Nature is in fact always much richer and more complex than our
imaginative and mathematical
models, and we unduly shrivel our understanding of the cosmos if we equate it in a simple
way with our scientific schemes.
Revelation is comparable to the surprising appearance in science of
imaginative models that, all in a flash, illuminate the world of nature and tie together previously unexplained enigmas in a fresh
way.
In a recent episode of his absorbing podcast, «Revisionist History,» cultural critic Malcolm Gladwell interrogates a statue
modeled after a news photograph of a confrontation in 1963 between a police officer with a dog and a young black boy in Birmingham, Alabama.1 Made by African American sculptor Dr. Ronald McDowell, The Foot Soldier (1995) is far more horrific than the photo, Gladwell convincingly argues, because it bears an added
imaginative potency: the narrative is told by a traditionally silenced voice, and for Gladwell this «is just what happens when the people on the bottom finally get the power to tell the story their
way.»