenes for a New Heritage: Contemporary Art from the collection, MoMA, New York, USA As We Never Imagined: 50 Years of Art Making, STPI gallery, Singapore After Babel, Moderna Museet, Stockholm, Sweden Absolute Collection Guideline, Sifang Art Museum, Nanjing, China Storylines: Contemporary Art at the Guggenheim, Guggenheim Museum, New York, USA Works on Paper, Greene Naftali, New York, USA Fiber:
Sculpture 1960 - present, Des Moines Art Center, Iowa, USA Temporary Permanent, Galerie Wien Lukatsch, Berlin, Germany Feminismen, Nordsternturm Videoart Center, Gelsenkirchen, Germany Suppleness and Rigidity — The Art of the Fold, Kunstraum Alexander Bürkle, Freiburg, Germany The past, the present, the possible, Sharjah Biennale 12, Sharjah, UAE Scenes for a New Heritage: Contemporary Art from the Collection, MoMA, New York, USA Man in the Mirror, Vanhaerents Art Collection, Brussels, Belgium 360 °: Die Rückkehr der Sammlung, Stiftung Kunstmuseum Stuttgart, Stuttgart, Germany
Also opening on Saturday at the Knockdown Center is A Way From Home, a
mobile art project
by J. McDonald, which will present a solo
sculpture show of his work in «New Environments for the Modern Creature».
Also bronze
sculptures, beautiful handmade silver jewellery
by Derek Apps and unusual
mobiles by Edward Willis.
The county also reconfigured the 28 -
by -28-foot
sculpture by adding weights to hoist up a portion of the
mobile that it deemed as hanging too low and then attached a motor because, with the added weight, the
mobile would no longer rotate on its own.
Miles has large - scale figurative works across the country - a national landmark in California [the Grape Crusher in Napa Valley] and several figurative works in the collection of Walt Disney [Seven Dwarfs at Walt Disney headquarters]; Miles» largest
mobile sculpture is hanging in Noblesville, Indiana after it was commissioned
by the owners of Performance Marketing Group.
Sound
Sculpture, a three - piece sound installation (with instruments such as cowbells on drum petals and an xylophone) played manually,
by singing into a
mobile phone or
by downloading drum - machine software (Location: corner of Stephanie and John streets, south of Grange Park)
Calder Jewellery explores the lifelong output of wearable art pieces made for family and friends
by one of the most innovative and influential figures in 20th - century art, best known for his iconic
sculptures and
mobiles.
15 April: The Clay Club Gallery, New York, presents «Benefit: Exhibition of Sale of
Sculpture to Help Raise Funds for the
Sculpture Center» and includes a standing
mobile by Calder.
Calder wins first prize in the
sculpture category for Pittsburgh, a monumental
mobile, which is purchased
by and installed at the Greater Pittsburgh Airport.
Mobiles and Stabiles
by Calder, the Man Who Made
Sculpture Move.
Some of these major monumental
sculpture commissions include:.125, a
mobile for the New York Port Authority that was hung in Idlewild (now John F. Kennedy) Airport (1957); Spirale, for UNESCO, in Paris (1958); Teodelapio, for the city of Spoleto, Italy (1962); Trois disques (Man), for the Expo in Montreal (1967); El Sol Rojo, installed outside the Aztec Stadium for the Olympic Games in Mexico City; La Grande vitesse, the first public art work to be funded
by the National Endowment for the Arts (NEA) for the city of Grand Rapids, Michigan (1969); and Flamingo, a stabile for the General Services Administration in Chicago (1973).
He is best known for his colorful, whimsical abstract public
sculptures and his innovative
mobiles, kinetic
sculptures powered
by motors or air currents, which embraced chance in their aesthetic.
Featured works include an almost 12» tall
sculpture of a leaning fork with a meatball and spaghetti
by Oldenburg, a metal Calder
mobile c. 1948, a new neon light work from Sonnier, and an Incomplete Open Cube
by LeWitt from 1974.
As a result, many new types and forms of
sculpture were pioneered
by American artists, including monumental stonework (Mount Rushmore), Kinetic art (
mobiles), assemblage, minimalist structures, photorealist statues, pop
sculptures, environmental earthworks, and multi-media
sculpture.
At his current show at the New Orleans Museum of Art, Rolón has, among the macrame and artificial flowers, a
sculpture called Nomadic Habitat (Hustleman), a
mobile cart inspired
by the street vendors of New Orleans and the Caribbean.
Following a visit in October of 1930 to Mondrian's studio, where he was impressed
by the environment and actuation of space, Calder made his first wholly abstract compositions and invented the kinetic
sculpture now known as the
mobile.
2003 Greetings from New York, A Painting Show, Galerie Ropac, Salzburg, Austria ON, Inaugural Group Show, Renos Xippas Gallery, Athens, Greece Jessica Stockholde: «Table Top
Sculpture», Gorney Bravin + Lee, New York, USA Perpetuum
Mobile, 40 Jahre Galerie Rolf Ricke, Cologne, Germany (curated
by Günter Umberg) Intricacy, Institute of Contemporary Art Philadelphia, Pennsylvania; traveled to Yale University, New Haven, Connecticut, USA (curated
by Greg Lynn) New Abstract Painting — Painting Abstract Now: Abstraktion in der neuen Malerei, Museum Morsbroich Leverkusen, Germany Painting Pictures, Malerei und Medien im digitalen Zeitalter, Kunstmuseum Wolfsburg, Germany (curated
by Gijs van Tuyl and Annelie Lütgens) Trespassing: Houses X Artists, Bellevue Art Museum, Washington; traveled to MAK Center for Art and Architecture, Los Angeles, California; traveled to the University of South Florida Contemporary Art Museum, Tampa; traveled to Blaffer Gallery at the University of Houston, Texas; traveled to the Palm Springs Desert Museum, California, USA (curated
by Linda Taalman and Alan Koch) Schokolade, was denn sonst: Sammlung Rolf Rick, Kunstraum Innsbruck, Austria We Love Painting: The Contemporary American Art from Misumi Collection, Museum of Contemporary Art, Tokyo, Japan New Abstract Painting — Painting Abstract Now, Abstraktion in der neuen Malerei, Museum Morsbroich, Leverkusen, Germany (curated
by Ute Riese) Postimpact, Portalakis Collection, Athens, Greece
These
sculptures were named «
mobiles»
by Marchel Duchamp.
I am writing this statement not quite knowing what the immediate outcome will be, but am aware of the potential collective impact that this distinctive community of creators will have with Brian Belott's innovations in collage, Ákos Birkás's philosophy about painting a certain situation, Regina Bogat's devotion to art making with clever variations on certain abstract themes, Matt Bollinger's extra-large and bracing graphite drawings, Paul DeMuro's painterly electricity, Marc Desgrandchamp's time - fragmented paintings, Michael Dotson's paintings of the «Disney - esque,» Michel Huelin's relationship with nature and software, Irena Jurek's very meaningful cat character, Alix Le Méléder's proposals of four colors determined
by the passage of the brush, David Lefebvre's painted images cut out of magazines or downloaded from a
mobile phone, Pushpamala N.'s ethnographic documentations which have been compared to Cindy Sherman, Wang Keping's unique wooden
sculptures that juxtapose vivid emotion with a marked sense of introversion, Katharina Ziemke's pictorial treatment of current events, and me, the co-host with a small drawing.
You'll also want to see Thea Djordjadze's
mobile sculptures inspired
by Henri Matisse's «Swiss cheese plants» and the ongoing complex project of printed matter in the art world
by castillo / corrales.
Elsewhere, cocking a snook at the idea of art as commodity, Matthew Darbyshire has redesigned the fair's ticket office in lurid pink (inspired, apparently,
by the interior of a certain
mobile - phone store) and Gabriel Kuri has replaced the ashtrays with
sculptures.
The general public is welcome to walk through the old entryway on Third Street or the new one on Howard and mingle among a massive steel
sculpture by Richard Serra, a suspended
mobile by Alexander Calder and a mural
by LeWitt.
Red Lily Pads (1956), a painted steel
sculpture by Alexander Calder spanning nearly 17 feet that will be suspended over the rotunda's fountain, underwent extensive historical research and analysis, resulting in a beautifully integrated surface and restoration of the
mobile's proper balance.
Calder (1898 - 1976) is best known for his «
mobiles» (as named
by Marcel Duchamp), «stabiles» and as the pioneer of kinetic
sculpture playing an essential role in 20th century modernism.
The modernist interest in motion in
sculpture is represented
by a «
mobile» and a «stabile»
by Alexander Calder, as well as a motorized
sculpture by José de Rivera.
The TimeStand Charging Stand
by Just
Mobile is akin to a tiny
sculpture for your desk or nightstand to proudly display (and, charge!)
A dramatically different take on a trad
mobile is the light fantastic hanging Cloud hanging
sculpture, from # 152,
by Magis Collection Me Too at Made in Design.