Sentences with phrase «mode of my artistic practice»

Often working in collaboration with artists, dancers, musicians, and writers, he invented new interdisciplinary modes of artistic practice that helped set the course for art of the present day.

It arrived at a moment when a new interest in evolutionary theory — both in science and philosophy — mixed with a mode of artistic practice favouring ethnographic research, which has now become known as the «anthropological turn».

This presentation forms part of Ritchie's ongoing project to explore the diagram as an essential mode of artistic practice and offers both an artist's history of the diagram and a partial overview of its status, presence and use today.

Working alone and in collaboration with artists, dancers, musicians, and writers, he invented new, interdisciplinary modes of artistic practice that set the course for art of the present day.

In an age in which social media has dominated our public and private lives, and issues of identity and representation abound, performance is a contemporary mode of artistic practice.

I find this sad because practising at the periphery often allows for leeway in modes of artistic practice and intellectual negotiation that inclusion in central power structures habitually prohibits.

Furthermore, some have suggested that conceptualism is a mode of artistic practice that serves to reinforce white supremacy.

Working alone and in collaboration with artists, dancers, musicians, and writers, he invented new, interdisciplinary modes of artistic practice that helped set the course for art of the present day.

Not exact matches

Reinventing the Wheel: the Readymade Century pays tribute to this seminal work and traces the subsequent elaboration of neo-dada practices, with a particular focus upon everyday and vernacular contexts; the mysterious and libidinous potential of sculptural objects; institutional critique and nominal modes of artistic value; pop, minimalism and industrial manufacture.

Confronting traditional practices of display and encouraging new, open modes of artistic creation, MATRIX provides an experimental framework for an active interchange between the artist, the museum, and the viewer.

It includes a foreword by Serpentine Galleries CEO, Yana Peel and Artistic Director, Hans Ulrich Obrist; as well as two newly commissioned texts: Alex Kitnick has contributed an essay that draws links between the sites of production and exhibition of Guyton's work; and Flame have written about the modes of temporality within Guyton's practice.

Such duality was at the heart of his artistic practice, which consistently employed modes of representation and abstraction, geometric and organic form, and emotional content ranging from joy to rage.

The aim is to create a space for dialogue between artists working in a variety of modes and media, to catch a glimpse of current artistic practice in South Africa and elsewhere.

Some of the issues to be expanded upon are: research as artistic production; the problematic question of agency within co-production; professionalization versus the instinctual amateur; writing as curatorial practice; the exhibition as a form of research action; expanded notions of the curatorial and the role of research models and methodologies within these; art writing as a curatorial form, and the distinction between research into curatorial practice / exhibition histories and the curatorial as in itself a mode of research practice.

It is probably this dual principle, which characterizes Rudolph's entire artistic practice: Transforming historical modes of artistic expression for contemporary appropriations, while passing on the distant echoes of the enchanted worldviews of premodern ages.

The presence of neo-modernist tendencies can also be observed in artists who have developed various modes of abstraction within their distinctive artistic practices, such as Sergej Jensen, Tauba Auerbach, Ann Cathrin November Høibo and Fredrik Værslev.

Embracing fashion as a mode of human togetherness, the focus of both her artistic practice and her teaching is on the relational and empowering aspects of fashion, advancing cooperative models of production and exchange.

The three practices in the exhibition, two artistic and one curatorial, represent three modes of creative production as well as different generational ideas on working in the cultural sphere.

Discussion topics will include the current trajectory of contemporary African art production and practice in a global context, and explore modes of existing, retrospective and theoretical artistic practice.

Its focus on artistic programmes will enable different actors to expand on present - day research interests, modes of production and display, and how these curatorial practices can shape the institution that generates them.

An exploration of the various ways in which sensibility is shaped, which is generated, expressed and understood in artistic practices and divergent modes of thought and reflection as arising from and in works of art, while recognizing the multiple connections that can be established between art, philosophy and politics.

It is the Audain gallery's mission to encourage «conceptual and experimental projects that explore the dialogue between the social and the cultural in contemporary artistic practices» and SFU prides itself on its adherence to the principles of an autodidactic education, placing an emphasis on «self - directed and individual modes of learning».

To this end, Witte de With hosts a convocation of artists, thinkers, and producers currently engaged in these newer platforms — spanning artistic practice, exhibition and institution making, education, publishing, and others — to discuss how novel, and at times heterodox, modes of address, support, and management have reshaped — for better and for worse — the ways ideas spread.

Bringing together contemporary works that engage with, respond to, or otherwise reference history, this exhibition is devoted to highlighting the ongoing dialogue between current artistic practices and earlier styles, preoccupations and modes of production.

Today we are experiencing a renaissance in this mode of artistic expression, due, in large part, to the National College of Arts in Lahore, Pakistan (NCA), which since the 1980s has taught this traditional practice of wasli paper - and brush - making techniques, paint mixing, narrative style, and iconography.

The French theorist's obsession with things and their absence, reality and its disappearance into illusion, set the stage for much of the appropriation art of the 1980s, which is today acknowledged as one celebrated mode in contemporary artistic practice.

Coined by Russian painter Kazimir Malevich in 1915, Suprematism declared a break with traditional modes of representation, embracing geometric abstraction and aiming to revolutionize artistic practice with an autonomous visual language of «pure artistic feeling.»

This previous career informs his artistic practice, and much of his work has focused on the action of breaking free from disciplinary modes of being and subverting existing codes of conduct.

- If Art Can Start Anew Again - An exhibition of 16 Chinese and international photographers, it explores artistic practices in the current atmosphere of ultra-rapid development of technology, as we find ourselves overwhelmed by new technologies and new modes of consumption.

Merce Cunningham's dedication to pursuing the use of new technologies through his practice made him a central figure not only to the development of new forms of dance making but also to a community of artists who used the projected image as a mode of performance and artistic practice.

In other words, Simmons is committed equally to the examination of different artistic modes and processes; for example, she may dedicate part of a year to photography, another part to performance, and other parts to installation, video, and sound works - keeping her practice in constant and consistent rotation, shift, and engagement.

In the mid-1980s, geometrical abstraction was, for many, the artistic mode where the most exciting lines of thought, turns of style and artistic practices converged.