Sentences with phrase «modem man»

In Germany, Rudolf Bultmann has said that modem man can no longer speak of a God who acts in nature and history and has proposed a «demythologized» version of the gospel.

This is the view of the cultural anthropologists, and it has had a significant impact on the thinking of modem man.

It is no wonder that modem man can not see the relevance of theology.

There can be no doubt that even the most cultured modem man who has at his disposal all the technical art of our day, needs to pray; indeed, deep in his heart wants to pray.

was so vital for Bonhoeffer that he lost interest when the two elements were separated: Christology not qualified by something like non-religious interpretation became an unrelated entity and suffered a fatal loss of reality; nonreligious Christianity without Christocentrism became a Sisyphean endeavour of modem man to adjust to a newly discovered self and world.24

The first step in bringing back to modem man the possibility of belief is a negative one — the destruction of the hellenic legacy of a dualistic reality.

In contrast to people in biblical times «modern man acknowledges as reality only such phenomena or events as are comprehensible within the framework of the rational order of the universe... the thinking of modem men is really shaped by the scientific world - view, and.

It is the causal agent in so - called «cultural evolution» which made the difference between cave man and modern man, and will make the difference between modem men and men of the future.

Not exact matches

The feminist position springs not from the premise of our dignity, which applies to men as well as women and would preclude such partisan perversions of semantics, but from responding to the pernicious modem premise that sex is a drink of water with the equally wrongheaded premise that any politically incorrect act by a man is a glass of poison.

One can not view the whole gigantic production apparatus of modem advanced societies and the perennial preoccupation of mankind with making a living without being impressed by the dominance of physical demands in the life of man.

We must take pains to show that acceptance of Jesus Christ as Lord does not carry with it the three - storey universe; that to be a Christian does not imply that one believes that God is the immediate cause of all that happens, however true it may be that he is «first» and «final» cause; and that the findings of modem science as to how God in fact works in the world only illuminate the central truth that in Christ he has worked with a singular intensity and (as we might say) directness to bring to men wholeness of life.

Most men until modem times prepared for and enacted their own dying» with a sense of calm, even matter - of - factness.

But let us come back to biology, and particularly to the ideas of modem biology as affecting man's views of nature and his own place in it.

This is such a huge subject that I must beg indulgence, therefore, if I give my space to but a small fraction of the historic faith — namely its main emphases on God, Christ, the Church, and eternal life — and consider only these in our modem context, in the effort to discover what values they may have for men and women who are tossed about in an unsettled world, with an uncertain future, and doomed — almost certainly it seems — to a doubtful truce of arms, at worst to a war which threatens to annihilate man as we have known him and in any event to leave us a bare existence such as we can eke out on a totally devastated planet.

To that extent, there is some validity to the widespread notion that there is such a thing as a «modem worldview,» and perhaps even such a creature as «modern man.»

But neither the monarchial nor the dialogic model illuminates the relation of God and man to nature as understood by modem science, which a sufficiently comprehensive model must take into account.

I had a sweet modem with the cpc464, ah man times have changed.

Weiblichkeit im Surrealismus, Kunsthalle Bielefeld, Bielefeld, Germany The Promisse of Photography, Schim Kunsthalle, Frankfurt, Germany Collaboration with Parkett, 1984 to Now, The Museum of Modern Art, NYC, NY, USA Audit, Casino Luxembourg, Luxembourg 24 h International Biennale of Graphic Arts, Ljubljana, Slovenia World Without End: Aspects of 20th Century Photography, Art Gallery of New South Wales, Sydney, Australia Melodrama, Tate Gallery, Liverpool, UK Trauma, Hayward Gallery in collaboration with Dundee Contemporary Arts, London, UK Australian Art and Society 1901 - 2001, National Gallery of Australia, Australia 2000 12th Biennale of Sydney, Art Gallery of New South Wales, Sydney, Australia Deep Distance - Die Entfiernung der Fotografie, Kunsthalle Basel, Switzerland Veronica's Revenge, Contemporary Perspectives on Photography, Museum of Contemporary Art, Sydney, Australia Photography Now, Contemporary Art Center, New Orleans, USA Flight Patterns, Museum for Conternporary Art, Los Angeles, USA Behind ihe Scenes, The Museum of Contemporay Photography, Chicago, USA Presumed Innocent, capc Musée d'Art contemporain de Bordeaux, France Artist Films, Kunstverein München, Munich, Germany 1999 Konstruksjon eller virkelighet, Lillehammer Kunstmuseurn, Lillenhammer, Norway La Casa, il Corpo, Il Cuore, Museum für Moderne Kunst, Stiftung Kunst, Vienna, Austria Wohin kein Auge reicht, Deichtorhallen, Hamburg, Germany Das Versprechen der Photographie (The Promise ofPholography), Selections from the DG Bank Collection, PS 1 Contemporary Art Centre, New York Kunstwelten im Dialog, Museum Ludwig, Köln, Germany Nuevas Visiones, Nuevas Pasiones, Fundación Marcelino Botin, Santander, Spain 1998 Family Viewing, Museum of Contemporary Art, Los Angeles, USA Portraits, Paul Morris Gallery, New York, USA Echolot, Museum Fridericianum, Kassel, Germany Die Nerven enden an den Fingerspitzen, Die Sammlungen Wilhelm Schurmann, Kunsthaus Hamburg, Germany Strange Days: Guinness Contemporary Art Exhibition, Art Gallery of New South Wales, Sydney, Australia Nature of Man, Lund Konsthall, Lund, Sweden «Roteiros» x 7 XXVI Bienal de São Paulo, São Paulo, Brazil Life is a bitch, De Appel Foundation, Amsterdam, Netherlands Pusan International Contemporary Art Festival, Pusan, Korea Fleeting Portraits, Neue Gesellschaft für bildende Kunst, Berlin, Germany 1997 Venice Biennale, Venice, Italy Site Santa Fe, Santa Fe, New Mexico, USA 1996 Fundacao Bienal de São Paula, São Paulo, Brazil» Campo 6», The Spiral Village, Museum of Modem Art, Torino, Italy Jurassic Technologies Revenant, 10 th Biennale of Sydney, Australia Prospect 96, Schirn Kunsthalle, Frankfurt, Germany 1995 Antipodean Currents, The Guggenheim Museum (Soho), New York, USA»95 Kwangiu Biennale, Kwangju, Korea